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DTSTART;TZID=America/New_York:20261025T140000
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DTSTAMP:20261008T182826Z
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UID:10009343-1792936800-1792942200@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-25/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261025T140000
DTEND;TZID=America/New_York:20261025T153000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009333-1792936800-1792942200@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-25/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261024T193000
DTEND;TZID=America/New_York:20261024T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009342-1792870200-1792875600@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-24/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261024T193000
DTEND;TZID=America/New_York:20261024T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009332-1792870200-1792875600@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-24/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261023T193000
DTEND;TZID=America/New_York:20261023T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009341-1792783800-1792789200@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-23/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261023T193000
DTEND;TZID=America/New_York:20261023T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009331-1792783800-1792789200@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-23/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T193000
DTEND;TZID=America/New_York:20261022T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009330-1792697400-1792702800@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-22/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261018T190000
DTEND;TZID=America/New_York:20261018T213000
DTSTAMP:20261015T175658Z
CREATED:20261015T175658Z
LAST-MODIFIED:20261015T175658Z
UID:10009361-1792350000-1792359000@thectbeacon.com
SUMMARY:The Rocky Horror Picture Show with RKO Army LIVE!
DESCRIPTION:  \nAt a Glance\n\n\n\n\nWhat: Interactive screening of the 1975 cult-classic musical comedy-horror film with a live shadow cast\nWhen: Sunday\, October 18\, 2026\, at 7 p.m.\nLocation: Garde Arts Center\, 325 State Street\, New London\, CT 06320\nAdmission: $26 per person\, plus applicable fees\nFeatured Performers: RKO Army\, performing alongside the film\nExperience: 4K digital projection\, surround sound\, audience participation\, costumes\, and sing-alongs\nIncluded: Audience participation prop bag with every ticket\nFilm Runtime: 1 hour\, 40 minutes\nRating: R\nConcessions: Movie snacks and alcoholic beverages available for purchase\nParking: Free weekend street parking and nearby municipal lots; paid parking garages also available\nAccessibility: Accessible orchestra-level seating and assistive listening options; contact the box office for arrangements\nBox Office: (860) 444-7373\, extension 1 \n\n\nEvent Description\nThe Rocky Horror Picture Show with RKO Army LIVE! brings one of cinema’s most enduring cult classics to the Garde Arts Center in New London on Sunday\, October 18. The 1975 musical comedy-horror film returns to the big screen with a live shadow cast\, audience participation\, costumes\, and plenty of opportunities to sing\, shout\, and become part of the action. \nPresented as part of the Garde’s Real Movie Palace Experience\, the screening combines 4K digital projection and surround sound with the theatrical antics of RKO Army\, a performance troupe specializing in bringing The Rocky Horror Picture Show to life. \nThis is not an ordinary night at the movies. Audience members are encouraged to dress as their favorite characters\, call out familiar lines\, and participate in the film’s most memorable moments. Every ticket includes a bag of props designed to help newcomers and longtime fans join the fun. \nThe Cult Classic That Refuses to Grow Old\nWhen The Rocky Horror Picture Show premiered in 1975\, it was hardly an immediate mainstream success. Adapted from Richard O’Brien’s stage musical The Rocky Horror Show\, the film initially struggled to find an audience before becoming a phenomenon through late-night screenings and word of mouth. \nThe story begins with Brad Majors and Janet Weiss\, a newly engaged couple whose car breaks down during a storm. Seeking help\, they arrive at a mysterious castle inhabited by an eccentric collection of characters led by Dr. Frank-N-Furter\, a flamboyant scientist with some decidedly unusual experiments underway. \nWhat follows is a collision of science fiction\, horror parody\, rock music\, and outrageous comedy. \nThe film stars Tim Curry in his career-defining role as Frank-N-Furter\, alongside Susan Sarandon\, Barry Bostwick\, Richard O’Brien\, and Meat Loaf. \nIts soundtrack includes enduring favorites such as Time Warp\, Sweet Transvestite\, Science Fiction/Double Feature\, and Hot Patootie – Bless My Soul. \nOver the decades\, the film has developed a devoted following\, becoming synonymous with midnight movies\, elaborate costumes\, audience callbacks\, and an unusually interactive moviegoing experience. \nRKO Army Brings the Film to Life\nOne of the defining traditions of Rocky Horror screenings is the shadow cast\, a group of performers who act out the film’s scenes in front of the screen while the original movie plays behind them. \nFor the Garde screening\, RKO Army takes on that role. \nThe troupe recreates characters\, costumes\, choreography\, and comic moments from the film\, transforming a movie screening into a hybrid of cinema and live theater. \nUnlike a conventional stage production\, the performers generally do not replace the movie’s original dialogue or soundtrack. Instead\, they synchronize their movements with the action on screen\, adding physical comedy\, visual gags\, and opportunities for audience interaction. \nThe result is a communal experience in which the boundaries between performers and spectators become part of the entertainment. \nFor anyone who has only watched The Rocky Horror Picture Show at home\, seeing it with a live shadow cast offers an entirely different perspective on the film’s appeal. \nCostumes\, Callbacks\, and Audience Participation\nAudience participation has been central to The Rocky Horror Picture Show for decades. \nFans traditionally shout responses to familiar dialogue\, dance during musical numbers\, and use props at particular moments throughout the movie. \nAt the Garde\, every ticket includes an audience participation prop bag containing items associated with scenes in the film. \nThe bag includes a newspaper\, noisemaker\, glove\, toilet paper\, party hat\, cardboard toast\, paper plate\, sponge\, cardboard hot dog\, and three playing cards. \nEach item has a specific moment in the film when it can be used\, from Janet’s rainy arrival at the castle to the Transylvanians’ unusual celebrations. \nCostumes are encouraged\, whether that means a full recreation of a favorite character or simply dressing for the occasion. \nFirst-time attendees are welcome\, too. In Rocky Horror tradition\, newcomers are affectionately known as virgins\, and discovering the audience rituals is part of the experience. \nGuests should use the provided props and follow the venue’s participation guidelines rather than bringing unapproved items from home. \nA Cult Movie in a Historic Movie Palace\nThe Garde Arts Center provides an especially fitting setting for a film whose reputation was built in movie theaters. \nOpened in 1926\, the historic Garde Theatre has been a New London landmark for a century. Its ornate interior and restored architectural details recall the era when going to the movies was an occasion in itself. \nThe theater’s modern projection and sound systems bring contemporary presentation quality to that historic setting. \nFor The Rocky Horror Picture Show\, the combination of a large screen\, live performers\, and an enthusiastic audience makes the Garde’s movie-palace atmosphere part of the attraction. \nThe October screening also falls during the theater’s centennial season\, adding another dimension to an evening celebrating a film that has remained a theatrical favorite for more than 50 years. \nTickets and What to Know Before You Go\nThe screening begins at 7 p.m. on Sunday\, October 18. The film runs approximately 100 minutes\, although the live presentation and audience activities may extend the total event time. \nTickets are $26 plus applicable fees and include a participation prop bag. \nThe film is rated R and contains mature themes\, sexual content\, and language. It is intended for mature audiences. \nThe Garde offers free weekend street parking on State Street and surrounding downtown streets\, along with several nearby public lots. Paid parking is available at the Cornish Parking Garage on Governor Winthrop Boulevard. \nTo purchase tickets\, click the Event Ticketing link below. \n\n\n\nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/the-rocky-horror-picture-show-with-rko-army-live/
LOCATION:Garde Arts Center\, 325 State Street\, New London\, CT\, 06320\, United States
CATEGORIES:Garde Arts Center
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Rocky-Horror-Picture-Show-with-RKO-Army-LIVE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261018T140000
DTEND;TZID=America/New_York:20261018T153000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009340-1792332000-1792337400@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-18/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261018T140000
DTEND;TZID=America/New_York:20261018T153000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009329-1792332000-1792337400@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-18/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261017T193000
DTEND;TZID=America/New_York:20261017T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009339-1792265400-1792270800@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-17/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261017T193000
DTEND;TZID=America/New_York:20261017T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009328-1792265400-1792270800@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-17/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261016T193000
DTEND;TZID=America/New_York:20261016T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009338-1792179000-1792184400@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-16/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261016T193000
DTEND;TZID=America/New_York:20261016T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009327-1792179000-1792184400@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-16/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261015T193000
DTEND;TZID=America/New_York:20261015T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009337-1792092600-1792098000@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-15/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261015T193000
DTEND;TZID=America/New_York:20261015T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009326-1792092600-1792098000@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-15/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T170000
DTEND;TZID=America/New_York:20261011T193000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009325-1791738000-1791747000@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-11/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T140000
DTEND;TZID=America/New_York:20261011T153000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009336-1791727200-1791732600@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-11/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261010T193000
DTEND;TZID=America/New_York:20261010T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009335-1791660600-1791666000@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-10/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261010T193000
DTEND;TZID=America/New_York:20261010T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009324-1791660600-1791666000@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-10/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T193000
DTEND;TZID=America/New_York:20261009T210000
DTSTAMP:20261008T182826Z
CREATED:20261008T182826Z
LAST-MODIFIED:20261008T182826Z
UID:10009334-1791574200-1791579600@thectbeacon.com
SUMMARY:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse
DESCRIPTION:To Kill a Mockingbird Brings a Powerful American Classic to Niantic Bay Playhouse October 9–25\, bringing Harper Lee’s celebrated story of justice\, prejudice and childhood innocence to the stage in downtown Niantic. Set in Alabama during the Great Depression\, the drama follows a family whose lives are transformed by a controversial criminal trial and the racial tensions surrounding it.\n\n\nAt the center of the story is Atticus Finch\, a small-town attorney appointed to defend Tom Robinson\, a Black man accused of assaulting a white woman. As Atticus prepares his defense\, his children\, Scout and Jem\, begin to understand the prejudice and injustice that exist beneath the familiar routines of their hometown. \nThe story unfolds largely through the children’s experiences\, combining the innocence of growing up with the harsh realities of an unequal society. Their encounters with neighbors\, classmates and the mysterious Boo Radley reveal how easily people can be misunderstood and how difficult it can be to challenge a community’s deeply held beliefs. \nA Pulitzer Prize-Winning Story That Endures\nPublished in 1960\, Harper Lee’s To Kill a Mockingbird won the Pulitzer Prize for Fiction and became one of the most widely read novels in American literature. Its 1962 film adaptation\, starring Gregory Peck as Atticus Finch\, earned three Academy Awards\, including Best Actor for Peck. \nThe story remains relevant because its central questions extend beyond the courtroom. What does it mean to do the right thing when an entire community disagrees? How do children learn to recognize injustice? And what responsibility do individuals have to defend others\, even when doing so comes at a personal cost? \nThe play brings those questions to life through tense courtroom scenes\, family relationships and moments of humor and tenderness. Atticus’s determination to defend his client\, despite the hostility it creates\, forms the moral foundation of a story about courage\, compassion and the importance of seeing the world through another person’s eyes. \nThree Weekends of Theater in Downtown Niantic\nNiantic Bay Playhouse presents the production at its theater at 279 Main Street\, with performances scheduled from Friday\, October 9\, through Sunday\, October 25. \nThe schedule includes evening performances\, weekend matinees and two Wednesday morning performances. The production offers local theatergoers an opportunity to experience a familiar literary classic in a live setting\, where the emotional stakes of the courtroom and the relationships within the Finch family take on an immediate\, personal dimension. \nWith its combination of compelling characters\, historical drama and enduring themes\, To Kill a Mockingbird is a thought-provoking choice for an October theater outing. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: To Kill a Mockingbird\nDates: October 9–25\, 2026\nVenue: Niantic Bay Playhouse\nAddress: 279 Main Street\, Niantic\, CT 06357\nOpening Performance: Friday\, October 9\, at 7:30 p.m.\nOther Performance Dates: October 10\, 11\, 14\, 15\, 16\, 17\, 18\, 21\, 23\, 24 and 25\nPerformance Times: Evening performances at 7:30 p.m.; selected afternoon matinees and Wednesday performances at 10 a.m.\nGenre: American drama\nBased On: The novel by Harper Lee\nAdmission: Ticket prices and current availability are listed through the theater’s ticketing service\nContent Considerations: Racial prejudice\, discriminatory language\, accusations of sexual assault and courtroom conflict\nParking: Downtown Niantic public parking; allow additional time during busy evenings\nAccessibility: Contact the theater regarding accessible seating and accommodations\nBox Office: 860-850-5072 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n\n  \n\n\n\n\n\n 
URL:https://thectbeacon.com/event/to-kill-a-mockingbird-brings-a-powerful-american-classic-to-niantic-bay-playhouse/2026-10-09/
LOCATION:Niantic Bay Playhouse\, 279 Main Street\, Niantic\, 06357\, United States
CATEGORIES:Niantic Bay Playhouse
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/To-Kill-a-Mockingbird-Brings-a-Powerful-American-Classic-to-Niantic-Bay-Playhouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T193000
DTEND;TZID=America/New_York:20261009T210000
DTSTAMP:20261008T174739Z
CREATED:20261008T174739Z
LAST-MODIFIED:20261008T174739Z
UID:10009323-1791574200-1791579600@thectbeacon.com
SUMMARY:The Crucible Brings the Salem Witch Trials to Westerly's Granite Theatre
DESCRIPTION:The Crucible Brings the Salem Witch Trials to Westerly’s Granite Theatre from Oct. 9–25\, as Arthur Miller’s acclaimed drama explores the devastating consequences of fear\, suspicion and false accusations. Directed by Marla Ladd\, the production opens Friday evening and continues for 11 performances at the historic downtown theater.\n\nSet in Salem\, Massachusetts\, during the witch trials of 1692\, The Crucible follows a community unraveling as accusations of witchcraft spread from one household to another. Neighbors turn against neighbors\, personal grievances become matters of life and death\, and the authorities struggle to distinguish truth from deception. \nFirst performed in 1953\, Miller’s play remains one of the most frequently produced works of American theater\, confronting questions about personal integrity\, collective hysteria and the dangers of allowing fear to replace evidence. \nA Community Consumed by Suspicion\nAt the center of the story is John Proctor\, a Salem farmer whose troubled relationship with Abigail Williams becomes entangled in the growing witchcraft accusations. When a group of young women begins naming supposed witches\, the accusations quickly gain the attention of religious and judicial authorities. \nAbigail’s personal motivations\, combined with the community’s rigid beliefs and growing panic\, help transform suspicion into a deadly legal process. As the trials intensify\, ordinary residents face impossible choices between protecting their reputations\, accusing others and defending what they know to be true. \nProctor’s struggle becomes the moral center of the play. Confronted with the possibility of saving his own life through a false confession\, he must decide what his name\, his conscience and his integrity are worth. \nThe drama unfolds through increasingly tense confrontations\, revealing how easily institutions can become instruments of injustice when accusations are accepted without meaningful scrutiny. \nArthur Miller’s Warning About Mass Hysteria\nAlthough The Crucible takes place in colonial Massachusetts\, Miller wrote the play during the early 1950s\, when investigations into alleged communist influence were affecting careers and reputations throughout the United States. \nThe work is widely understood as an allegory for McCarthyism and the political atmosphere surrounding the House Un-American Activities Committee. Miller drew parallels between the Salem witch trials and a contemporary culture in which accusations could destroy lives\, even when supported by little evidence. \nThat historical connection helped establish The Crucible as more than a dramatization of the Salem trials. Its exploration of power\, conformity\, fear and moral courage has continued to resonate with audiences confronting similar questions in different generations. \nThe play received the 1953 Tony Award for Best Play and has remained a fixture of professional\, community and educational theater. \nA Historic Setting for a Powerful American Drama\nGranite Theatre presents the production in its restored Greek Revival church building at 1 Granite Street in downtown Westerly. The intimate venue offers an appropriate setting for a play built around charged dialogue\, personal confrontations and escalating emotional tension. \nDirector Marla Ladd leads the production\, assisted by Caitlyn Ordway\, with Sarah Cropley serving as stage manager. The three-week engagement includes evening performances on Thursdays\, Fridays and Saturdays\, along with Sunday performances. \nThe opening weekend features shows Friday and Saturday\, Oct. 9–10\, at 7:30 p.m.\, followed by a Sunday\, Oct. 11\, performance at 5 p.m. The production continues through Sunday\, Oct. 25. \nFor theatergoers seeking something more substantial than traditional Halloween entertainment\, The Crucible offers a different kind of October drama. Its haunting subject matter comes not from supernatural events\, but from the damage people can inflict when fear overwhelms reason. \nMore information is available at the Event Website link below. To purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: The Crucible by Arthur Miller\nDates: October 9–25\, 2026\nOpening Night: Friday\, October 9\, at 7:30 p.m.\nFriday and Saturday Performances: October 9\, 10\, 16\, 17\, 23 and 24 at 7:30 p.m.\nThursday Performances: October 15 and 22 at 7:30 p.m.\nSunday Performances: October 11 at 5 p.m.; October 18 and 25 at 2 p.m.\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nAdmission: $25–$30\nPlaywright: Arthur Miller\nDirector: Marla Ladd\nAssistant Director: Caitlyn Ordway\nStage Manager: Sarah Cropley\nGenre: Historical drama\nContent Considerations: Themes of persecution\, execution\, religious intolerance\, false accusations and psychological distress\nParking: Limited theater parking; contact the box office about reserved parking and downtown alternatives\nAccessibility: Theatre seating area is wheelchair accessible; lobby and restrooms are not fully accessible. Contact the venue before attending if accommodations are needed.\nBox Office: (401) 596-2341 \n\n\nEvent Website: \nEvent Ticketing: https://therenaissancecitytheatre.thundertix.com/events/254638 \nGranite Theatre Audition and Production Information: https://www.granitetheatre.org/auditions/the-crucible \nGranite Theatre Accessibility and Parking: https://www.granitetheatre.org/contact-us \nRegional Event Listing: https://info.chamberect.com/member-calendar/Details/the-crucible-1647311 \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-crucible-brings-the-salem-witch-trials-to-westerlys-granite-theatre/2026-10-09/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/10/The-Crucible-Brings-the-Salem-Witch-Trials-to-Westerlys-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260920T140000
DTEND;TZID=America/New_York:20260920T153000
DTSTAMP:20260908T005412Z
CREATED:20260908T005412Z
LAST-MODIFIED:20260908T005412Z
UID:10007514-1789912800-1789918200@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre/2026-09-20/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Almost-Maine-at-the-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T193000
DTEND;TZID=America/New_York:20260919T210000
DTSTAMP:20260908T005412Z
CREATED:20260908T005412Z
LAST-MODIFIED:20260908T005412Z
UID:10007513-1789846200-1789851600@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre/2026-09-19/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Almost-Maine-at-the-Granite-Theatre.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T100000
DTEND;TZID=America/New_York:20260919T120000
DTSTAMP:20260917T191159Z
CREATED:20260915T002435Z
LAST-MODIFIED:20260917T191159Z
UID:10007604-1789812000-1789819200@thectbeacon.com
SUMMARY:Westerly Performing Arts Tour Takes Young Performers Behind the Scenes at Three Downtown Arts Institutions
DESCRIPTION:The Westerly Performing Arts Tour gives young singers\, musicians and actors something they don’t normally get from sitting in the audience: a look behind the curtain at three of Westerly’s major performing arts organizations and a chance to find out how they can become part of them. \nThe guided walking tour begins beneath the marquee at The UNITED Theatre at 10 a.m. Saturday\, September 19\, before heading through downtown to the Granite Theatre and George Kent Performance Hall\, home of The Chorus of Westerly. \nOver roughly 90 minutes\, participants will meet artists and educators\, explore performance spaces\, learn about training programs and discover opportunities to sing\, act\, play an instrument or otherwise become involved in Westerly’s performing arts community. \nFor a young person who knows they want to perform but doesn’t know where to begin\, that’s really the point of the morning. \nThree Stops\, Three Different Ways Onto a Stage\nThe tour isn’t simply a walk through three interesting buildings. \nEach stop represents a different part of the performing arts. \nAt The UNITED\, the focus includes music education and the many ways musicians can develop their skills. \nAt the Granite Theatre\, participants actually step onto the stage while learning about acting\, theatrical training and performance. \nAt The Chorus of Westerly\, the tour moves into vocal and ensemble training inside Kent Hall. \nTogether\, the three organizations offer a surprisingly broad introduction to what’s available to a young performer within a relatively small section of downtown Westerly. \nAnd participants will hear directly from the people who teach and create the work rather than simply picking up three brochures. \nIt Starts Under The UNITED Marquee\nThe first meeting point is one of downtown Westerly’s most recognizable landmarks: the marquee at The UNITED Theatre at 5 Canal Street. \nFrom there\, participants head behind the scenes. \nThe UNITED today is considerably more than a movie theater. \nIts modern arts complex contains a 750-capacity flexible performance space\, three cinemas\, an event and gallery space and a dedicated music school. \nThe building hosts concerts\, theater\, dance\, comedy\, films\, lectures and other programming while maintaining an increasingly substantial educational operation. \nYoung visitors on Saturday’s tour will get a closer look at that educational side. \nThe UNITED Music School Is a Working Training Center\nThe UNITED Music School offers instruction and performance opportunities across a range of instruments\, ages and ability levels. \nThe idea isn’t simply to teach someone how to play scales in a practice room. \nStudents can develop through lessons and ensembles while being conneGcted to an active performing arts organization where musicians are regularly rehearsing\, recording and appearing onstage. \nThe UNITED also extends its education programs beyond traditional instrumental instruction. \nIts broader arts programming has included songwriting\, voice\, photography\, video\, visual arts\, film and podcasting\, along with after-school programming for local students. \nThe tour gives prospective students a chance to see where that work happens and ask the people involved what participating actually looks like. \nThe Building Has Been Training Entertainers for a Century\, in a Way\nThere’s another reason the UNITED is an appropriate place to begin. \nIn 1926\, the original United Theatre opened as a vaudeville house. \nThat means the building turns 100 years old in 2026. \nVaudeville theaters were variety houses. A single bill could contain singers\, dancers\, comedians\, musicians\, novelty performers and other acts. \nThe United later became a movie theater before closing in 1986. \nDecades later\, a major redevelopment joined the historic theater with the neighboring Montgomery Ward building. Following an extensive renovation\, the new UNITED reopened in July 2021 as a multipurpose arts center. \nA building that once presented performers now both presents them and helps train the next generation. \nSaturday’s tour makes that connection unusually literal. \nThen the Tour Heads Through Wilcox Park\nFrom The UNITED\, the group walks through Wilcox Park toward the Granite Theatre. \nThat makes the event a genuine downtown arts tour rather than three disconnected building visits. \nThe park itself is one of the features that makes this possible. \nWesterly’s compact downtown puts theaters\, music spaces\, restaurants\, shops and historic buildings within walking distance of one another\, with Wilcox Park sitting near the center of it all. \nFor young participants\, the walk also demonstrates something that’s easy to overlook when visiting one venue at a time: \nThese organizations are neighbors. \nThey’re part of the same arts community. \nAt the Granite\, Young Performers Get to Step Onto the Stage\nThe second major stop is the Granite Theatre at 1 Granite Street. \nHere\, participants will step onto the stage and hear how theatrical training reaches beyond memorizing lines and learning where to stand. \nThe Granite specifically emphasizes the ways theater can develop confidence\, communication skills and personal growth. \nThose benefits matter even for children who never intend to become professional actors. \nGetting onstage requires speaking clearly. \nActors have to listen to one another. \nThey need to collaborate\, remember instructions\, adapt when something unexpected happens and become comfortable communicating in front of other people. \nA theatrical production is also intensely collaborative. \nThe person delivering the line may be the one the audience sees\, but performances depend on directors\, designers\, technicians\, stage managers and many others working together. \nFor a child interested in theater but uncertain about being the center of attention\, there are plenty of ways into that world. \nThe Granite Has Been Expanding Its Youth Programs\nThe Granite’s mission specifically combines entertainment and education\, and the theater has been developing dedicated programming for younger performers. \nIts Youth Theatre Program has included theatrical training\, summer camps and staged productions for young actors. \nRecent youth programming has been designed for participants roughly 8 to 18 years old\, giving children and teenagers the opportunity to work toward an actual performance rather than treating theater solely as a classroom exercise. \nSaturday’s stop gives prospective young actors and their families a chance to see the space before deciding whether that kind of program feels right for them. \nThat can be much more useful than trying to make the decision from a website. \nThe Granite’s Stage Is Inside an 1849 Church\nThe building itself has already spent more than 175 years gathering people together. \nThe Greek Revival structure was purchased for $200 in 1843 and became the Christian Chapel in Westerly. \nThe building was completed in 1849 and later became the Broad Street Christian Church. \nIts basic historic character survived remarkably well\, although the steeple required remodeling after being damaged during the Hurricane of 1938. \nThe building eventually found an entirely different purpose. \nIn 2000\, it reopened as the Granite Theatre. \nThe former church sanctuary became an intimate performance venue where actors now perform only a short distance from the audience. \nFor a young performer stepping onto its stage Saturday morning\, it’s worth looking around. \nThat’s not a purpose-built modern auditorium. \nIt’s another piece of Westerly history that the arts helped preserve. \nThe Final Stop Is Kent Hall\nThe walking tour continues to 119 High Street\, where another former church has become one of Westerly’s major performance spaces. \nGeorge Kent Performance Hall is home to The Chorus of Westerly. \nThe organization uses Kent Hall for rehearsals\, classes\, concerts and educational programs throughout the year. \nFor young singers\, this portion of the tour may be particularly useful because The Chorus of Westerly has made children’s musical education part of its identity from the beginning. \nParticipants will learn how singers develop musicianship\, vocal technique and ensemble skills\, and how children can progress into serious choral performance even without arriving with years of previous training. \nYou Don’t Need to Arrive Already Knowing How to Sing in a Chorus\nThe Chorus of Westerly explicitly says that children don’t need previous voice lessons\, formal music classes or other musical training to begin its children’s program. \nTeaching them is part of the job. \nIts children’s program is designed for young people approximately ages 8 through 18 and uses multiple levels so developing singers can be placed appropriately. \nEach young singer receives at least two hours of rehearsal per week. \nAnd this isn’t a children’s choir that exists entirely apart from the organization’s major performances. \nOne of The Chorus of Westerly’s founding principles was giving children and teenagers the opportunity to sing challenging music alongside adults in serious performance settings. \nYoung singers have long participated in the organization’s main symphonic and Pops programming. \nThat makes the Kent Hall stop less about asking\, “Can my child already do this?” \nIt’s about discovering how they can learn. \nThe Chorus Has Built a Program That Can Last a Lifetime\nThe children’s program is only one piece of The Chorus of Westerly. \nThere is an auditioned Symphonic Chorus for adults. \nThere are also non-auditioned programs designed to make group singing accessible to people with different experience levels and at different stages of life. \nThe organization has developed a Foundations Chorus\, Threshold Singers and an Encore Choir for older adults\, among other educational and outreach programs. \nThat creates an unusual continuum. \nSomeone can begin singing at Kent Hall as a child and remain involved in choral music well into adulthood. \nThe organization isn’t simply producing concerts. \nIt’s trying to create singers. \nKent Hall Has Heard Some Extraordinary Music\nThe room the young performers will visit has hosted considerably more than local rehearsals. \nThe Chorus of Westerly first performed there in 1968. \nOver the decades\, Kent Hall has welcomed internationally known musicians and ensembles including Yo-Yo Ma\, Pete Seeger\, Rudolf Serkin\, The King’s Singers\, Chanticleer\, The Tallis Scholars\, the Choir of King’s College Cambridge and the Vienna Boys’ Choir. \nIts history predates all of them. \nConstruction of the building began in 1886 as Westerly’s first Roman Catholic church\, Immaculate Conception. \nThe Chorus eventually acquired the building and undertook years of restoration and renovation. \nIn 2004–05\, a nearly $2 million project added an office wing and backstage access. Later work addressed the roof\, bell tower\, HVAC systems\, rehearsal spaces and lower level. \nToday it’s listed on the National Register of Historic Places. \nSo Saturday’s young singers will be standing in a room with some stories to tell. \nThe Tour Is Really About Finding Your Door In\nA child saying “I like music” doesn’t necessarily know what comes next. \nDo I need lessons? \nCan I join a band? \nWhat if I’ve never acted before? \nDo I have to audition? \nWhat happens at an audition? \nCan I sing in a chorus if I can’t read music? \nWhat if I want to work in theater but don’t want to act? \nThose questions can make arts organizations seem more intimidating from the outside than they actually are. \nThe Westerly Performing Arts Tour removes some of that barrier by putting families directly in the spaces and introducing them to the people who can answer those questions. \nThere’s no requirement that a participant emerge from Saturday morning having chosen an artistic career. \nFinding something they’d like to try is enough. \nParents Need to Come Along With Younger Participants\nThe tour is designed for young performers\, but participants under 18 must be accompanied by an adult. \nThat makes sense for another reason. \nParents are usually the ones who need answers about schedules\, commitments\, auditions\, costs and transportation before a child can join a program. \nInstead of a young person coming home excited about something and trying to explain it\, parent and child can hear the information together. \nThe UNITED asks participants to reserve a spot in advance. \nThe tour begins at the UNITED marquee at 10 a.m. The UNITED describes the guided experience as approximately 90 minutes\, while the Chamber calendar blocks out 10 a.m. to noon\, so families would be wise to keep the full two-hour window available. \nThree Institutions\, One Arts Community\nThe most interesting part of the Westerly Performing Arts Tour may not be any single stop. \nIt’s the fact that all three stops exist so close together. \nWithin one morning\, a young person can explore a century-old theater reborn as a modern music and arts center\, stand on the stage of an 1849 church transformed into a community theater and visit an 1880s church that became home to a nationally recognized choral organization. \nThey’re different institutions with different histories and specialties. \nBut they’re doing versions of the same thing. \nThey’re taking people who want to create something and giving them a place to begin. \nOn September 19\, they’re opening those doors together. \nDetails\nEvent: The Westerly Performing Arts Tour\nDate: Saturday\, September 19\, 2026\nStart Time: 10 a.m.\nCalendar Window: 10 a.m.–noon\nGuided Tour Length: Approximately 90 minutes\nStarting Point: The UNITED Theatre marquee/front entrance\nStarting Address: 5 Canal Street\, Westerly\, RI 02891\nStops: The UNITED Theatre and Music School\, Granite Theatre and George Kent Performance Hall/The Chorus of Westerly\nAudience: Young performers and families interested in local performing arts opportunities\nUnder 18: Must be accompanied by an adult\nActivities: Behind-the-scenes theater visit\, music school introduction\, Granite Theatre stage visit\, choral education introduction and conversations with artists and educators\nWalking: The tour travels between downtown locations\, including a walk through Wilcox Park\nRegistration: Advance reservation is requested\nContact: The UNITED Theatre\, 401-388-8208 \nMore information is available at the Event Website link below. \nTo reserve your spot\, click the Event Registration link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/westerly-performing-arts-tour-takes-young-performers-behind-the-scenes-at-three-downtown-arts-institutions/
LOCATION:United Theatre\, 5 Canal Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:United Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260917T193000
DTEND;TZID=America/New_York:20260917T210000
DTSTAMP:20260908T005412Z
CREATED:20260908T005412Z
LAST-MODIFIED:20260908T005412Z
UID:10007511-1789673400-1789678800@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre/2026-09-17/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Almost-Maine-at-the-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260913T140000
DTEND;TZID=America/New_York:20260913T153000
DTSTAMP:20260908T005412Z
CREATED:20260908T005412Z
LAST-MODIFIED:20260908T005412Z
UID:10007510-1789308000-1789313400@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre/2026-09-13/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Almost-Maine-at-the-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260912T193000
DTEND;TZID=America/New_York:20260912T210000
DTSTAMP:20260908T005412Z
CREATED:20260908T005412Z
LAST-MODIFIED:20260908T005412Z
UID:10007509-1789241400-1789246800@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre/2026-09-12/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Almost-Maine-at-the-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260911T193000
DTEND;TZID=America/New_York:20260911T210000
DTSTAMP:20260908T005412Z
CREATED:20260908T005412Z
LAST-MODIFIED:20260908T005412Z
UID:10007508-1789155000-1789160400@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre/2026-09-11/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Almost-Maine-at-the-Granite-Theatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T193000
DTEND;TZID=America/New_York:20260815T210000
DTSTAMP:20260813T154414Z
CREATED:20260813T154414Z
LAST-MODIFIED:20260813T154414Z
UID:10007183-1786822200-1786827600@thectbeacon.com
SUMMARY:Always: The Love Story of Irving Berlin at the UNITED Theatre
DESCRIPTION:Always: The Love Story of Irving Berlin brings the music and surprisingly dramatic personal story of one of America’s greatest songwriters to Westerly on Saturday\, August 15. Cabaret stars KT Sullivan and Mark Nadler perform the show as part of the George Moore Cabaret Series at the UNITED Theatre\, using Berlin’s own songs to tell the story of his life and his marriage to heiress Ellin Mackay. (United Theatre) \nThis isn’t a conventional Irving Berlin tribute concert. Sullivan and Nadler sing\, narrate and reenact moments from Berlin’s life\, weaving familiar standards and lesser-known songs into the story according to what was happening to him at the time. The result sits somewhere between cabaret\, musical theater and biography. \nAt its center is a love story that once made national headlines. \nIrving Berlin and Ellin Mackay\nBy the 1920s\, Irving Berlin had already risen from an impoverished immigrant childhood on New York’s Lower East Side to become one of America’s most successful songwriters. \nThen he fell in love with Ellin Mackay\, the daughter of wealthy financier Clarence Mackay. \nThere was a problem. Berlin was a Jewish immigrant who had grown up poor. Mackay was a Catholic heiress from one of America’s wealthiest families\, and her father strongly opposed the relationship. \nThe couple married in 1926 despite his objections. Berlin reportedly gave Ellin the royalties to his song “Always” as a wedding gift\, providing the title and emotional centerpiece for the show. \nTheir marriage lasted more than six decades\, until Ellin’s death in 1988. (The Love Story of Irving Berlin) \nBerlin’s Songs Tell the Story\nRather than stopping the story for a string of hits\, Always uses Berlin’s music as part of the narrative. \nSongs are performed in full or combined into medleys that follow different periods of Berlin’s life. The repertoire includes music associated with his romance with Ellin as well as his career\, his immigrant experience and his contributions during two World Wars. \nAmong the songs associated with the production are “Cheek to Cheek\,” “Let’s Face the Music and Dance\,” “I Got Lost in His Arms\,” “Oh\, How I Hate to Get Up in the Morning\,” “God Bless America” and\, naturally\, “Always.” \nIt’s quite a catalog to draw from. Berlin’s career stretched from Tin Pan Alley through Broadway and Hollywood\, producing songs that remained part of American popular culture long after the era in which they were written. \nThe production has received the Manhattan Association of Cabarets and Clubs Award for Outstanding Revue and was nominated for both Drama Desk and Lucille Lortel awards. \nKT Sullivan and Mark Nadler\nThe story is performed by two artists with deep roots in New York cabaret and the Great American Songbook. \nKT Sullivan starred on Broadway in Gentlemen Prefer Blondes and spent more than two decades performing at the Oak Room at New York’s Algonquin Hotel. She has also performed at venues including Birdland in New York and Crazy Coqs in London and became artistic director of the Mabel Mercer Foundation in 2012. \nMark Nadler brings an unusually broad skill set to the other side of the stage. He’s a singer\, pianist\, comedian and tap dancer whose career has included Broadway\, Off-Broadway\, cabaret and concert performances. \nHis Off-Broadway production I’m a Stranger Here Myself earned a Drama Desk nomination\, and Nadler has appeared at Carnegie Hall with the New York Pops as well as with orchestras around the country. His Broadway credits include Dame Edna: The Royal Tour. \nSullivan and Nadler have collaborated extensively\, particularly on shows built around the Great American Songbook\, which makes Always less a pairing of two performers than a production developed by artists who know how to play off one another. \nPart of the George Moore Cabaret Series\nThe Westerly performance is presented as part of the UNITED’s George Moore Cabaret Series\, bringing the production into the theater’s more intimate Black Box Auditorium. \nThat setting should fit this particular show especially well. Always isn’t built around elaborate scenery or a large ensemble. The focus remains on Sullivan\, Nadler\, the storytelling and Berlin’s music. \nThe UNITED itself has come full circle in a way that feels appropriate for an Irving Berlin show. The theater originally opened in 1926 as a vaudeville venue\, the same year Berlin and Ellin Mackay were married. It later became a movie theater before closing in 1986. After an extensive restoration\, the UNITED reopened in 2021 as a regional arts center for film\, concerts\, theater and educational programs. \nSo a century after the building first welcomed audiences\, two cabaret performers will take its stage to tell a love story that also began in 1926. \nEvent Details\nDate: Saturday\, August 15\, 2026 \nTime: 7:30 p.m. \nEvent: Always: The Love Story of Irving Berlin \nSeries: George Moore Cabaret Series \nPerformers: KT Sullivan and Mark Nadler \nLocation: United Theatre \nPerformance Space: UNITED Black Box Auditorium \nAddress: 5 Canal Street\, Westerly\, RI 02891 \nBox Office: (401) 388-8208 \nAccessibility: The UNITED is wheelchair accessible. Guests requiring accessible seating for live performances are encouraged to contact the box office before purchasing tickets. \nTicket Policy: Tickets are non-refundable and non-transferable. The UNITED advises purchasing through its official ticketing system rather than third-party sellers. \nMore Information\nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n\n 
URL:https://thectbeacon.com/event/always-the-love-story-of-irving-berlin-at-the-united-theatre/
LOCATION:United Theatre\, 5 Canal Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:United Theater
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