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DTSTART;TZID=America/New_York:20260909T200000
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SUMMARY:Bad Movie Night at The Oasis Pub: September 2026 Lineup
DESCRIPTION:Bad Movie Night at The Oasis Pub every Wednesday in September with five gloriously questionable pieces of cinema ranging from bargain-basement purgatory and sorority vampires to killer bees and a teenage Paul Walker trapped inside a robotic Tyrannosaurus rex. \nThe weekly cult-film night begins at 8 p.m. every Wednesday at the downtown New London pub. Admission is free\, with donations accepted toward keeping the screenings going. \nThe Oasis has made Bad Movie Night a regular part of its Wednesday schedule\, fitting alongside the live music\, games and offbeat programming that have helped make the small Bank Street bar a gathering place for more than two decades. \nSeptember’s selections lean heavily into the strange end of horror\, science fiction and action cinema. \nSeptember Bad Movie Night Schedule\n\nWednesday\, September 2 at 8 p.m. — Despiser (2003)\nArtist Gordon Hauge is fired\, dumped by his wife and then killed in a car crash\, only to discover that death has somehow made his situation even worse. He lands in Purgatory\, where monstrous Shadowmen and Ragmen serve a mysterious evil known as the Despiser. Gordon joins a ragtag collection of dead freedom fighters from different periods of history and sets out across a surreal afterlife to confront its ruler. Written and directed by Philip J. Cook\, Despiser mixes horror\, fantasy\, science fiction\, digital effects and an impressively strange vision of the afterlife.\nWednesday\, September 9 at 8 p.m. — Fit to Kill (1993)\nDirector Andy Sidaris delivers an action movie built around international intrigue\, assassins and a stolen Russian imperial diamond. Chinese businessman Chang plans to return the Alexa Diamond\, taken from Russia during World War II\, but international arms dealer Kane has other plans. L.E.T.H.A.L. agents Donna and Nicole are pulled into the fight to recover it\, leading to gun battles\, explosions\, seduction and even lethal remote-controlled helicopters. The movie stars Dona Speir\, Roberta Vasquez\, Bruce Penhall and Julie Strain.\nWednesday\, September 16 at 8 p.m. — Vampire Time Travelers (1998)\nFour college women trying to pledge a decidedly unusual sorority find themselves fighting vampires and other supernatural creatures instead. Director Les Sekely’s 65-minute horror comedy throws its characters into a deliberately chaotic mixture of bloodsuckers\, bizarre humor\, unexplained jumps through time and increasingly absurd situations. The obscure shot-on-video movie received renewed attention in 2026 with a collector’s edition release after years of obscurity.\nWednesday\, September 23 at 8 p.m. — Tammy and the T-Rex (1994)\nYes\, the premise really is what it sounds like. A mad scientist takes the brain of high-school student Michael\, played by a young Paul Walker\, and implants it inside a robotic Tyrannosaurus rex. The newly conscious T-Rex escapes\, takes revenge on Michael’s tormentors and tries to reunite with his girlfriend Tammy\, played by Denise Richards. Directed by Stewart Raffill\, the science-fiction horror comedy has become a cult favorite thanks to a premise so bizarre that explaining it almost spoils the fun.\nWednesday\, September 30 at 8 p.m. — The Bees (1978)\nSouth American killer bees are illegally brought into the United States\, where the situation becomes considerably worse when the insects mutate into an increasingly intelligent threat. As enormous swarms begin attacking cities\, scientists race to stop a disaster capable of spreading across the world. The 83-minute disaster-horror movie arrived during the 1970s cycle of nature-run-amok films and stars John Saxon\, Angel Tompkins and John Carradine.\n\nFive Wednesdays of Movies That Went Wrong in Just the Right Way\nThere is a pretty good mission statement hidden inside that lineup. \nBad Movie Night isn’t programming five merely unsuccessful movies. September jumps between movies that are interesting because of their excesses\, strange decisions\, improbable premises or sheer audacity. \nDespiser tries to construct an entire digital purgatory on an independent-film budget. Fit to Kill delivers the particular combination of espionage\, action and exploitation that became director Andy Sidaris’ signature. Vampire Time Travelers embraces the chaotic world of late-’90s shot-on-video horror. \nAnd then there is Tammy and the T-Rex\, a movie in which Paul Walker’s brain is transplanted into a mechanical dinosaur. \nBy the time intelligent killer bees arrive on the final Wednesday of September\, they almost seem reasonable. \nBad Movie Night at The Oasis\nThe Oasis Pub has been part of downtown New London’s nightlife for more than two decades\, operating from 16 Bank Street with a focus on craft beer\, live music and unconventional events. \nBad Movie Night is one of its regular weekly fixtures\, taking place every Wednesday at 8 p.m. \nThat communal setting is an important part of the concept. These aren’t necessarily movies demanding reverent silence in a dark theater. They’re movies made considerably more entertaining by experiencing the weirdness with a room full of other people. \nSeptember provides five chances to do exactly that. \nEvent Details\nEvent: Bad Movie Night: September Lineup\nDates: Wednesdays\, September 2\, 9\, 16\, 23 and 30\, 2026\nTime: 8 p.m. each Wednesday\nVenue: The Oasis Pub\nAddress: 16 Bank Street\, New London\, CT 06320\nAdmission: Free; donations accepted\nSeptember 2: Despiser\nSeptember 9: Fit to Kill\nSeptember 16: Vampire Time Travelers\nSeptember 23: Tammy and the T-Rex\nSeptember 30: The Bees \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/bad-movie-night-at-the-oasis-pub-september-2026-lineup/2026-09-09/
LOCATION:Oasis Pub\, 16 Bank Street\, New London\, CT\, 06320\, United States
CATEGORIES:Oasis Pub
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Bad-Movie-Night-at-The-Oasis-Pub-September-2026-Lineup.jpg
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DTSTART;TZID=America/New_York:20260910T180000
DTEND;TZID=America/New_York:20260910T200000
DTSTAMP:20260908T225340Z
CREATED:20260908T225340Z
LAST-MODIFIED:20260908T225340Z
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SUMMARY:The Airwaves Belonged to the People: WBCN and the American Revolution
DESCRIPTION:The Airwaves Belonged to the People: WBCN and the American Revolution brings the remarkable story of a Boston FM station that became part radio experiment\, part rock & roll clubhouse\, and part countercultural information network to United Theatre in Westerly for a one-night screening Thursday\, September 10\, at 6 p.m. \nLong before podcasts\, social media or the internet gave practically anyone a platform\, WBCN challenged the idea of what a radio station was supposed to be. Its DJs chose their own records. Its news department covered movements and stories mainstream broadcasters often ignored. Its microphones captured everyone from activists and political figures to young musicians on the verge of becoming famous. \nDirector Bill Lichtenstein knows that world from the inside. He joined WBCN as a 14-year-old volunteer in 1970 and eventually worked at the station for years. His two-hour documentary uses a vast archive of recordings\, photographs\, and film to reconstruct the period when WBCN found itself at the intersection of music\, Vietnam\, Watergate\, civil rights\, women’s liberation\, LGBTQ rights\, and a generation questioning nearly every institution around it. \nBefore WBCN\, There Was the Boston Tea Party\nThe story really begins with a music venue. \nIn 1967\, Ray Riepen opened the Boston Tea Party\, which quickly became one of the centers of Boston’s emerging underground music scene. For only a few dollars\, audiences could encounter bands that would soon become enormously important\, including The Who\, the Velvet Underground and Led Zeppelin during its first American tour. \nRiepen saw something happening around him that wasn’t being reflected on Boston radio. \nOn March 15\, 1968\, WBCN changed formats from classical music to free-form progressive rock. Instead of programmers in an office determining precisely which records would be played and when\, the people behind the microphones were given extraordinary freedom. \nAlbum tracks could replace three-minute singles. A DJ could follow Aretha Franklin with Cream or Frank Zappa’s Mothers of Invention. Announcers didn’t have to pretend they had no opinions about Vietnam\, drugs\, politics or the cultural upheaval happening outside the studio. \nMusic\, news and politics began bleeding into one another. \nThe station became a place where listeners weren’t simply consuming programming. They were joining a community. \nThe Radio Station Became Part of the Revolution\nWBCN didn’t merely report on Boston’s counterculture from a comfortable distance. \nIt was inside it. \nThe documentary places the station against the larger upheaval of the late 1960s and early ’70s: the Vietnam War and draft\, anti-war demonstrations\, clashes between police and protesters\, civil rights activism\, the emerging women’s and LGBTQ liberation movements and eventually the political crisis surrounding Richard Nixon and Watergate. \nWBCN gave airtime to people and movements that received little or hostile treatment elsewhere in mainstream media. \nIt also developed an unconventional news operation. \nDanny Schechter became the station’s “News Dissector\,” while other members of WBCN’s staff blurred the traditional boundaries separating broadcasters from their audience. A Listener Line allowed people to call the station with questions and information around the clock. \nFor young listeners accustomed to the polished authority of network television and AM radio\, WBCN sounded radically different. \nBruce Springsteen Called His Mother\nThe politics are only half the story. \nWBCN existed during an extraordinary period in rock history\, and Lichtenstein’s archive captures artists before some of them became icons. \nThe film includes Bruce Springsteen’s first radio interview and live in-studio performance in 1973. During that early appearance\, the future superstar was still unknown enough to use his moment on Boston radio to say hello to his mother. \nThere’s also Patti Smith’s first radio concert in 1975\, along with rare archival appearances involving David Bowie\, Lou Reed\, Jerry Garcia and others. Jane Fonda and activist Abbie Hoffman appear in the archive as well. \nThat’s one of the documentary’s strengths as a time capsule. \nThe audience knows what happened afterward. \nSpringsteen became Springsteen. Bowie became Bowie. Patti Smith became one of punk’s defining figures. But the recordings preserve moments when careers and movements were still unfolding and nobody in the room knew exactly where they were headed. \nThe DJs Didn’t Have a Playlist\nPerhaps the hardest thing to explain to someone who grew up with tightly programmed commercial radio is just how unusual WBCN’s approach was. \nThere was no predetermined playlist dictating every record. \nThe announcers were personalities because they were actually allowed to have personalities. They could select music\, talk about it\, discuss politics and respond to what was happening around Boston. \nCharles Laquidara became one of WBCN’s defining voices. Other station figures included J.J. Jackson\, Tommy Hadges\, Sam Kopper\, Marsha Steinberg and Schechter. \nThe freedom produced radio that could be unpredictable\, messy\, deeply personal and occasionally confrontational. \nIt also created the possibility of discovery. \nA listener didn’t already have to know which song they wanted to hear. The person on the other side of the radio could surprise them. \nLichtenstein’s companion history of WBCN describes the period from 1968 through Watergate as one in which the station became a hub connecting rock music\, psychedelia and anti-war politics in Boston. \nBill Lichtenstein Was 14 When He Joined the Station\nThis isn’t a filmmaker reconstructing a culture he encountered decades later. \nBill Lichtenstein was part of it. \nHe began at WBCN in 1970 as a 14-year-old volunteer working the Listener Line. He eventually became an announcer and remained at the station into the 1970s before building a career as a journalist and documentary producer. \nHis work has earned a Peabody Award and dozens of journalism honors\, and his writing has appeared in publications including The New York Times\, The Nation\, The Village Voice and The Boston Globe. \nLichtenstein eventually spent years assembling WBCN’s history from the people and material that survived it. \nThe documentary draws on rare archival audio and visual material alongside interviews with the people who were there. The story was also expanded into Lichtenstein’s 304-page book WBCN and the American Revolution: How a Radio Station Defined Politics\, Counterculture\, and Rock and Roll\, published by MIT Press in 2021. \nThe Movie Has Returned With a New Title\nSome viewers may recognize this film under a shorter name. \nLichtenstein’s documentary originally circulated as WBCN and the American Revolution\, winning the DC Independent Film Festival and later airing nationally on PBS. \nIn 2026\, it returned to theaters under the expanded title The Airwaves Belonged to the People: WBCN and the American Revolution. \nThe new theatrical release runs approximately 119 minutes and reframes the film for another moment when questions about who controls information\, which voices get heard and what responsibilities media organizations have to the public have returned to the center of American life. \nThat makes this more than a documentary about old radio. \nIt’s an examination of an idea about media that now seems almost radical again: that the public airwaves were a public resource\, and that a broadcaster could treat its listeners as participants rather than an audience to be packaged and sold. \nWhen Radio Could Create a Community\nWBCN itself didn’t remain the station depicted in the documentary forever. \nFree-form FM grew into big business. Progressive rock radio became commercial rock radio. Corporate ownership expanded\, playlists tightened and the industry that had once allowed a collection of young broadcasters to experiment eventually became much more structured. \nBut for a period beginning in 1968\, WBCN demonstrated something unusual. \nA radio station could introduce someone to a band\, tell them what was happening at an anti-war demonstration\, put an activist on the air\, take a phone call from a listener and create the feeling that everyone tuned to the same frequency belonged to something happening in real time. \nThat’s what makes a two-hour documentary about a defunct Boston radio station potentially interesting even to someone who never heard WBCN. \nThe technology is obsolete. \nThe argument about what media is for isn’t. \nDetails\nEvent: The Airwaves Belonged to the People: WBCN and the American Revolution\nDate: Thursday\, September 10\, 2026\nTime: 6 p.m.\nRuntime: Approximately 120 minutes\nDirector: Bill Lichtenstein\nGenre: Documentary / Music / Media History\nVenue: UNITED Main Cinema\nAddress: 5 Canal Street\, Westerly\, RI 02891\nFormat: Special one-night-only screening\nAccessibility: The UNITED’s cinemas are wheelchair accessible; audio amplification\, descriptive audio and closed-captioning devices are available for supported screenings\nTicket Policy: Movie and event tickets are non-refundable and non-transferable\nBox Office: 401-388-8208 \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-airwaves-belonged-to-the-people-wbcn-and-the-american-revolution/
LOCATION:United Theatre\, 5 Canal Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:United Theater
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DTSTART;TZID=America/New_York:20260911T190000
DTEND;TZID=America/New_York:20260911T213000
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CREATED:20260908T002452Z
LAST-MODIFIED:20260908T002558Z
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SUMMARY:The Guardian (2006) presented by the CT Maritime Heritage Festival
DESCRIPTION:The Guardian (2006) presented by the CT Maritime Heritage Festival brings Kevin Costner and Ashton Kutcher’s Coast Guard rescue drama back to the big screen at New London’s Garde Arts Center on Friday\, September 11. \nThe 7 p.m. screening serves as a cinematic opening to a weekend devoted to Connecticut’s relationship with the sea. The Connecticut Maritime Heritage Festival takes over the New London waterfront Saturday and Sunday with military and private vessel tours\, Coast Guard demonstrations\, living history\, maritime competitions\, children’s activities and other events. \nThat makes The Guardian an unusually appropriate choice for the night before the festival. Although its central characters are fictional\, the 2006 film was made with extensive cooperation from the U.S. Coast Guard\, used real Coast Guard personnel and equipment during production\, and drew heavily from the culture and training of the service’s Aviation Survival Technicians\, better known as rescue swimmers. \nKevin Costner Goes Into the Bering Sea\nCostner stars as Senior Chief Ben Randall\, a legendary Coast Guard rescue swimmer whose career has been built around going into the water when almost everyone else is trying to get out of it. \nAfter a catastrophic rescue mission leaves members of his crew dead\, Randall is sent away from active rescue operations and assigned to train the next generation of swimmers. \nThat’s where he encounters Jake Fischer\, played by Ashton Kutcher. \nFischer is a gifted young competitive swimmer with the physical ability to excel and an ego to match. He arrives at rescue swimmer school convinced that his speed in a pool will translate naturally into saving people at sea. \nRandall has other ideas. \nWhat follows uses a familiar mentor-and-student structure\, but places it inside a profession rarely given a starring role in a Hollywood movie. Randall pushes Fischer beyond athletic performance and toward the central idea behind the Coast Guard rescue swimmer mission: the person in the water isn’t there to win a race. He’s there because somebody else may die if he doesn’t reach them. \nThe relationship eventually moves from the training pool to the Bering Sea\, where lessons that seemed theoretical on land become matters of survival. \nHollywood Went to the Coast Guard for Help\nThe Guardian wasn’t produced with the Coast Guard merely supplying uniforms and a few helicopters for background shots. \nThe filmmakers sought the service’s cooperation before production moved forward and were given access to Coast Guard facilities\, personnel and equipment. Screenwriter Ron L. Brinkerhoff researched rescue swimmers and their culture\, while actual rescue swimmers worked as consultants during production. \nReal Coast Guard rescue swimmers\, pilots and other personnel also appear in supporting roles. \nThat involvement gave the movie something Coast Guard veterans noticed when it arrived in theaters. \nA review published in the U.S. Naval Institute’s Proceedings praised the film not simply for its rescues but for capturing smaller details of Coast Guard life: the humor between enlisted personnel\, the strains that an around-the-clock military career can put on a marriage\, the personalities found inside a training command and even the language surrounding an aviation accident. \nThe film takes Hollywood liberties\, and some rescue procedures were dramatized. But the underlying rescue culture was taken seriously. \nEven two decades later\, Coast Guard aircrews reviewing Hollywood rescue scenes have singled out portions of The Guardian as surprisingly authentic\, including its depiction of rescue-basket procedures. \nMaking a Bering Sea in Louisiana\nCreating the movie’s violent ocean rescues presented another problem: filmmakers needed a controllable version of some of the most dangerous water on Earth. \nDirector Andrew Davis\, who had previously directed The Fugitive\, wanted the rescues to feel physical rather than relying entirely on visual effects. \nProduction built an enormous indoor wave tank in Shreveport\, Louisiana\, capable of generating the rough water needed for the rescue sequences. Sets\, including vessels in distress\, could be placed inside the tank while actors\, stunt performers\, camera crews and safety personnel worked in the water around them. \nThe production also used a ship mounted on a hydraulic gimbal to simulate a vessel being thrown around by heavy seas. \nScenes set at the Coast Guard’s Kodiak\, Alaska\, station were partly created at Coast Guard Air Station Elizabeth City in North Carolina. Reproducing Alaska there reportedly required about 60\,000 pounds of ice. \nThe rescue-swimmer training pool was the natatorium at Louisiana State University Shreveport. \nThe result is a movie in which water has real physical weight. Costner and Kutcher aren’t simply performing against a digital ocean. Much of the danger surrounding them was created with enormous quantities of moving water\, practical sets and performers actually getting wet. \nHurricane Katrina Changed the Movie\nReal events overtook the production before filming was complete. \nThe Guardian was preparing to shoot in Louisiana when Hurricane Katrina devastated the Gulf Coast in August 2005. A nearly completed water tank at Camp Villere was lost\, and the production eventually relocated much of its work to Shreveport. \nThe move reportedly cost millions of dollars. \nMore importantly\, Katrina changed the context of a movie about Coast Guard rescuers. \nCoast Guard crews conducted extraordinary rescue operations across the flooded Gulf Coast following Katrina. The filmmakers revised The Guardian to acknowledge the disaster\, adding references to the hurricane and incorporating actual imagery of Coast Guard helicopters conducting rescues around New Orleans into the end credits. \nA fictional story about people willing to enter dangerous conditions to save strangers suddenly had a very real example unfolding while the movie was being made. \nAndrew Davis Returns to the Action Drama\nDirector Andrew Davis came to The Guardian with considerable experience putting characters into dangerous situations. \nHis best-known film remains the 1993 thriller The Fugitive\, starring Harrison Ford and Tommy Lee Jones. Davis also directed Under Siege with Steven Seagal\, A Perfect Murder with Michael Douglas and Gwyneth Paltrow\, and the 2003 adaptation of Louis Sachar’s Holes. \nWith The Guardian\, Davis shifted the action away from gunfights and pursuits and into an environment that can’t be negotiated with. \nThe ocean becomes the film’s primary antagonist. \nThe movie runs 139 minutes and mixes large-scale rescue sequences with the relationship between Randall and Fischer\, Randall’s troubled marriage and the psychological cost of a career built around repeatedly encountering people on what may be the worst day of their lives. \nSela Ward plays Randall’s wife\, Helen\, while Melissa Sagemiller and Clancy Brown round out the principal cast. \nThe movie opened nationally on September 29\, 2006 and ultimately earned nearly $95 million worldwide. \nFrom a Coast Guard Movie to a Coast Guard Weekend\nWatching The Guardian in New London gives the film a local context it wouldn’t have in most theaters. \nThe city is home to the U.S. Coast Guard Academy\, while the Thames River and New London Harbor have been tied to military\, commercial and recreational maritime activity for generations. \nThe screening leads directly into the Connecticut Maritime Heritage Festival on Saturday and Sunday. \nThe 2026 festival is spread between New London Waterfront Park and Fort Trumbull State Park\, with free transportation connecting festival locations. Visitors can tour military and private vessels\, meet the people who operate them and watch maritime skills put into practice. \nThe Coast Guard connection continues with a helicopter search-and-rescue demonstration and Sunday’s Sea-Service Showdown\, which pits Coast Guard and Navy teams against one another in a friendly competition of maritime skill\, strength and teamwork. \nElsewhere during the weekend are colonial encampments\, children’s maritime activities\, a fishing clinic\, live music\, local vendors and Saturday night’s Burning of Benedict Arnold procession. A 300-drone show over the Thames River follows Saturday evening. \nSo while Friday night’s movie tells a fictional Coast Guard story\, the weekend that follows brings some of the real people\, vessels\, skills and maritime traditions behind that story to New London’s waterfront. \nSee It in a Movie Palace\nThe screening is part of the Garde’s Real Movie Palace Experience\, which brings films back to the theater’s giant screen with 4K digital projection and surround sound. \nThe Garde opened in 1926 as a movie and vaudeville palace and celebrates its centennial in 2026. Its restored Moroccan-style interior provides a considerably different experience from watching The Guardian at home. \nMovie concessions and adult beverages will be available. \nTickets are $15 plus applicable fees\, with an important exception for the people whose service the movie celebrates: active-duty military members\, retirees and veterans are admitted free. \nDetails\nEvent: The Guardian (2006) presented by the CT Maritime Heritage Festival\nDate: Friday\, September 11\, 2026\nTime: 7 p.m.\nFilm: The Guardian\nYear: 2006\nDirector: Andrew Davis\nWriter: Ron L. Brinkerhoff\nStarring: Kevin Costner\, Ashton Kutcher\, Sela Ward\, Melissa Sagemiller and Clancy Brown\nGenre: Action/Drama\nRating: PG-13\nRuntime: 2 hours\, 19 minutes\nVenue: Garde Arts Center\nAddress: 325 State Street\, New London\, CT 06320\nAdmission: $15 plus fees\nMilitary Admission: Free for active-duty military members\, retirees and veterans\nPresentation: Giant screen\, 4K digital cinema projection and surround sound\nConcessions: Movie concessions and adult beverages available\nPresented By: Connecticut Maritime Heritage Festival\nGarde Arts Center: 860-444-7373\nConnecticut Maritime Heritage Festival: Saturday\, September 12 and Sunday\, September 13 at New London Waterfront Park and Fort Trumbull State Park \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/the-guardian-2006-presented-by-the-ct-maritime-heritage-festival/
LOCATION:RI
CATEGORIES:Garde Arts Center
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DTSTART;TZID=America/New_York:20260912T100000
DTEND;TZID=America/New_York:20260912T180000
DTSTAMP:20260905T031609Z
CREATED:20260905T031609Z
LAST-MODIFIED:20260905T031609Z
UID:10007475-1789207200-1789236000@thectbeacon.com
SUMMARY:From Sails to Stars: Mystic Seaport Celebrates 60 Years of Star Trek
DESCRIPTION:From Sails to Stars: Mystic Seaport Celebrates 60 Years of Star Trek on Saturday\, September 12\, for a full day connecting two very different eras of exploration: mariners navigating Earth’s oceans and the fictional crews who have spent six decades exploring the final frontier. \nThe celebration includes special planetarium programs\, guest speakers\, a space-themed photo opportunity\, and a screening of Star Trek II: The Wrath of Khan. Visitors are encouraged to arrive in costume or fan apparel as Mystic Seaport marks the 60th anniversary of a television series that turned ships\, captains\, navigation and exploration into a vision of humanity’s future. \nThe entire celebration is included with general Museum admission. \nStar Trek Turns 60\nThe original Star Trek premiered on NBC on September 8\, 1966\, making Mystic Seaport’s September 12 celebration almost exactly 60 years after American audiences first boarded the USS Enterprise. \nThe original series lasted only three seasons\, but its influence proved far greater than its initial ratings suggested. \nSyndication introduced Kirk\, Spock\, McCoy and the Enterprise to new audiences. Feature films followed. Then came Star Trek: The Next Generation\, Deep Space Nine\, Voyager and Enterprise\, followed by a new generation of series including Discovery\, Picard\, Lower Decks\, Prodigy and Strange New Worlds. \nSix decades later\, Star Trek has become one of popular culture’s most enduring visions of exploration. \nThat’s where Mystic Seaport Museum enters the story. \nFrom Sails to Stars\nAt first glance\, a Star Trek celebration might seem like an unusual fit for a museum filled with wooden ships\, maritime artifacts and stories of 19th-century sailors. \nThe Museum is leaning directly into that contrast. \nLong before electronic navigation and GPS\, mariners crossed oceans using the sky. \nCelestial navigation relies on observations of the sun\, moon\, planets and stars to determine a vessel’s position. A navigator using instruments such as a sextant could measure the altitude of a celestial body above the horizon and use that information\, along with accurate time and navigational tables\, to calculate a ship’s position. \nFor sailors far from land\, the night sky wasn’t simply something to look at. \nIt was part of the navigation system. \nThe Star Trek universe takes that ancient relationship between navigation and the heavens and pushes it into the future. Instead of sailors using stars to cross an ocean\, Starfleet crews travel between them. \nSpecial programs at Mystic Seaport Museum’s Treworgy Planetarium will explore that connection during the anniversary celebration. \nThe Wrath of Khan Meets Moby-Dick\nOne of the day’s highlights is a screening of Star Trek II: The Wrath of Khan\, the 1982 film widely regarded as one of the defining entries in the franchise. \nThe choice has a particularly strong connection to Mystic Seaport Museum. \nThe Wrath of Khan isn’t simply a science-fiction adventure. Its story deliberately draws on Herman Melville’s Moby-Dick. \nRicardo Montalbán’s Khan Noonien Singh becomes an Ahab-like figure\, allowing his desire for revenge against James T. Kirk to consume virtually everything else. The film makes its literary inspiration increasingly explicit as Khan’s pursuit of Kirk moves toward its conclusion. \nThat makes Mystic Seaport an unusually appropriate place to revisit the film. \nHerman Melville sailed aboard the whaleship Acushnet beginning in 1841\, experiences that became part of the maritime world behind Moby-Dick. That same year\, the whaleship Charles W. Morgan was launched from New Bedford. \nToday\, the Morgan survives at Mystic Seaport Museum as the world’s last remaining wooden whaleship from the American whaling fleet. \nA 19th-century novel about a captain pursuing a white whale eventually helped shape a 20th-century movie about a genetically engineered man pursuing a starship captain. \nFrom the deck of a whaleship to the bridge of the Enterprise\, the distance isn’t quite as great as it first appears. \nA Day for Star Trek Fans\nThe Museum is encouraging fans to become part of the celebration rather than simply watch it. \nVisitors can attend wearing Star Trek costumes and fan apparel\, although full-face masks are not permitted. \nA space-themed photo opportunity will provide another place to embrace the science-fiction side of the day\, while the planetarium and speaker programs dig deeper into the science\, history and culture connecting maritime and space exploration. \nSome portions of the celebration have limited capacity. \nThe Museum says seating for lectures and the film screening will be first-come\, first-served\, so visitors particularly interested in those programs should keep that in mind when planning the day. \nRobb Pearlman Brings Star Trek Trivia to the Performance Stage\nThe day’s programming also includes an appearance by #1 New York Times bestselling author and Trekspurt Robb Pearlman at 1:30 p.m. on the Performance Stage. \nPearlman has written more than 90 books\, including a substantial collection devoted to Star Trek. His Mystic program combines a conversation about his work with a live trivia competition inspired by his new Star Trek: The Ultimate Trivia Deck. \nHe’ll also have books and trivia decks available for signing. \nWe’re giving Pearlman’s appearance its own CT Beacon event page\, including more about his unusual career writing about Star Trek and what fans can expect from the trivia showdown. \nSee our complete guide: Star Trek Trivia With Robb Pearlman at Mystic Seaport Museum. \nExploration Before Starfleet\nThere’s a larger idea behind From Sails to Stars that fits Mystic Seaport particularly well. \nThe people represented throughout the Museum’s collections lived in a world in which the ocean could still contain enormous unknowns. \nSailors departed familiar shores without satellites\, radio communication or electronic charts. They relied on their ships\, instruments\, knowledge of the natural world and observations of the sky. \nStar Trek took that same human impulse and imagined where it might eventually lead. \nIts most famous opening wasn’t about conquering space. \nIt was about exploring it. \nThat makes the 60th anniversary more than an excuse to put Starfleet uniforms among the square-riggers. Mystic Seaport is using science fiction to look at something maritime history and Star Trek have shared from the beginning: the desire to find out what’s beyond the horizon. \nEvent Details\nEvent: From Sails to Stars: A STAR TREK 60th Anniversary Celebration\nDate: Saturday\, September 12\, 2026\nVenue: Mystic Seaport Museum\nAddress: 75 Greenmanville Avenue\, Mystic\, CT 06355\nProgramming: Guest speakers\, planetarium shows\, space-themed photo opportunity and film screening\nFilm: Star Trek II: The Wrath of Khan\nSpecial Program: Robb Pearlman conversation and Star Trek trivia at 1:30 p.m.\nCostumes: Star Trek costumes and fan apparel encouraged; full-face masks are not permitted\nAdmission: Included with general Museum admission\nCapacity: Screening and lectures have limited capacity; admission is first-come\, first-served \nMore information is available at the Event Website link below. \nTo purchase Museum admission\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/from-sails-to-stars-mystic-seaport-celebrates-60-years-of-star-trek/
LOCATION:Mystic Seaport\, 75 Greenmanville Ave\, Mystic\, CT\, \,06355-1946\,\, United States
CATEGORIES:Mystic Seaport
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/From-Sails-to-Stars-Mystic-Seaport-Celebrates-60-Years-of-Star-Trek.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260916T200000
DTEND;TZID=America/New_York:20260916T220000
DTSTAMP:20260906T033008Z
CREATED:20260906T033008Z
LAST-MODIFIED:20260906T033008Z
UID:10007481-1789588800-1789596000@thectbeacon.com
SUMMARY:Bad Movie Night at The Oasis Pub: September 2026 Lineup
DESCRIPTION:Bad Movie Night at The Oasis Pub every Wednesday in September with five gloriously questionable pieces of cinema ranging from bargain-basement purgatory and sorority vampires to killer bees and a teenage Paul Walker trapped inside a robotic Tyrannosaurus rex. \nThe weekly cult-film night begins at 8 p.m. every Wednesday at the downtown New London pub. Admission is free\, with donations accepted toward keeping the screenings going. \nThe Oasis has made Bad Movie Night a regular part of its Wednesday schedule\, fitting alongside the live music\, games and offbeat programming that have helped make the small Bank Street bar a gathering place for more than two decades. \nSeptember’s selections lean heavily into the strange end of horror\, science fiction and action cinema. \nSeptember Bad Movie Night Schedule\n\nWednesday\, September 2 at 8 p.m. — Despiser (2003)\nArtist Gordon Hauge is fired\, dumped by his wife and then killed in a car crash\, only to discover that death has somehow made his situation even worse. He lands in Purgatory\, where monstrous Shadowmen and Ragmen serve a mysterious evil known as the Despiser. Gordon joins a ragtag collection of dead freedom fighters from different periods of history and sets out across a surreal afterlife to confront its ruler. Written and directed by Philip J. Cook\, Despiser mixes horror\, fantasy\, science fiction\, digital effects and an impressively strange vision of the afterlife.\nWednesday\, September 9 at 8 p.m. — Fit to Kill (1993)\nDirector Andy Sidaris delivers an action movie built around international intrigue\, assassins and a stolen Russian imperial diamond. Chinese businessman Chang plans to return the Alexa Diamond\, taken from Russia during World War II\, but international arms dealer Kane has other plans. L.E.T.H.A.L. agents Donna and Nicole are pulled into the fight to recover it\, leading to gun battles\, explosions\, seduction and even lethal remote-controlled helicopters. The movie stars Dona Speir\, Roberta Vasquez\, Bruce Penhall and Julie Strain.\nWednesday\, September 16 at 8 p.m. — Vampire Time Travelers (1998)\nFour college women trying to pledge a decidedly unusual sorority find themselves fighting vampires and other supernatural creatures instead. Director Les Sekely’s 65-minute horror comedy throws its characters into a deliberately chaotic mixture of bloodsuckers\, bizarre humor\, unexplained jumps through time and increasingly absurd situations. The obscure shot-on-video movie received renewed attention in 2026 with a collector’s edition release after years of obscurity.\nWednesday\, September 23 at 8 p.m. — Tammy and the T-Rex (1994)\nYes\, the premise really is what it sounds like. A mad scientist takes the brain of high-school student Michael\, played by a young Paul Walker\, and implants it inside a robotic Tyrannosaurus rex. The newly conscious T-Rex escapes\, takes revenge on Michael’s tormentors and tries to reunite with his girlfriend Tammy\, played by Denise Richards. Directed by Stewart Raffill\, the science-fiction horror comedy has become a cult favorite thanks to a premise so bizarre that explaining it almost spoils the fun.\nWednesday\, September 30 at 8 p.m. — The Bees (1978)\nSouth American killer bees are illegally brought into the United States\, where the situation becomes considerably worse when the insects mutate into an increasingly intelligent threat. As enormous swarms begin attacking cities\, scientists race to stop a disaster capable of spreading across the world. The 83-minute disaster-horror movie arrived during the 1970s cycle of nature-run-amok films and stars John Saxon\, Angel Tompkins and John Carradine.\n\nFive Wednesdays of Movies That Went Wrong in Just the Right Way\nThere is a pretty good mission statement hidden inside that lineup. \nBad Movie Night isn’t programming five merely unsuccessful movies. September jumps between movies that are interesting because of their excesses\, strange decisions\, improbable premises or sheer audacity. \nDespiser tries to construct an entire digital purgatory on an independent-film budget. Fit to Kill delivers the particular combination of espionage\, action and exploitation that became director Andy Sidaris’ signature. Vampire Time Travelers embraces the chaotic world of late-’90s shot-on-video horror. \nAnd then there is Tammy and the T-Rex\, a movie in which Paul Walker’s brain is transplanted into a mechanical dinosaur. \nBy the time intelligent killer bees arrive on the final Wednesday of September\, they almost seem reasonable. \nBad Movie Night at The Oasis\nThe Oasis Pub has been part of downtown New London’s nightlife for more than two decades\, operating from 16 Bank Street with a focus on craft beer\, live music and unconventional events. \nBad Movie Night is one of its regular weekly fixtures\, taking place every Wednesday at 8 p.m. \nThat communal setting is an important part of the concept. These aren’t necessarily movies demanding reverent silence in a dark theater. They’re movies made considerably more entertaining by experiencing the weirdness with a room full of other people. \nSeptember provides five chances to do exactly that. \nEvent Details\nEvent: Bad Movie Night: September Lineup\nDates: Wednesdays\, September 2\, 9\, 16\, 23 and 30\, 2026\nTime: 8 p.m. each Wednesday\nVenue: The Oasis Pub\nAddress: 16 Bank Street\, New London\, CT 06320\nAdmission: Free; donations accepted\nSeptember 2: Despiser\nSeptember 9: Fit to Kill\nSeptember 16: Vampire Time Travelers\nSeptember 23: Tammy and the T-Rex\nSeptember 30: The Bees \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/bad-movie-night-at-the-oasis-pub-september-2026-lineup/2026-09-16/
LOCATION:Oasis Pub\, 16 Bank Street\, New London\, CT\, 06320\, United States
CATEGORIES:Oasis Pub
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Bad-Movie-Night-at-The-Oasis-Pub-September-2026-Lineup.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T200000
DTEND;TZID=America/New_York:20260923T220000
DTSTAMP:20260906T033008Z
CREATED:20260906T033008Z
LAST-MODIFIED:20260906T033008Z
UID:10007482-1790193600-1790200800@thectbeacon.com
SUMMARY:Bad Movie Night at The Oasis Pub: September 2026 Lineup
DESCRIPTION:Bad Movie Night at The Oasis Pub every Wednesday in September with five gloriously questionable pieces of cinema ranging from bargain-basement purgatory and sorority vampires to killer bees and a teenage Paul Walker trapped inside a robotic Tyrannosaurus rex. \nThe weekly cult-film night begins at 8 p.m. every Wednesday at the downtown New London pub. Admission is free\, with donations accepted toward keeping the screenings going. \nThe Oasis has made Bad Movie Night a regular part of its Wednesday schedule\, fitting alongside the live music\, games and offbeat programming that have helped make the small Bank Street bar a gathering place for more than two decades. \nSeptember’s selections lean heavily into the strange end of horror\, science fiction and action cinema. \nSeptember Bad Movie Night Schedule\n\nWednesday\, September 2 at 8 p.m. — Despiser (2003)\nArtist Gordon Hauge is fired\, dumped by his wife and then killed in a car crash\, only to discover that death has somehow made his situation even worse. He lands in Purgatory\, where monstrous Shadowmen and Ragmen serve a mysterious evil known as the Despiser. Gordon joins a ragtag collection of dead freedom fighters from different periods of history and sets out across a surreal afterlife to confront its ruler. Written and directed by Philip J. Cook\, Despiser mixes horror\, fantasy\, science fiction\, digital effects and an impressively strange vision of the afterlife.\nWednesday\, September 9 at 8 p.m. — Fit to Kill (1993)\nDirector Andy Sidaris delivers an action movie built around international intrigue\, assassins and a stolen Russian imperial diamond. Chinese businessman Chang plans to return the Alexa Diamond\, taken from Russia during World War II\, but international arms dealer Kane has other plans. L.E.T.H.A.L. agents Donna and Nicole are pulled into the fight to recover it\, leading to gun battles\, explosions\, seduction and even lethal remote-controlled helicopters. The movie stars Dona Speir\, Roberta Vasquez\, Bruce Penhall and Julie Strain.\nWednesday\, September 16 at 8 p.m. — Vampire Time Travelers (1998)\nFour college women trying to pledge a decidedly unusual sorority find themselves fighting vampires and other supernatural creatures instead. Director Les Sekely’s 65-minute horror comedy throws its characters into a deliberately chaotic mixture of bloodsuckers\, bizarre humor\, unexplained jumps through time and increasingly absurd situations. The obscure shot-on-video movie received renewed attention in 2026 with a collector’s edition release after years of obscurity.\nWednesday\, September 23 at 8 p.m. — Tammy and the T-Rex (1994)\nYes\, the premise really is what it sounds like. A mad scientist takes the brain of high-school student Michael\, played by a young Paul Walker\, and implants it inside a robotic Tyrannosaurus rex. The newly conscious T-Rex escapes\, takes revenge on Michael’s tormentors and tries to reunite with his girlfriend Tammy\, played by Denise Richards. Directed by Stewart Raffill\, the science-fiction horror comedy has become a cult favorite thanks to a premise so bizarre that explaining it almost spoils the fun.\nWednesday\, September 30 at 8 p.m. — The Bees (1978)\nSouth American killer bees are illegally brought into the United States\, where the situation becomes considerably worse when the insects mutate into an increasingly intelligent threat. As enormous swarms begin attacking cities\, scientists race to stop a disaster capable of spreading across the world. The 83-minute disaster-horror movie arrived during the 1970s cycle of nature-run-amok films and stars John Saxon\, Angel Tompkins and John Carradine.\n\nFive Wednesdays of Movies That Went Wrong in Just the Right Way\nThere is a pretty good mission statement hidden inside that lineup. \nBad Movie Night isn’t programming five merely unsuccessful movies. September jumps between movies that are interesting because of their excesses\, strange decisions\, improbable premises or sheer audacity. \nDespiser tries to construct an entire digital purgatory on an independent-film budget. Fit to Kill delivers the particular combination of espionage\, action and exploitation that became director Andy Sidaris’ signature. Vampire Time Travelers embraces the chaotic world of late-’90s shot-on-video horror. \nAnd then there is Tammy and the T-Rex\, a movie in which Paul Walker’s brain is transplanted into a mechanical dinosaur. \nBy the time intelligent killer bees arrive on the final Wednesday of September\, they almost seem reasonable. \nBad Movie Night at The Oasis\nThe Oasis Pub has been part of downtown New London’s nightlife for more than two decades\, operating from 16 Bank Street with a focus on craft beer\, live music and unconventional events. \nBad Movie Night is one of its regular weekly fixtures\, taking place every Wednesday at 8 p.m. \nThat communal setting is an important part of the concept. These aren’t necessarily movies demanding reverent silence in a dark theater. They’re movies made considerably more entertaining by experiencing the weirdness with a room full of other people. \nSeptember provides five chances to do exactly that. \nEvent Details\nEvent: Bad Movie Night: September Lineup\nDates: Wednesdays\, September 2\, 9\, 16\, 23 and 30\, 2026\nTime: 8 p.m. each Wednesday\nVenue: The Oasis Pub\nAddress: 16 Bank Street\, New London\, CT 06320\nAdmission: Free; donations accepted\nSeptember 2: Despiser\nSeptember 9: Fit to Kill\nSeptember 16: Vampire Time Travelers\nSeptember 23: Tammy and the T-Rex\nSeptember 30: The Bees \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/bad-movie-night-at-the-oasis-pub-september-2026-lineup/2026-09-23/
LOCATION:Oasis Pub\, 16 Bank Street\, New London\, CT\, 06320\, United States
CATEGORIES:Oasis Pub
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Bad-Movie-Night-at-The-Oasis-Pub-September-2026-Lineup.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260930T200000
DTEND;TZID=America/New_York:20260930T220000
DTSTAMP:20260906T033008Z
CREATED:20260906T033008Z
LAST-MODIFIED:20260906T033008Z
UID:10007483-1790798400-1790805600@thectbeacon.com
SUMMARY:Bad Movie Night at The Oasis Pub: September 2026 Lineup
DESCRIPTION:Bad Movie Night at The Oasis Pub every Wednesday in September with five gloriously questionable pieces of cinema ranging from bargain-basement purgatory and sorority vampires to killer bees and a teenage Paul Walker trapped inside a robotic Tyrannosaurus rex. \nThe weekly cult-film night begins at 8 p.m. every Wednesday at the downtown New London pub. Admission is free\, with donations accepted toward keeping the screenings going. \nThe Oasis has made Bad Movie Night a regular part of its Wednesday schedule\, fitting alongside the live music\, games and offbeat programming that have helped make the small Bank Street bar a gathering place for more than two decades. \nSeptember’s selections lean heavily into the strange end of horror\, science fiction and action cinema. \nSeptember Bad Movie Night Schedule\n\nWednesday\, September 2 at 8 p.m. — Despiser (2003)\nArtist Gordon Hauge is fired\, dumped by his wife and then killed in a car crash\, only to discover that death has somehow made his situation even worse. He lands in Purgatory\, where monstrous Shadowmen and Ragmen serve a mysterious evil known as the Despiser. Gordon joins a ragtag collection of dead freedom fighters from different periods of history and sets out across a surreal afterlife to confront its ruler. Written and directed by Philip J. Cook\, Despiser mixes horror\, fantasy\, science fiction\, digital effects and an impressively strange vision of the afterlife.\nWednesday\, September 9 at 8 p.m. — Fit to Kill (1993)\nDirector Andy Sidaris delivers an action movie built around international intrigue\, assassins and a stolen Russian imperial diamond. Chinese businessman Chang plans to return the Alexa Diamond\, taken from Russia during World War II\, but international arms dealer Kane has other plans. L.E.T.H.A.L. agents Donna and Nicole are pulled into the fight to recover it\, leading to gun battles\, explosions\, seduction and even lethal remote-controlled helicopters. The movie stars Dona Speir\, Roberta Vasquez\, Bruce Penhall and Julie Strain.\nWednesday\, September 16 at 8 p.m. — Vampire Time Travelers (1998)\nFour college women trying to pledge a decidedly unusual sorority find themselves fighting vampires and other supernatural creatures instead. Director Les Sekely’s 65-minute horror comedy throws its characters into a deliberately chaotic mixture of bloodsuckers\, bizarre humor\, unexplained jumps through time and increasingly absurd situations. The obscure shot-on-video movie received renewed attention in 2026 with a collector’s edition release after years of obscurity.\nWednesday\, September 23 at 8 p.m. — Tammy and the T-Rex (1994)\nYes\, the premise really is what it sounds like. A mad scientist takes the brain of high-school student Michael\, played by a young Paul Walker\, and implants it inside a robotic Tyrannosaurus rex. The newly conscious T-Rex escapes\, takes revenge on Michael’s tormentors and tries to reunite with his girlfriend Tammy\, played by Denise Richards. Directed by Stewart Raffill\, the science-fiction horror comedy has become a cult favorite thanks to a premise so bizarre that explaining it almost spoils the fun.\nWednesday\, September 30 at 8 p.m. — The Bees (1978)\nSouth American killer bees are illegally brought into the United States\, where the situation becomes considerably worse when the insects mutate into an increasingly intelligent threat. As enormous swarms begin attacking cities\, scientists race to stop a disaster capable of spreading across the world. The 83-minute disaster-horror movie arrived during the 1970s cycle of nature-run-amok films and stars John Saxon\, Angel Tompkins and John Carradine.\n\nFive Wednesdays of Movies That Went Wrong in Just the Right Way\nThere is a pretty good mission statement hidden inside that lineup. \nBad Movie Night isn’t programming five merely unsuccessful movies. September jumps between movies that are interesting because of their excesses\, strange decisions\, improbable premises or sheer audacity. \nDespiser tries to construct an entire digital purgatory on an independent-film budget. Fit to Kill delivers the particular combination of espionage\, action and exploitation that became director Andy Sidaris’ signature. Vampire Time Travelers embraces the chaotic world of late-’90s shot-on-video horror. \nAnd then there is Tammy and the T-Rex\, a movie in which Paul Walker’s brain is transplanted into a mechanical dinosaur. \nBy the time intelligent killer bees arrive on the final Wednesday of September\, they almost seem reasonable. \nBad Movie Night at The Oasis\nThe Oasis Pub has been part of downtown New London’s nightlife for more than two decades\, operating from 16 Bank Street with a focus on craft beer\, live music and unconventional events. \nBad Movie Night is one of its regular weekly fixtures\, taking place every Wednesday at 8 p.m. \nThat communal setting is an important part of the concept. These aren’t necessarily movies demanding reverent silence in a dark theater. They’re movies made considerably more entertaining by experiencing the weirdness with a room full of other people. \nSeptember provides five chances to do exactly that. \nEvent Details\nEvent: Bad Movie Night: September Lineup\nDates: Wednesdays\, September 2\, 9\, 16\, 23 and 30\, 2026\nTime: 8 p.m. each Wednesday\nVenue: The Oasis Pub\nAddress: 16 Bank Street\, New London\, CT 06320\nAdmission: Free; donations accepted\nSeptember 2: Despiser\nSeptember 9: Fit to Kill\nSeptember 16: Vampire Time Travelers\nSeptember 23: Tammy and the T-Rex\nSeptember 30: The Bees \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/bad-movie-night-at-the-oasis-pub-september-2026-lineup/2026-09-30/
LOCATION:Oasis Pub\, 16 Bank Street\, New London\, CT\, 06320\, United States
CATEGORIES:Oasis Pub
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Bad-Movie-Night-at-The-Oasis-Pub-September-2026-Lineup.jpg
END:VEVENT
END:VCALENDAR