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SUMMARY:Westerly Performing Arts Tour Takes Young Performers Behind the Scenes at Three Downtown Arts Institutions
DESCRIPTION:The Westerly Performing Arts Tour gives young singers\, musicians and actors something they don’t normally get from sitting in the audience: a look behind the curtain at three of Westerly’s major performing arts organizations and a chance to find out how they can become part of them. \nThe guided walking tour begins beneath the marquee at The UNITED Theatre at 10 a.m. Saturday\, September 19\, before heading through downtown to the Granite Theatre and George Kent Performance Hall\, home of The Chorus of Westerly. \nOver roughly 90 minutes\, participants will meet artists and educators\, explore performance spaces\, learn about training programs and discover opportunities to sing\, act\, play an instrument or otherwise become involved in Westerly’s performing arts community. \nFor a young person who knows they want to perform but doesn’t know where to begin\, that’s really the point of the morning. \nThree Stops\, Three Different Ways Onto a Stage\nThe tour isn’t simply a walk through three interesting buildings. \nEach stop represents a different part of the performing arts. \nAt The UNITED\, the focus includes music education and the many ways musicians can develop their skills. \nAt the Granite Theatre\, participants actually step onto the stage while learning about acting\, theatrical training and performance. \nAt The Chorus of Westerly\, the tour moves into vocal and ensemble training inside Kent Hall. \nTogether\, the three organizations offer a surprisingly broad introduction to what’s available to a young performer within a relatively small section of downtown Westerly. \nAnd participants will hear directly from the people who teach and create the work rather than simply picking up three brochures. \nIt Starts Under The UNITED Marquee\nThe first meeting point is one of downtown Westerly’s most recognizable landmarks: the marquee at The UNITED Theatre at 5 Canal Street. \nFrom there\, participants head behind the scenes. \nThe UNITED today is considerably more than a movie theater. \nIts modern arts complex contains a 750-capacity flexible performance space\, three cinemas\, an event and gallery space and a dedicated music school. \nThe building hosts concerts\, theater\, dance\, comedy\, films\, lectures and other programming while maintaining an increasingly substantial educational operation. \nYoung visitors on Saturday’s tour will get a closer look at that educational side. \nThe UNITED Music School Is a Working Training Center\nThe UNITED Music School offers instruction and performance opportunities across a range of instruments\, ages and ability levels. \nThe idea isn’t simply to teach someone how to play scales in a practice room. \nStudents can develop through lessons and ensembles while being conneGcted to an active performing arts organization where musicians are regularly rehearsing\, recording and appearing onstage. \nThe UNITED also extends its education programs beyond traditional instrumental instruction. \nIts broader arts programming has included songwriting\, voice\, photography\, video\, visual arts\, film and podcasting\, along with after-school programming for local students. \nThe tour gives prospective students a chance to see where that work happens and ask the people involved what participating actually looks like. \nThe Building Has Been Training Entertainers for a Century\, in a Way\nThere’s another reason the UNITED is an appropriate place to begin. \nIn 1926\, the original United Theatre opened as a vaudeville house. \nThat means the building turns 100 years old in 2026. \nVaudeville theaters were variety houses. A single bill could contain singers\, dancers\, comedians\, musicians\, novelty performers and other acts. \nThe United later became a movie theater before closing in 1986. \nDecades later\, a major redevelopment joined the historic theater with the neighboring Montgomery Ward building. Following an extensive renovation\, the new UNITED reopened in July 2021 as a multipurpose arts center. \nA building that once presented performers now both presents them and helps train the next generation. \nSaturday’s tour makes that connection unusually literal. \nThen the Tour Heads Through Wilcox Park\nFrom The UNITED\, the group walks through Wilcox Park toward the Granite Theatre. \nThat makes the event a genuine downtown arts tour rather than three disconnected building visits. \nThe park itself is one of the features that makes this possible. \nWesterly’s compact downtown puts theaters\, music spaces\, restaurants\, shops and historic buildings within walking distance of one another\, with Wilcox Park sitting near the center of it all. \nFor young participants\, the walk also demonstrates something that’s easy to overlook when visiting one venue at a time: \nThese organizations are neighbors. \nThey’re part of the same arts community. \nAt the Granite\, Young Performers Get to Step Onto the Stage\nThe second major stop is the Granite Theatre at 1 Granite Street. \nHere\, participants will step onto the stage and hear how theatrical training reaches beyond memorizing lines and learning where to stand. \nThe Granite specifically emphasizes the ways theater can develop confidence\, communication skills and personal growth. \nThose benefits matter even for children who never intend to become professional actors. \nGetting onstage requires speaking clearly. \nActors have to listen to one another. \nThey need to collaborate\, remember instructions\, adapt when something unexpected happens and become comfortable communicating in front of other people. \nA theatrical production is also intensely collaborative. \nThe person delivering the line may be the one the audience sees\, but performances depend on directors\, designers\, technicians\, stage managers and many others working together. \nFor a child interested in theater but uncertain about being the center of attention\, there are plenty of ways into that world. \nThe Granite Has Been Expanding Its Youth Programs\nThe Granite’s mission specifically combines entertainment and education\, and the theater has been developing dedicated programming for younger performers. \nIts Youth Theatre Program has included theatrical training\, summer camps and staged productions for young actors. \nRecent youth programming has been designed for participants roughly 8 to 18 years old\, giving children and teenagers the opportunity to work toward an actual performance rather than treating theater solely as a classroom exercise. \nSaturday’s stop gives prospective young actors and their families a chance to see the space before deciding whether that kind of program feels right for them. \nThat can be much more useful than trying to make the decision from a website. \nThe Granite’s Stage Is Inside an 1849 Church\nThe building itself has already spent more than 175 years gathering people together. \nThe Greek Revival structure was purchased for $200 in 1843 and became the Christian Chapel in Westerly. \nThe building was completed in 1849 and later became the Broad Street Christian Church. \nIts basic historic character survived remarkably well\, although the steeple required remodeling after being damaged during the Hurricane of 1938. \nThe building eventually found an entirely different purpose. \nIn 2000\, it reopened as the Granite Theatre. \nThe former church sanctuary became an intimate performance venue where actors now perform only a short distance from the audience. \nFor a young performer stepping onto its stage Saturday morning\, it’s worth looking around. \nThat’s not a purpose-built modern auditorium. \nIt’s another piece of Westerly history that the arts helped preserve. \nThe Final Stop Is Kent Hall\nThe walking tour continues to 119 High Street\, where another former church has become one of Westerly’s major performance spaces. \nGeorge Kent Performance Hall is home to The Chorus of Westerly. \nThe organization uses Kent Hall for rehearsals\, classes\, concerts and educational programs throughout the year. \nFor young singers\, this portion of the tour may be particularly useful because The Chorus of Westerly has made children’s musical education part of its identity from the beginning. \nParticipants will learn how singers develop musicianship\, vocal technique and ensemble skills\, and how children can progress into serious choral performance even without arriving with years of previous training. \nYou Don’t Need to Arrive Already Knowing How to Sing in a Chorus\nThe Chorus of Westerly explicitly says that children don’t need previous voice lessons\, formal music classes or other musical training to begin its children’s program. \nTeaching them is part of the job. \nIts children’s program is designed for young people approximately ages 8 through 18 and uses multiple levels so developing singers can be placed appropriately. \nEach young singer receives at least two hours of rehearsal per week. \nAnd this isn’t a children’s choir that exists entirely apart from the organization’s major performances. \nOne of The Chorus of Westerly’s founding principles was giving children and teenagers the opportunity to sing challenging music alongside adults in serious performance settings. \nYoung singers have long participated in the organization’s main symphonic and Pops programming. \nThat makes the Kent Hall stop less about asking\, “Can my child already do this?” \nIt’s about discovering how they can learn. \nThe Chorus Has Built a Program That Can Last a Lifetime\nThe children’s program is only one piece of The Chorus of Westerly. \nThere is an auditioned Symphonic Chorus for adults. \nThere are also non-auditioned programs designed to make group singing accessible to people with different experience levels and at different stages of life. \nThe organization has developed a Foundations Chorus\, Threshold Singers and an Encore Choir for older adults\, among other educational and outreach programs. \nThat creates an unusual continuum. \nSomeone can begin singing at Kent Hall as a child and remain involved in choral music well into adulthood. \nThe organization isn’t simply producing concerts. \nIt’s trying to create singers. \nKent Hall Has Heard Some Extraordinary Music\nThe room the young performers will visit has hosted considerably more than local rehearsals. \nThe Chorus of Westerly first performed there in 1968. \nOver the decades\, Kent Hall has welcomed internationally known musicians and ensembles including Yo-Yo Ma\, Pete Seeger\, Rudolf Serkin\, The King’s Singers\, Chanticleer\, The Tallis Scholars\, the Choir of King’s College Cambridge and the Vienna Boys’ Choir. \nIts history predates all of them. \nConstruction of the building began in 1886 as Westerly’s first Roman Catholic church\, Immaculate Conception. \nThe Chorus eventually acquired the building and undertook years of restoration and renovation. \nIn 2004–05\, a nearly $2 million project added an office wing and backstage access. Later work addressed the roof\, bell tower\, HVAC systems\, rehearsal spaces and lower level. \nToday it’s listed on the National Register of Historic Places. \nSo Saturday’s young singers will be standing in a room with some stories to tell. \nThe Tour Is Really About Finding Your Door In\nA child saying “I like music” doesn’t necessarily know what comes next. \nDo I need lessons? \nCan I join a band? \nWhat if I’ve never acted before? \nDo I have to audition? \nWhat happens at an audition? \nCan I sing in a chorus if I can’t read music? \nWhat if I want to work in theater but don’t want to act? \nThose questions can make arts organizations seem more intimidating from the outside than they actually are. \nThe Westerly Performing Arts Tour removes some of that barrier by putting families directly in the spaces and introducing them to the people who can answer those questions. \nThere’s no requirement that a participant emerge from Saturday morning having chosen an artistic career. \nFinding something they’d like to try is enough. \nParents Need to Come Along With Younger Participants\nThe tour is designed for young performers\, but participants under 18 must be accompanied by an adult. \nThat makes sense for another reason. \nParents are usually the ones who need answers about schedules\, commitments\, auditions\, costs and transportation before a child can join a program. \nInstead of a young person coming home excited about something and trying to explain it\, parent and child can hear the information together. \nThe UNITED asks participants to reserve a spot in advance. \nThe tour begins at the UNITED marquee at 10 a.m. The UNITED describes the guided experience as approximately 90 minutes\, while the Chamber calendar blocks out 10 a.m. to noon\, so families would be wise to keep the full two-hour window available. \nThree Institutions\, One Arts Community\nThe most interesting part of the Westerly Performing Arts Tour may not be any single stop. \nIt’s the fact that all three stops exist so close together. \nWithin one morning\, a young person can explore a century-old theater reborn as a modern music and arts center\, stand on the stage of an 1849 church transformed into a community theater and visit an 1880s church that became home to a nationally recognized choral organization. \nThey’re different institutions with different histories and specialties. \nBut they’re doing versions of the same thing. \nThey’re taking people who want to create something and giving them a place to begin. \nOn September 19\, they’re opening those doors together. \nDetails\nEvent: The Westerly Performing Arts Tour\nDate: Saturday\, September 19\, 2026\nStart Time: 10 a.m.\nCalendar Window: 10 a.m.–noon\nGuided Tour Length: Approximately 90 minutes\nStarting Point: The UNITED Theatre marquee/front entrance\nStarting Address: 5 Canal Street\, Westerly\, RI 02891\nStops: The UNITED Theatre and Music School\, Granite Theatre and George Kent Performance Hall/The Chorus of Westerly\nAudience: Young performers and families interested in local performing arts opportunities\nUnder 18: Must be accompanied by an adult\nActivities: Behind-the-scenes theater visit\, music school introduction\, Granite Theatre stage visit\, choral education introduction and conversations with artists and educators\nWalking: The tour travels between downtown locations\, including a walk through Wilcox Park\nRegistration: Advance reservation is requested\nContact: The UNITED Theatre\, 401-388-8208 \nMore information is available at the Event Website link below. \nTo reserve your spot\, click the Event Registration link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/westerly-performing-arts-tour-takes-young-performers-behind-the-scenes-at-three-downtown-arts-institutions/
LOCATION:United Theatre\, 5 Canal Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:United Theater
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DTSTART;TZID=America/New_York:20260919T100000
DTEND;TZID=America/New_York:20260919T113000
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SUMMARY:Mystic River Boathouse Park Ribbon Cutting Opens a New Stretch of the River to the Public
DESCRIPTION:Mystic River Boathouse Park Ribbon Cutting Ceremony celebrates the opening of a project nearly a decade in the making on Saturday\, September 19\, transforming a former industrial brownfield into a new public waterfront park\, community rowing center\, and permanent home for Stonington High School Crew. \nThe ceremony runs from 10 to 11:30 a.m. at 123 Greenmanville Avenue\, just north of Mystic Seaport Museum. \nBut this is much bigger than a ribbon-cutting for another small town park. \nThe roughly 1.5-acre property includes new public access to a portion of the upper Mystic River where much of the shoreline has historically been privately owned. It also incorporates the Jim Dietz Rowing Center and Hart Perry Boathouse\, rowing and public-access docks\, a pedestrian launch for non-motorized watercraft\, ADA-accessible waterfront features\, a living shoreline and recreational space. \nAnd getting it built took about 10 years. \nIt Started With a Vote in 2016\nStonington residents approved the project at a town meeting in 2016\, authorizing the purchase of the Greenmanville Avenue property. \nThe location was attractive for an obvious reason. \nIt sits directly on the Mystic River. \nBut underneath that waterfront property was a much more complicated story. \nThe peninsula had been shaped during Mystic’s industrial era\, in part through deposits of coal slag and other industrial material associated with the neighboring Rossie Velvet Mill. \nThat meant the town wasn’t simply buying an empty waterfront lot and turning it into grass and docks. \nEnvironmental remediation had to come first. \nIn 2021\, Stonington secured a $753\,889 state grant to help remediate the contaminated property. \nThat was only one of the obstacles. \nThen There Was a Historic House That Couldn’t Simply Be Demolished\nSitting on the property was another complication: the Lovelace House. \nBecause the house was located within a historic district\, plans had to accommodate its preservation rather than simply removing it. \nThe State Historic Preservation Office became involved\, and Stonington Community Rowing committed to helping relocate and rehabilitate the building as part of the overall project. \nThe house had to be incorporated into a substantially larger plan that was already trying to balance a public park\, environmental cleanup\, shoreline restoration and a modern rowing facility. \nThere were also objections to an earlier boathouse design. \nPlans were revised. \nPermits were needed from state agencies and the U.S. Army Corps of Engineers. \nCosts rose. \nAnd the years accumulated. \nBy 2025\, the Price Had Reached About $5.3 Million\nBy the time construction was finally ready to move forward in 2025\, the overall project had grown to approximately $5.3 million. \nFunding came together through a combination of state and federal grants\, town funding and private fundraising associated with Stonington Community Rowing. \nStonington had assembled roughly $4.9 million for the public portion before the Board of Finance approved an additional $400\,000 in June 2025. \nThat finally cleared one of the project’s last major financial obstacles. \nConstruction began later that year. \nThe September 19 ribbon cutting is the other end of that story. \nThe New Park Gives Mystic Something Surprisingly Rare: More Public River Access\nMystic is defined by its river. \nThat doesn’t necessarily mean it’s easy to reach the water. \nLarge portions of the Mystic River shoreline are occupied by private homes\, businesses\, marinas and other properties. \nThe new Mystic River Boathouse Park creates another publicly accessible piece of waterfront north of Mystic Seaport Museum. \nThe park includes lawn and landscaped areas\, waterfront access and ADA-accessible coastal walkways. \nMore importantly for people who want to get onto the river rather than simply look at it\, the project includes a pedestrian boat ramp\, access piers and floating docks. \nThe public launch is intended for non-motorized personal watercraft\, opening another access point for activities such as kayaking and paddling. \nThat’s one of the reasons town officials have consistently described the project as more than a rowing facility. \nThe rowing program occupies an important part of the property. \nThe park belongs to the public. \nThe Shoreline Itself Is Part of the Project\nLook closely at the water’s edge and another piece of the project emerges. \nInstead of treating the riverbank solely as infrastructure\, designers incorporated a living shoreline using natural materials\, native vegetation and tidal-wetland enhancements. \nLiving shorelines can help stabilize waterfront property while maintaining or improving habitat and allowing the edge of the land to behave more naturally than a continuous hardened seawall. \nThe Mystic project includes tidal-wetland enhancements and shoreline sills as part of that approach. \nRACE Coastal Engineering also designed the project’s piers\, gangways\, rowing docks and pedestrian boat ramp. \nEven the way the floating docks are secured reflects the needs of rowers. \nRather than conventional pilings that could interfere with long racing shells and oars\, the docks use helix-style moorings and elastomeric lines that move with the changing tide. \nIt’s an unusually technical detail for a public park. \nBut this isn’t an ordinary park. \nStonington Crew Finally Gets a Home\nFor the Stonington High School rowing program\, September 19 represents something even bigger. \nThe program has existed for nearly three decades without a permanent facility of its own. \nFor approximately 20 years\, Mystic Seaport Museum hosted Stonington Crew\, allowing generations of students to train and launch from museum property. \nThe new facility changes that. \nStonington Community Rowing will operate from the Jim Dietz Rowing Center and Hart Perry Boathouse\, giving the high school program a permanent home while expanding rowing opportunities beyond the school team. \nThe boathouse includes two bays for shells\, oars\, coach boats and other equipment. \nUpstairs is a roughly 4\,500-square-foot training center with rowing machines and strength-training equipment. \nThe broader plan calls for rowing opportunities for youth and adults at different experience levels\, including recreational\, competitive and adaptive rowing. \nJim Dietz Is One of American Rowing’s Major Figures\nThe name on the rowing center isn’t ceremonial window dressing. \nJim Dietz is one of the most accomplished figures in American rowing. \nDietz represented the United States at three Olympic Games as a rower\, competed internationally for years and later built a long coaching career. \nHis rowing résumé includes numerous national championships and international competitions\, and he became closely associated with southeastern Connecticut rowing. \nNaming the community rowing center for Dietz connects the new facility with a much larger American rowing tradition. \nMembers of the Dietz family are expected to participate in Saturday’s celebration. \nHart Perry’s Name Carries Its Own Rowing History\nThe boathouse is named for another towering figure in the sport. \nHart Perry spent decades as executive director of the National Rowing Foundation and became one of the best-known administrators and advocates in American rowing. \nHe was also deeply connected to Mystic. \nPerry helped establish and develop rowing activity associated with Mystic Seaport and played a central role in the growth of the Coastweeks Regatta\, which became a fixture on the Mystic River. \nMembers of the Perry family are also expected at Saturday’s opening. \nPutting the names Jim Dietz Rowing Center and Hart Perry Boathouse together therefore says something about the ambitions for the facility. \nIt’s a community boathouse with unusually deep connections to the history of American rowing. \nThe Coastweeks Regatta Has Already Come Home\nThere’s an especially nice piece of timing surrounding the ribbon cutting. \nJust six days earlier\, on September 13\, the 29th Coastweeks Regatta returned to the Mystic River. \nThe race had previously been hosted by Mystic Seaport Museum and became one of the early head races of the fall rowing calendar. \nFor its return in 2026\, Stonington Community Rowing hosted the regatta from the new Jim Dietz Rowing Center and Hart Perry Boathouse. \nThe approximately 2-kilometer course began upriver and finished near the new boathouse park and Delamar Mystic. \nSo although the ceremonial ribbon isn’t cut until September 19\, the new rowing facility has already begun doing exactly what its supporters spent years trying to make possible. \nBoats are back on the river. \nThe Plan Extends Beyond Rowing\nThe project’s organizers have consistently envisioned the property as a community resource rather than a private rowing compound. \nStonington Community Rowing has identified partnerships with Stonington Recreation\, Denison Pequotsepos Nature Center and Mystic Seaport Museum as avenues for expanding programming. \nThat could bring marine science education\, health and recreation activities and other programs onto the property in addition to rowing. \nThe town has similarly discussed using nonprofit partnerships to expand river access for children\, families and residents from different backgrounds. \nThat’s significant because a new boathouse alone would primarily benefit people who row. \nA public waterfront park can serve everyone else too. \nSomeone can launch a kayak. \nSomeone can walk down to the river. \nSomeone can sit on the lawn. \nA child can learn something about the estuary. \nSomeone who has lived in Stonington for decades but never had a reason to enter a rowing facility can simply use the waterfront. \nSaturday Celebrates the People Who Kept It Alive\nThe ribbon cutting is being organized with Stonington Community Rowing\, the Town of Stonington and the Greater Mystic Chamber of Commerce. \nThe Dietz and Perry families are expected to join members of the Stonington community for the ceremony. \nThat feels appropriate for a project that survived environmental problems\, preservation requirements\, redesigns\, permitting\, funding gaps\, rising construction costs and nearly a decade between public approval and completion. \nThere is one important parking instruction for Saturday. \nVisitors may park behind the Rossie Mill or in Mystic Seaport Museum’s North Parking Lot. \nOrganizers specifically ask attendees not to use Velvet Lane. \nThen walk down toward the river. \nAfter ten years\, there’s finally a park waiting there. \nDetails\nEvent: Mystic River Boathouse Park Ribbon Cutting Ceremony\nDate: Saturday\, September 19\, 2026\nTime: 10–11:30 a.m.\nLocation: Mystic River Boathouse Park\nAddress: 125 – 129 Greenmanville Avenue\, Mystic\, CT 06355\nHosts/Partners: Stonington Community Rowing\, Town of Stonington and Greater Mystic Chamber of Commerce\nFeatured Facilities: Jim Dietz Rowing Center and Hart Perry Boathouse\nPark Features: Public waterfront access\, lawn and landscaped areas\, ADA-accessible waterfront features\, living shoreline\, rowing docks\, access piers and pedestrian launch for non-motorized watercraft\nParking: Available behind Rossie Mill and at the Mystic Seaport Museum North Parking Lot\nImportant: Do not park on Velvet Lane\nAdmission: No admission charge is listed for the public ribbon-cutting ceremony\nCeremony: Members of the Dietz and Perry families and the Stonington community are invited to participate in the opening celebration \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/mystic-river-boathouse-park-ribbon-cutting-opens-a-new-stretch-of-the-river-to-the-public/
LOCATION:Mystic River Boathouse Park\, 125 - 129 Greenmanville Avenue\, Mystic\, 06355\, United States
CATEGORIES:Mystic River Boathouse Park
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DTSTART;TZID=America/New_York:20260919T090000
DTEND;TZID=America/New_York:20260919T180000
DTSTAMP:20260901T212201Z
CREATED:20260901T212201Z
LAST-MODIFIED:20260901T212201Z
UID:10007321-1789808400-1789840800@thectbeacon.com
SUMMARY:B.F. Clyde’s Cider Mill 2026: Complete Guide
DESCRIPTION:B.F. Clyde’s Cider Mill is now open for the 2026 season\, beginning another fall of fresh-pressed sweet cider\, cider donuts\, traditional hard cider\, apple wine and one of the most unusual pieces of working history in Connecticut. \nThe family-owned Old Mystic landmark opened for the season September 1 and is currently scheduled to operate seven days a week from 9 a.m. to 6 p.m. at 129 North Stonington Road. \nBut calling Clyde’s a cider shop doesn’t quite explain why generations of families make a trip here every fall. \nThe mill has been family-owned since 1881. Fourth\, fifth and sixth generations of the family still work in the business. Apples are still crushed and pressed using historic machinery powered by steam. Visitors can watch the machinery operate\, descend into the cellar for traditional hard cider tastings\, sample apple wines in a converted grist mill and leave with a bag of cider donuts. \nClyde’s calls itself the oldest steam-powered cider mill in the United States. \nMore precisely\, it is the last operating steam-powered cider mill in the country\, according to the mill\, and its historic cider-making machinery has been recognized by the American Society of Mechanical Engineers as a National Historic Mechanical Engineering Landmark. \nIt isn’t a reproduction of an old cider mill. \nIt’s the real thing. \nA Mystic Fall Tradition Since 1881\nThe story begins with Benjamin F. Clyde. \nIn 1881\, Clyde began producing cider from apples he had pressed at other local mills. He eventually rented a press before purchasing his own mill in 1897. \nThe equipment that followed would become the heart of the operation visitors still come to see. \nClyde purchased a screw press manufactured by Boomer & Boschert of Syracuse\, New York. The company also supplied the apple grater\, elevator and cider pump\, along with plans for the mill building. \nThe machinery was installed in 1898. \nAt the time\, cider mills were hardly unusual in rural America. \nThey served much the same role for apple growers that grist mills did for farmers growing grain. Orchards could bring surplus apples to a centrally located mill\, where the fruit could be processed and pressed into juice. Some of that juice could then be fermented into hard cider. \nMost of those community mills disappeared. \nClyde’s didn’t. \nThe Steam-Powered Mill Is Still Working\nThat’s what makes a visit different from touring a preserved historic building. \nThe machinery still has a job. \nApples enter the cider-making system and are elevated to a grinder\, where they’re reduced to pulp. That pulp is prepared for pressing\, and the historic screw press applies the tremendous pressure needed to extract the juice. \nThe technology was impressive for its era. \nAccording to the American Society of Mechanical Engineers\, the all-steel screw press could apply pressure at three speeds and represented one of the last generations of screw presses before hydraulic presses became widespread during the 20th century. \nASME designated B.F. Clyde’s Cider Mill a National Historic Mechanical Engineering Landmark in 1994\, recognizing the machinery as a rare survivor of an industry that was once common throughout America’s apple-growing regions. \nMore than a century after the equipment was installed\, Clyde’s still uses the mill to make cider. \nWhen Can You Watch Clyde’s Press Cider?\nVisitors don’t have to settle for looking at the machinery. \nClyde’s runs it during the season. \nThe mill’s typical pressing schedule is: \nTuesday and Thursday: 10 a.m.–noon\nSaturday and Sunday: 10 a.m.–noon \nThe schedule can vary because Clyde’s presses according to production needs\, so the machinery isn’t guaranteed to be running continuously throughout those periods. \nEven when the press isn’t operating\, visitors are welcome to look inside the historic press building. \nFor anyone specifically interested in seeing the steam-powered machinery at work\, a pressing morning is the best time to plan a visit. \nHow Clyde’s Makes Sweet Cider\nFresh sweet cider is the product that started everything. \nClyde’s purchases its apples from small orchards rather than operating a pick-your-own orchard of its own. The apples are processed at the mill and pressed into cider using the historic equipment. \nThe finished sweet cider is flash pasteurized on the property. \nVisitors can buy cider to take home or drink it while visiting\, and seasonal cider drinks have become part of the experience alongside the mill’s baked goods. \nThat combination has helped turn what was originally a working agricultural business into a fall destination. \nYou can come to learn how a 19th-century cider press works. \nYou can also come because you want cider and a donut. \nNeither is the wrong reason. \nAbout Those Clyde’s Cider Donuts\nFor plenty of visitors\, the steam engine has competition. \nClyde’s cider donuts have become almost as closely associated with the mill as the cider itself. \nThe store sells its well-known cider donuts along with other baked goods and seasonal treats. The selection can vary\, but the broader shop also carries jarred products\, honey from local beekeepers\, candied apples made by the family and other locally produced goods. \nIt’s part bakery\, part country store and part historic attraction. \nAnd on a busy fall weekend\, the line is evidence that plenty of people know exactly what they came for. \nThen There Is the Cider Downstairs\nThe word “cider” gets considerably more complicated at Clyde’s. \nSweet cider is only part of the story. \nClyde’s also makes traditional hard cider using a process very different from the sweeter\, carbonated canned ciders that have become common in supermarkets and bars. \nThe hard cider begins with apple juice and ferments before aging in oak whiskey barrels. \nThe process from juice to finished hard cider typically takes about a year. \nAfter fermentation and aging\, the hard cider receives relatively little filtration before being sold. That preserves more of the raw\, oaky character produced by the barrel. \nThe result is considerably stronger than many commercial hard ciders. \nClyde’s hard ciders and apple wines generally contain 12 to 14 percent alcohol. \nHard Cider vs. Apple Wine: What’s the Difference?\nThis is one of the more interesting parts of Clyde’s operation because the two products begin in essentially the same place. \nBoth the hard cider and apple wine start as fermented apple juice aged in oak whiskey barrels. \nWhat happens afterward separates them. \nClyde’s hard cider is only lightly filtered to remove sediment. That leaves it with a bolder flavor\, more pronounced oak character and more bite. \nThe apple wine receives considerably more filtration. \nThat additional processing produces a smoother\, somewhat sweeter product that is also shelf stable before opening. \nSo someone expecting Clyde’s hard cider to taste like a modern canned hard cider may be surprised. \nThis is closer to an older cider-making tradition. \nWhat’s in the Hard Cider Cellar?\nThe hard cider cellar sits underneath the press building. \nThat’s where visitors can taste Clyde’s traditional hard ciders and where the product has been made for generations. \nAvailability changes throughout the season\, but Clyde’s 2026 lineup includes several recurring varieties. \nThe Original is the starting point. It’s dry\, without added fruit flavors competing with the oak character of the barrel. \nLucky Lion is also dry and crisp\, with a character Clyde’s says some drinkers compare to Scotch. \nBlackout goes even further in that direction. It’s Clyde’s most popular hard cider and wine flavor\, with strong oak notes that the mill describes as almost reminiscent of whiskey. \nThen things get fruitier. \nBoomerang combines apple and cranberry for a tart\, sweeter cider. \nGoodfella adds blackberry and lands on the sweeter end of the lineup. \nYellow Jacket combines apple and orange\, producing some sweetness with a citrus bite. \nCherry Bomb adds another fruit-driven option. \nBecause Clyde’s rotates its hard ciders\, individual varieties can change during the season. \nThe Apple Wine List Goes Much Further\nThe wine side of the operation offers even more variety. \nClyde’s currently lists 14 apple wines\, ranging from dry expressions of apple to much sweeter fruit combinations. \nApple Wine is the driest of the wine lineup. \nSpiced Apple uses mulling spices for a distinctly fall-oriented version. \nSpider Cider combines sweetness with pumpkin spices and can be warmed or used in a hot toddy. \nStrawberry Bliss is the sweetest wine in the lineup\, combining apple and strawberry. \nBlueberry Spinner combines apple and blueberry. \nApple Raspberry leans sweet but tart. \nCider House Blend combines apple\, orange and cranberry. \nSeveral of the hard cider varieties\, including Original\, Lucky Lion\, Blackout\, Boomerang\, Goodfella and Yellow Jacket\, are also produced as wines. \nThe distinction comes back to filtration. \nSame roots. \nDifferent finish. \nYes\, You Can Taste Them for Free\nClyde’s offers separate hard cider and wine tastings throughout its season. \nAnd the tastings are free. \nNo purchase is required and no reservation is necessary. \nVisitors can sample up to four hard ciders and up to four wines at their respective tasting locations. \nHard cider tastings take place in the cellar beneath the press building. \nWine tastings are held in the tasting room\, which has its own connection to the property’s history: the building is a converted grist mill once used to produce johnnycake meal. \nTastings are first-come\, first-served. \nCurrent tasting hours are: \nMonday–Saturday: 9 a.m.–6 p.m.\nSunday: 10 a.m.–6 p.m. \nEveryone participating in a tasting must show a valid ID\, regardless of age or appearance. Clyde’s does not accept expired IDs or photographs of identification. \nConnecticut alcohol rules also mean Clyde’s cannot sell its hard cider or wine before 10 a.m. on Sundays. \nA Few Clyde’s Flavors to Know Before You Taste\nIf you don’t know where to start\, the tasting bottles are generally arranged from driest to sweetest\, and the staff can help narrow the choices. \nFor something dry: Original or Apple Wine. \nFor strong oak character: Blackout. \nFor dry and crisp: Lucky Lion. \nFor tart cranberry: Boomerang. \nFor something sweeter: Goodfella. \nFor fall spice: Spiced Apple or Spider Cider. \nFor very sweet fruit: Strawberry Bliss or Blueberry Spinner. \nOne warning for anyone accustomed to mass-market hard cider: remember the alcohol content. \nAt 12 to 14 percent ABV\, Clyde’s hard cider is much closer to wine strength than a typical bottle or can of commercial cider. \nCan You Bring Back a Clyde’s Growler?\nYes. \nClyde’s sells 64-ounce growlers of hard cider and offers growler refills. \nThere are a couple of important rules. \nClyde’s refills growlers rather than exchanging them\, so customers should clean their growler before bringing it back. The mill can only refill glass growlers that have a stamped or imprinted 64-ounce measurement. \nWine cannot be used for growler fills. \nThe refill program is for hard cider. \nHard cider should also be kept cool after purchase. Clyde’s recommends refrigeration. \nThere’s More Than Cider\nThe tasting room also contains Clyde’s gift shop\, with merchandise and locally made products that can include handmade earrings\, postcards and art prints. \nElsewhere at the mill\, visitors can browse honey produced by local beekeepers\, jarred foods\, family-made candied apples\, baked goods and other seasonal products. \nThat makes it possible to spend considerably more time at Clyde’s than simply buying a gallon of cider and heading home. \nWatch the press. \nGet cider and donuts. \nExplore the store. \nGo downstairs for a hard cider tasting. \nVisit the wine tasting room. \nBrowse the gift shop. \nIt’s effectively several different experiences spread across the historic property. \nIs B.F. Clyde’s Cider Mill Good for Kids?\nYes. \nClyde’s welcomes children of all ages. \nThe working mill is also an opportunity to show kids a piece of machinery doing the job it was actually designed to do more than a century ago. \nThere is no alcohol involved in the regular sweet cider\, and the bakery\, cider and mill demonstration make Clyde’s an easy family fall stop. \nJust don’t confuse the two kinds of cider. \nThe traditional hard cider and apple wines are 12 to 14 percent alcohol and are strictly for adults 21 and older. \nCan You Pick Apples at Clyde’s?\nNo. \nThis is one of the most useful things to know before making the trip. \nB.F. Clyde’s is a cider mill\, not a pick-your-own orchard. \nThe mill purchases apples from small orchards and uses them to produce its cider. \nIf apple picking is part of your fall plans\, you’ll need to visit an orchard separately. \nCan You Bring a Dog?\nYes\, with restrictions. \nLeashed pets are permitted on the grounds. \nThey aren’t allowed inside the buildings or on the porch\, and visitors need to bring whatever they need to clean up after their pets. \nParking Can Be the Hardest Part of a Fall Visit\nClyde’s popularity comes with one predictable problem. \nIt gets busy. \nThe main parking lot can fill during peak periods\, particularly on fall weekends. \nClyde’s asks visitors to try the main lot first and to respect posted no-parking areas and neighboring properties if parking along nearby roads. \nAn auxiliary lot is available at 49 North Stonington Road. It’s approximately four-tenths of a mile from the mill\, so visitors using it should expect a walk. \nIf your schedule is flexible\, a weekday visit can make the entire experience easier. \nIf you’re coming specifically to see the press operate\, Tuesday or Thursday morning offers the combination of a weekday visit and a scheduled pressing window. \nClyde’s Isn’t a Museum\, and That’s the Point\nThere are plenty of places where historic machinery survives behind ropes. \nClyde’s is different. \nBenjamin Clyde started making cider in 1881. \nHe acquired his own mill in the 1890s. \nThe equipment installed in 1898 survived the arrival of hydraulic presses\, mass food production\, supermarkets\, interstate highways and more than a century of changes in how Americans buy their food. \nThe family survived with it. \nToday\, fourth\, fifth and sixth generations are involved in the operation. \nEvery September\, the doors open again. \nApples arrive. \nThe steam-powered machinery starts moving. \nFresh cider begins flowing. \nAnd people line up for cider donuts. \nThat’s why B.F. Clyde’s Cider Mill is more than another place to add to a Connecticut fall checklist. It’s a piece of New England’s agricultural and industrial history that never stopped doing its job. \n2026 Visitor Guide\nAttraction: B.F. Clyde’s Cider Mill\n2026 Season Opening: September 1\, 2026\nCurrent Hours: 9 a.m.–6 p.m.\, seven days a week\nLocation: 129 North Stonington Road\, Mystic\, CT 06355\nAdmission: Free\nChildren: Welcome\nPets: Leashed pets allowed on the grounds; not inside buildings or on the porch\nApple Picking: No\nSweet Cider: Available\nCider Donuts and Baked Goods: Available\nHard Cider: Available for adults 21+\nApple Wine: Available for adults 21+\nAlcohol Content: Hard cider and wine are generally 12–14% ABV\nTastings: Free; no reservation required\nHard Cider Tastings: Cellar beneath the press building\nWine Tastings: Tasting room\nTasting Hours: Monday–Saturday\, 9 a.m.–6 p.m.; Sunday\, 10 a.m.–6 p.m.\nTypical Pressing Schedule: Tuesday\, Thursday\, Saturday and Sunday\, 10 a.m.–noon\nParking: Main lot plus auxiliary parking at 49 North Stonington Road\nThanksgiving: Closed\nShipping: Not available\nPreorders/Call-Ahead Orders: Not available \nHard Cider Menu\nAmerican Society of Mechanical Engineers History \nMore information is available at the Event Website link below. \n  \n  \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/b-f-clydes-cider-mill-2026-complete-guide/2026-09-19/
LOCATION:B.F. Clyde’s Cider Mill\, 129 North Stonington Road\, Mystic\, 06355\, United States
CATEGORIES:B.F. Clyde's Cider Mill
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/BF-Clydes-Cider-Mill-2026-Complete-Guide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T090000
DTEND;TZID=America/New_York:20260919T170000
DTSTAMP:20260918T214807Z
CREATED:20260918T214807Z
LAST-MODIFIED:20260918T214807Z
UID:10008461-1789808400-1789837200@thectbeacon.com
SUMMARY:Clark Farms Fall Festival Celebrates 250 Years of Rhode Island Farming
DESCRIPTION:Clark Farms Fall Festival Celebrates 250 Years of Rhode Island Farming with a corn maze devoted to the state’s agricultural history\, plus hayrides\, zip lines\, farm animals\, live music\, food\, and a full farm park in Matunuck\, 25 miles from Mystic. \nThe festival is underway for the fall season at Clark Farms\, where the 2026 theme connects one of New England’s quintessential autumn traditions to Rhode Island’s 250th anniversary. \nThis year’s corn maze is “250 Years of Farming in Rhode Island\,” and the farm uses the attraction to explore how agriculture has changed throughout the state’s history. The maze and farm park are open during the week\, but weekends expand into the full Fall Festival experience with additional attractions\, food\, and entertainment. \nMore Than a Corn Maze\nMaking it through the maze is only part of the day. \nAdmission also opens up a collection of farm attractions including pedal-powered go-karts\, a petting zoo\, corn pit\, straw maze\, giant Mountain Slide\, farm basketball and a Western Town shooting gallery. \nThen there’s the corn cannon\, which gives visitors a chance to launch ears of corn across the farm. \nWeekend festival days add zip lines\, food\, performances and live music\, along with one of the more traditional fall experiences: a hayride through the surrounding Matunuck countryside. Clark Farms says its newer hayride is wheelchair accessible. \nThe farm’s butterfly house is also expected to remain open through late September\, while pumpkins and fall decorations are appearing throughout the property. Gem mining is available for an additional charge. \nCelebrating Rhode Island’s Farming Story\nThe 2026 theme is especially appropriate for a farm whose own history began with vegetables. \nClark Farms was established in South Kingstown in 1989 as a vegetable farm. Over the decades it expanded into plants\, nursery operations and landscape design\, eventually adding its larger Matunuck location in 2008. \nToday\, the business operates both as a working garden center and landscaping operation and as a seasonal destination\, bringing visitors onto the property for events including its summer sunflower displays and annual Fall Festival. \nFor this year’s maze\, Clark Farms is looking farther back than its own history. The attraction showcases the evolution of Rhode Island agriculture across 250 years\, turning a trip through the corn into a little state history along the way. \nFood\, Music and This Weekend’s Schedule\nClark Farms runs its own farm canteen during the festival\, with food that includes fresh-cut fries made with Matunuck-grown red potatoes\, hot dogs\, doughboys and corn dogs. Fresh hot donuts are also available on busy weekends. \nFor the weekend of Sept. 19–20\, the farm has announced additional food and entertainment. \nSaturday\, Sept. 19\nDel’s Frozen Lemonade — 11 a.m.–4 p.m. \nSunday\, Sept. 20\nDrink Coffee — 9 a.m.–2 p.m.\nPot Cellar — Live music\, 11 a.m.–2 p.m.\nCalifornia Taco food truck — 11 a.m.–3 p.m.\nDel’s Frozen Lemonade — 11 a.m.–4 p.m. \nSaturday also marks the deadline for Clark Farms’ new Scarecrow Competition. The contest has been accepting entries throughout September\, with a $500 Clark Farms gift card going to the winner. \nWeekends Bring the Full Festival\nVisitors can tackle the corn maze and explore the farm park throughout the week\, but there’s an important distinction between a weekday visit and the weekend Fall Festival. \nWeekend admission is when Clark Farms adds attractions such as the hayride\, zip lines\, expanded food offerings\, performances and live music. \nWeekend Fall Festival admission is $20 per person\, with children age 2 and younger admitted free. Weekday admission to the corn maze and farm park is $15 per person. \nTickets can be purchased at the farm\, although Clark Farms recommends buying them online in advance to avoid the in-person ticket line. \nSturdy shoes aren’t a bad idea either. This is a real cornfield rather than a paved attraction\, and paths can get muddy after rain. \nDogs are permitted in some of Clark Farms’ shopping areas but are not allowed inside the farm park or Fall Festival area because of the animals. Service animals are permitted. \nFrom a corn maze tracing 250 years of Rhode Island agriculture to a hayride through present-day Matunuck farmland\, this year’s Fall Festival puts a little history behind the pumpkins\, cider donuts and traditional fall fun. \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: Clark Farms Fall Festival\nSeason: Sept. 19–Nov. 1\, 2026\nLocation: Clark Farms\nAddress: 2984 Commodore Perry Highway\, Matunuck\, RI 02879\n2026 Theme: 250 Years of Farming in Rhode Island\nWeekend Admission: $20 per person; children 2 and younger free\nWeekday Admission: $15 per person\nTickets: Available online or at the farm; advance online purchase is recommended\nIncluded Attractions: Corn maze\, petting zoo\, corn pit\, straw maze\, Mountain Slide\, pedal go-karts\, basketball\, Western Town shooting gallery\, corn cannon and other farm activities. (Most attractions are during Fall Fest on Sat & Sun\, not during the week)\nWeekend Extras: Hayrides\, zip lines\, food\, performances and live music\nPets: Dogs are not permitted in the farm park/Fall Festival area; service animals are permitted\nWhat to Wear: Sturdy footwear is recommended\, particularly after rain \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/clark-farms-fall-festival-celebrates-250-years-of-rhode-island-farming/2026-09-19/
LOCATION:Clark Farms\, 2984 Commodore Oliver Hazard Perry Memorial Hwy\, Matunuck\, RI\, 02879\, United States
CATEGORIES:Clark Farms
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Clark-Farms-Fall-Festival-Celebrates-250-Years-of-Rhode-Island-Farming.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T090000
DTEND;TZID=America/New_York:20260919T170000
DTSTAMP:20260915T024438Z
CREATED:20260915T024437Z
LAST-MODIFIED:20260915T024438Z
UID:10007549-1789808400-1789837200@thectbeacon.com
SUMMARY:The Velvet Mill End-of-Season Indoor Sidewalk Sale
DESCRIPTION:The Velvet Mill End-of-Season Indoor Sidewalk Sale takes over the sprawling Stonington mill September 19 and 20\, as participating merchants move sale and clearance merchandise out of their shops and into the hallways for a building-wide weekend of browsing. \nThe idea is essentially a sidewalk sale without having to worry about the sidewalk. \nInstead of setting up along Bayview Avenue\, businesses throughout the historic Velvet Mill will place markdowns\, clearance merchandise\, and special finds immediately outside their doors. Shoppers can wander through the building\, discovering sales as they go. \nAnd “wander” is the appropriate word. \nThe Velvet Mill is now home to dozens of independent businesses\, with an unusually eclectic retail mix that includes antiques\, vintage clothing and furniture\, art\, jewelry\, home décor\, books\, bicycles\, crystals\, paper goods\, handmade products\, food\, beer and rum. \nOrganizers recommend coming early for the best selection. \nHere’s What You’ll Find Around the Mill\nThe Velvet Mill has not published a definitive list identifying exactly which tenants will participate in the sidewalk sale. Here is a list of all of the businesses. \nVintage\, Antiques and Collectibles\nThis is probably the strongest shopping category for anyone who likes hunting rather than knowing exactly what they’re going to buy. \n21st Century Antiques deals in antiques and estate items and also handles estate sales and online estate auctions. \na little something is a vintage shop combining older pieces with merchandise selected to work in contemporary homes. \nEpoch Destiny Boutique specializes in collectibles\, antiques and vintage merchandise. \nFun and Funky Vintage lives up to its name with vintage furniture\, housewares\, lighting\, artwork and smaller decorative finds. \nGranary Farmhouse Antiques takes a more refined approach\, concentrating on antique furniture and carefully selected pieces for the home. \nVictoria Clare Vintage is another vintage seller and collector operating from the Mill. \nUnit 88 specializes in vintage and nautical merchandise\, an appropriate combination about a mile from Stonington Harbor. \nBalls of Yarn mixes new\, vintage\, upcycled and consigned merchandise rather than fitting neatly into a single category. \nStevie T’s Treasure Tent adds another treasure-hunting stop to the building. \nBooks & Collectibles is exactly what its name suggests\, adding used and collectible books and other finds to the mix. \nFor a clearance event\, these may be some of the most interesting shops because “sale merchandise” doesn’t necessarily mean last season’s mass-produced inventory. \nAt the Velvet Mill\, it could mean something that hasn’t been in season for 50 years. \nClothing\, Jewelry and Things to Wear\nThe Mill also has several boutiques and makers selling fashion and accessories. \nValomie Boutique offers women’s clothing\, accessories and gift items. \nMountain Hollow combines jewelry and accessories with botanicals\, rocks and minerals\, books\, home décor\, T-shirts and nature-inspired goods. \nNomad’s Novelties sells handmade and novelty merchandise through its Mill studio and online shop. \nThere are also individual artists and makers throughout the building whose work can include wearable art and handcrafted pieces. \nThat’s part of what makes the sale different from a conventional shopping-center clearance event. A significant amount of what’s sold inside the Mill comes from small independent sellers rather than national brands. \nFurniture and Home Décor\nIf you’re looking for something larger\, the Mill has that covered too. \nBali Bungalow specializes in handmade furniture and natural home décor. \nHandcrafted Homestead Furniture produces handcrafted furniture from its Mill workshop. \nFun and Funky Vintage overlaps this category with vintage furniture\, lighting\, housewares and artwork. \nGranary Farmhouse Antiques offers antique and vintage furniture and decorative pieces with a more traditional farmhouse aesthetic. \nInterior Connections works in interior design and furnishings. \nThis is one category where a clearance sale could get interesting quickly. Furniture and décor occupy space\, and end-of-season events give retailers an obvious reason to make room for incoming inventory. \nRocks\, Crystals and Nature-Inspired Finds\nMountain Hollow deserves its own category. \nThe South Studios shop began with rocks and minerals and has grown into a broader nature-oriented store offering polished and natural stones\, crystals\, botanicals\, jewelry\, books\, décor\, clothing and wellness-oriented merchandise. \nIt’s one of those shops where “I’m just going to look around for five minutes” is an optimistic prediction. \nArt Is Everywhere\nThe Velvet Mill isn’t simply a collection of stores. \nIt’s also one of southeastern Connecticut’s larger concentrations of working artists and galleries. \nStonington Gallery and Park Fine Art provide traditional gallery stops. \nAllgood Studios & Gallery combines gallery space with a creative agency and an arcade. \nBlack Star Studio is an artist studio. \nOther painters\, designers and independent artists maintain working spaces throughout the building\, including Mystic Rose Decorative Painting and a number of individual studios. \nThat means shoppers walking the sale can move from vintage merchandise and clothing into original art without ever leaving the building. \nPaper Goods\, Stickers and Handmade Pieces\nShuttle Press & Bindery has been operating since 2014 and produces handcrafted paper goods using traditional printing and binding techniques. \nLaurel Hill Designs specializes in stickers\, decals and customizable creative goods. \nThese smaller items make particularly good sidewalk-sale territory because merchants can easily move selections into the corridor for people to browse without entering every studio. \nEven the Bicycle Shop Is Vintage\nThen there’s Dave’s Bicycles. \nIts specialty stretches from bicycles dating to approximately the 1890s through 2010\, including vintage road\, track and mountain bikes\, three-speeds\, cruisers and youth bicycles. \nThat’s a pretty good illustration of why the Velvet Mill is difficult to describe as simply a shopping center. \nYou can go from antique furniture to crystals to handmade stationery and end up looking at a century-old bicycle. \nThere’s Plenty to Eat While You Wander\nThe weekend doesn’t have to be an exercise in continuous shopping. \nMeryl + Masa is a sourdough bakery and Latin eatery making its food by hand with an emphasis on local and seasonal ingredients. \nThe Back Door Kitchen & Pizzeria specializes in wood-fired sourdough pizza alongside salads\, sandwiches and desserts. \nWhitecrest Eatery is the Mill’s bistro-style restaurant\, with a seasonal menu ranging from burgers and salads to seafood\, pasta and specialty cuts. \nBeer’d Brewing Co. – The Mill operates its original brewery and taproom here\, while Rum Tropic Distillery produces rum and serves cocktails\, flights and bottles. \nBorough Bagel Co. handles the breakfast end of things with fresh bagels and breakfast sandwiches. \nAnd Dock 9 adds cocktails and a restaurant menu at the rear of the Mill. \nThat makes it fairly easy to turn the sidewalk sale into a half-day visit rather than a quick shopping stop. \nSaturday Comes With a Farmers Market\nSaturday morning adds another reason to arrive early. \nThe Stonington Village Farmers Market operates inside the Velvet Mill from 9 a.m. to noon\, bringing local farmers\, food producers and makers into the building. \nThat means Saturday visitors can effectively shop two events at once. \nStart with the farmers market\, wander into the Mill’s shops and studios\, see what participating businesses have put into the hallways for the sidewalk sale\, stop for lunch and keep exploring. \nIt’s difficult to think of many places where the shopping list could plausibly include vegetables\, sourdough bread\, an antique lamp\, a crystal\, an original painting\, a vintage bicycle and a locally brewed IPA. \nThe Velvet Mill can get weird that way. \nFrom Velvet Factory to Indoor Main Street\nThe building itself makes the sale more interesting. \nThe Velvet Mill was constructed in 1888 and became home to the American Velvet Company\, which produced textiles here for more than a century before manufacturing ceased in Stonington in 1996. \nRather than demolishing the enormous industrial complex or converting the entire building into residences\, it gradually became something resembling an indoor neighborhood. \nArtists moved in. \nThen galleries. \nMakers. \nSmall retailers. \nRestaurants. \nFitness and wellness studios. \nA brewery. \nA distillery. \nAnd more businesses followed. \nThe old industrial corridors now function almost like streets connecting them. \nFor one weekend in September\, that analogy becomes literal. \nThe merchants are putting their merchandise out on the “sidewalk.” \nThe sidewalk just happens to be inside a 19th-century velvet factory. \nDetails\nEvent: The Velvet Mill End-of-Season Indoor Sidewalk Sale\nDates: Saturday\, September 19 and Sunday\, September 20\, 2026\nVenue: The Velvet Mill\nAddress: 22 Bayview Avenue\, Stonington\, CT 06378\nAdmission: Free\nFormat: Participating businesses place sale\, clearance and promotional merchandise in the hallways outside their shops\nMerchants: The Velvet Mill has not published a definitive list of participating sidewalk-sale businesses; not every tenant should be assumed to be offering sale merchandise\nShopping: Vintage and antiques\, clothing\, jewelry\, furniture\, home décor\, art\, collectibles\, books\, bicycles\, rocks and minerals\, handmade goods and more\nFood & Drink: Multiple restaurants\, bakeries and beverage businesses operate inside the Mill\nSaturday Farmers Market: 9 a.m.–noon\nTip: Organizers recommend arriving early for the best selection\nSetting: Indoors; the sale takes place throughout the Mill’s interior hallways \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/the-velvet-mill-end-of-season-indoor-sidewalk-sale-2/
LOCATION:Velvet Mill\, 22 Bayview Ave\, Stonington\, CT\, 06378\, United States
CATEGORIES:Velvet Mill
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/The-Velvet-Mill-End-of-Season-Indoor-Sidewalk-Sale.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T090000
DTEND;TZID=America/New_York:20260919T120000
DTSTAMP:20260511T024639Z
CREATED:20260508T022649Z
LAST-MODIFIED:20260511T024639Z
UID:10000898-1789808400-1789819200@thectbeacon.com
SUMMARY:Stonington Village Farmers Market
DESCRIPTION:Stonington Village Farmers Market has become one of the defining Saturday morning traditions along the Connecticut shoreline\, bringing together local farms\, food vendors\, artisans\, musicians\, and neighbors inside and outside the historic Velvet Mill. Running year-round since becoming a permanent seasonal fixture in 2008\, the market transforms with the seasons\, moving outdoors during the warmer months and indoors during late fall and winter while continuing to serve as a gathering place for the community. \nThe market offers far more than produce stands. Visitors can browse locally grown vegetables and fruits\, cheeses\, baked goods\, meats\, seafood\, maple syrup\, flowers\, mushrooms\, prepared foods\, and handmade crafts while live music plays in the background. The atmosphere feels distinctly coastal New England\, blending small-town community energy with the creativity and food culture that defines Stonington Village. Families\, dog owners\, and longtime locals mingle throughout the morning while vendors showcase everything from handmade soaps and pottery to organic kombucha and Mediterranean cuisine. \nWhat makes the Stonington Village Farmers Market stand out is how deeply connected it feels to the rhythm of the region itself. Some visitors arrive early for greenhouse spinach or fresh seafood before it sells out\, while others come simply to wander with coffee in hand and reconnect with neighbors. Between the local farmers\, prepared food vendors\, musicians\, and rotating artisan booths\, the market has evolved into more than a shopping destination. It has become a weekly community ritual that reflects the character\, creativity\, and agricultural roots of southeastern Connecticut. \nParticipating Vendors & Farms \n\nAPIS VERDI\nBroad Brook Acres\nDavis Farm\nISSA Catering\nJon Fish\nSeacoast Mushrooms\nSugar Maple Farms\nSweet Acre Farm\nWakin’ Up Waggin’\n18th Century Purity Farm\nStonyledge Farm and Studio Farm Products\nSummer Hill Catering\nCato Corner Farm\nTreatzles\nFiber + Mud\nYALLA\n\nSponsors & Organizers \n\nStonington Village Improvement Association (SVIA)\nVelvet Mill\n\n 
URL:https://thectbeacon.com/event/stonington-village-farmers-market-3/2026-09-19/
LOCATION:Velvet Mill\, 22 Bayview Ave\, Stonington\, CT\, 06378\, United States
CATEGORIES:Velvet Mill
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/05/Stonington-Village-Farmers-Market-at-the-Velvet-Mill.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T220000
DTEND;TZID=America/New_York:20260919T010000
DTSTAMP:20260916T214005Z
CREATED:20260916T214005Z
LAST-MODIFIED:20260916T214005Z
UID:10007920-1789768800-1789779600@thectbeacon.com
SUMMARY:Jon Kondelik’s Adult Bingo Turns Bingo Into an X-Rated Comedy Game Show at Mohegan Sun
DESCRIPTION:Jon Kondelik’s Adult Bingo takes the familiar bingo card\, throws out the church-basement atmosphere and replaces it with comedians\, risqué games and decidedly adult prizes Friday\, September 18\, at Comix Comedy Club inside Mohegan Sun. \nCalling this simply “bingo” doesn’t quite explain it. \nComix presents the 10 p.m. show as part of its Comix Uncensored lineup\, combining actual bingo with an interactive\, adults-only comedy game show. Players still get cards. Numbers still get called. Someone can still win. \nIt’s everything happening between those numbers that makes this a very different Friday night. \nYes\, You Really Do Play Bingo\nThe bingo part isn’t merely a name attached to a comedy show. \nEvery guest receives one bingo card and one dabber. Players who want more chances can purchase additional sheets for $5\, with three bingo cards on each uncut sheet. \nBut conventional bingo is only the framework. \nComix describes the show as mixing adult-themed bingo rounds\, risqué mini-games and naughty prizes\, with the competition punctuated by comedy and audience interaction. \nThat also explains the late starting time. \nThe show begins at 10 p.m. and is restricted to guests 21 and older. \nJon Kondelik Is Running the Game\nComedian\, actor\, writer and filmmaker Jon Kondelik serves as the show’s game-show host. \nKondelik came to stand-up after spending years working in the film business. His screen work has included independent films and television projects\, and his acting credits have put him in productions alongside performers including Danny Trejo\, LeVar Burton\, Mariel Hemingway and Ethan Suplee. \nHis career also comes with a particularly unusual piece of personal history. \nKondelik lost several fingers in a special-effects makeup accident in 2011\, an experience that subsequently became part of his comedy material and public story. \nFor Adult Bingo\, however\, he isn’t simply delivering a stand-up set. \nHe’s essentially the ringmaster. \nThree Comedians Join the Competition\nComix says Kondelik will be joined onstage by three comedian participants and one additional “naughty host.” \nThat structure moves the night closer to an adult game show than a traditional comedy-club performance. \nThe comedians become part of the competition and entertainment while the audience plays along from the room. \nComix hasn’t announced the participating comedians for the September 18 edition\, so there’s also an element of surprise built into the evening. \nAnd given the show’s uncensored billing\, this probably isn’t the night to bring someone who gets uncomfortable when the conversation turns sexual. \nThe Prizes Aren’t Exactly Bingo-Hall Gift Baskets\nComix deliberately keeps some mystery around what players can win\, describing the rewards simply as “spicy prizes.” \nThat’s probably enough information. \nThe larger point is that Adult Bingo is designed as a late-night comedy event rather than serious competitive gambling. The bingo cards give everyone something to play while Kondelik and the other performers keep the room moving through jokes\, games and whatever unexpected situations emerge from the format. \nIt’s participatory comedy with a bingo card in front of you. \nIt’s Part of Comix’s Late-Night Side\nComix Roadhouse occupies an unusual niche inside Mohegan Sun. \nIt’s simultaneously a restaurant\, bar\, live-music venue and comedy club\, with programming ranging from touring stand-up comics and comedy magic to line dancing\, live bands\, drag bingo\, burlesque and other late-night shows. \nThe September 18 calendar demonstrates the range particularly well. \nComedian Erik Griffin performs at 8 p.m. in the Comedy Club before Adult Bingo takes over the late-night slot at 10. \nElsewhere in the Roadhouse that night\, the band He Said She Said is scheduled to perform. \nSo someone arriving early for bingo doesn’t have to make the show the beginning of the evening. \nDinner Before Naughty Bingo Is an Option\nComix specifically encourages Adult Bingo ticket holders to arrive early and eat in the Roadhouse before the show. \nThe restaurant serves a broad American roadhouse menu alongside regional craft beer and cocktails\, making it possible to turn the event into dinner and a show without leaving Mohegan Sun. \nThere is a $10 food-and-beverage minimum associated with Adult Bingo. \nThe venue remains open well after the show’s 10 p.m. starting time on Fridays. \nDefinitely Not the Bingo You Played With Grandma\nThere’s a reason Comix keeps emphasizing that distinction in its promotion. \nThe mechanics are familiar. \nThe atmosphere isn’t. \nThis is bingo reworked for a comedy-club crowd: a card and dabber in front of you\, comedians onstage\, adult humor\, suggestive games and prizes that Comix apparently believes are better left to the imagination until you get there. \nFor readers scrolling through the weekend calendar and wondering exactly what the words “Adult Bingo” are hiding\, that’s the answer. \nQuite a bit\, apparently. \nDetails\nEvent: Jon Kondelik’s Adult Bingo\nDate: Friday\, September 18\, 2026\nTime: 10 p.m.\nVenue: Comix Comedy Club at Comix Roadhouse\nLocation: Mohegan Sun\, Casino of the Earth\nAddress: 1 Mohegan Sun Boulevard\, Uncasville\, CT 06382\nFormat: X-rated comedy game show\, bingo and adult-themed mini-games\nHost: Jon Kondelik\nAge: 21+\nIncluded: One bingo card and one dabber per guest\nAdditional Bingo Cards: $5 per sheet\, with three cards per uncut sheet\nFood & Beverage Minimum: $10\nSeating: First come\, first served\nAccessibility: Assistive listening is available; inquire at the front desk\nPhone: 860-862-7000 \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/jon-kondeliks-adult-bingo-turns-bingo-into-an-x-rated-comedy-game-show-at-mohegan-sun/
LOCATION:COMIX Roadhouse\, 1 Mohegan Sun Blvd\, Uncasville\, 06382\, United States
CATEGORIES:Foxwoods
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Jon-Kondeliks-Adult-Bingo-Turns-Bingo-Into-an-X-Rated-Comedy-Game-Show-at-Mohegan-Sun.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T210000
DTEND;TZID=America/New_York:20260919T010000
DTSTAMP:20260915T024315Z
CREATED:20260913T031559Z
LAST-MODIFIED:20260915T024315Z
UID:10007592-1789765200-1789779600@thectbeacon.com
SUMMARY:Bar Crawl Mystic Takes the Whaling City Run Club Off the Running Route and Into Four Downtown Pubs
DESCRIPTION:Bar Crawl Mystic gives the Whaling City Run Club a different kind of Friday-night course September 18\, trading mileage for four downtown Mystic bars during a late-night crawl that begins at 9 p.m. \nThe schedule starts at Friar Tuck’s Tavern at 9 p.m.\, moves to Dive at 9:45 p.m.\, continues to The Harp and Hound at 10:15 p.m.\, and finishes at Chapter One Food & Drink at 10:45 p.m. \nThere’s no advertised 5K\, pace group or finish-line clock here. \nThe club’s invitation is considerably simpler: “Join the pod.” \nWhaling City Run Club Is Building a Community Beyond Running\nWhaling City Run Club is part of the growing social-running scene in southeastern Connecticut\, bringing runners together for organized group outings rather than treating running strictly as a solitary workout. \nThe group has become increasingly visible at community events as well. \nEarlier this summer\, Whaling City Run Club organized a 5K run and walk ahead of Celebrate New London\, the citywide July festival that filled downtown and the waterfront with music\, food\, art and fireworks. \nBut the Mystic bar crawl illustrates another part of modern run-club culture. \nThe running may be what brings everyone together. \nIt doesn’t have to be the only thing they do together. \nThis time the group is meeting for drinks\, conversation and a walk through Mystic’s Friday-night bar scene. \nFour Stops\, Less Than Two Hours\nThis isn’t one of those pub crawls requiring a complicated map or transportation between neighborhoods. \nAll four stops are clustered in downtown Mystic\, making the crawl easily walkable. \nThe published schedule is: \n9 p.m. – Friar Tuck’s Tavern\n9:45 p.m. – Dive\n10:15 p.m. – The Harp and Hound\n10:45 p.m. – Chapter One Food & Drink \nThe itinerary also moves through four bars with noticeably different personalities. \nYou’ve got a medieval-flavored tavern. \nA subterranean dive bar. \nA tiny Irish pub. \nAnd a Main Street restaurant that shifts into nightlife mode as Friday night gets later. \nThat’s a pretty good survey of downtown Mystic drinking in less than two blocks. \nStop One: Friar Tuck’s Tavern\nThe crawl begins at Friar Tuck’s Tavern\, 12 Water Street\, at 9 p.m. \nFriar Tuck’s leans hard into its tavern identity\, combining an Irish and British-inspired menu with a medieval atmosphere\, draft beer\, whiskey\, cocktails and a late-night bar crowd. \nThe food menu includes the sort of things you’d expect to encounter in a pub: Scotch eggs\, English fish and chips\, burgers\, wings and hearty comfort food. \nFor a bar crawl\, however\, the important feature may simply be that Friar Tuck’s is accustomed to being a late-night downtown gathering place. \nFriday hours extend until 2 a.m.\, well beyond the group’s scheduled departure. \nWhaling City Run Club is giving it 45 minutes. \nThen the course heads across Water Street. \nStop Two: Dive\nAt 9:45 p.m.\, the group moves to Dive. \nDive is the downstairs bar beneath The Port of Call at 15 Water Street\, one of downtown Mystic’s more ambitious cocktail destinations. \nUpstairs and downstairs are intentionally different experiences. \nThe Port of Call is the polished side\, with an inventive beverage program and internationally influenced food. \nDive is exactly what the name suggests it wants to be: the more casual late-night sibling. \nThe downstairs room has a deep-sea exploration theme\, shuffleboard\, a photo booth\, drinks and late-night snacks. \nThere’s also a nightly reverse happy hour from 10 to 11 p.m.\, currently featuring $6 well drinks\, $6 wine and $6 drafts. \nThat means the Whaling City crew’s 9:45 arrival lands almost perfectly. \nThe crawl moves on at 10:15\, but reverse happy hour will have begun before they leave. \nStop Three: The Harp and Hound\nThe third stop is The Harp and Hound\, tucked upstairs at 4 Pearl Street. \nArrival is scheduled for 10:15 p.m. \nThe Harp and Hound has been part of Mystic since 2002\, when Irish proprietor Leo Roche opened the pub in a building dating to the early 18th century. \nRoche grew up in Glin in County Limerick\, Ireland\, and the Mystic pub was designed to evoke the kind of Irish country pub he knew there. \nIt’s small. \nThat’s part of its charm. \nThe room has the cozy\, slightly hidden feeling that people tend to mean when they talk about finding a “real pub\,” with Guinness\, whiskey and traditional pub food at the center of the experience. \nThe Harp also has a longstanding connection to live music and Mystic’s local bar crowd. \nAnd unlike a large restaurant where a group can disappear into separate tables\, it’s difficult for a crowd to enter The Harp and Hound without becoming part of the room. \nThat should work well for a run club. \nThen It’s Back Down to Main Street\nThe final scheduled move comes quickly. \nAt 10:45 p.m.\, the group heads to Chapter One. \nThe walk from Pearl Street back to West Main Street takes only a few minutes\, and by this point the crawl has made essentially a small loop through the heart of downtown. \nThere isn’t another departure time on the schedule. \nChapter One is the finish line. \nStop Four: Chapter One\nChapter One Food & Drink\, at 32 West Main Street\, is one of the later-night establishments directly on Mystic’s main downtown strip. \nDuring the day\, it’s a full-service restaurant serving seafood\, burgers\, steaks\, pasta and other New American dishes. \nThe beverage side includes cocktails\, beer and an unusually large collection of drink flights\, including margarita\, mule\, espresso martini\, mimosa and Old Fashioned flights. \nOn Friday and Saturday nights\, the atmosphere can change considerably. \nChapter One stays open until 2 a.m.\, making it a natural final stop for a crawl beginning at 9. \nThe Whaling City schedule gives the group an arrival time but no finish time. \nSo unlike an actual group run\, nobody has to sprint the final stretch. \nMystic Is Particularly Well Suited to a Crawl\nDowntown Mystic’s compact layout makes this itinerary work. \nFriar Tuck’s and Dive sit practically across Water Street from one another. \nThe Harp and Hound is tucked just off West Main on Pearl Street. \nChapter One is back on West Main. \nThere is no need to drive from stop to stop. \nThat’s important for an event built around alcohol\, but it also changes the atmosphere of the evening. \nThe walking becomes part of it. \nYou leave one bar\, step into downtown Mystic at night\, walk a few minutes with the group and pile into the next one. \nIt’s less a tour of four isolated businesses than a night moving through one compact downtown. \nDon’t Let “Run Club” Confuse You\nNothing in Whaling City Run Club’s announcement indicates that participants will be running between the bars. \nThis is advertised as a bar crawl\, not a run. \nThat’s probably for the best. \nThe four venues are close enough together that walking is easy\, and alcohol and road running make a particularly poor training combination. \nThe poster also doesn’t advertise a registration fee\, ticket or package of included drinks. \nSo don’t assume the crawl price includes beverages. \nThe current announcement simply gives participants the meeting point\, times and four-bar route. \nA Different Kind of Friday Night With the Pod\nRunning clubs have always provided something beyond exercise. \nTraining partners become friends. \nFriends start getting together when nobody is wearing a race bib. \nWhaling City Run Club’s Mystic crawl is that idea distilled into a Friday night. \nThe group starts together at Friar Tuck’s. \nMoves together through Dive and The Harp and Hound. \nThen lands at Chapter One before 11. \nNobody needs a personal best. \nNobody needs to check their mile splits. \nAnd for once\, ordering another round probably doesn’t mean running another lap. \nDetails\nEvent: Bar Crawl Mystic\nDate: Friday\, September 18\, 2026\nOrganizer: Whaling City Run Club\nStart Time: 9 p.m.\nLocation: Downtown Mystic\nFormat: Four-stop walking bar crawl\nAdmission: No ticket or registration fee is advertised in the current announcement\nDrinks: No included drink package is advertised; participants should expect to purchase their own beverages\nAge: Participants drinking alcohol must be 21+ and should carry valid ID\nRunning: The announcement describes a bar crawl and does not indicate participants will run between venues \n9 p.m. – Friar Tuck’s Tavern\n12 Water Street\, Mystic \n9:45 p.m. – Dive at The Port of Call\n15 Water Street\, Mystic \n10:15 p.m. – The Harp and Hound\n4 Pearl Street\, Mystic \n10:45 p.m. – Chapter One Food & Drink\n32 West Main Street\, Mystic \nTransportation: All four establishments are within walking distance in downtown Mystic. Anyone drinking should arrange a designated driver\, rideshare or other safe transportation home rather than driving. \nMore information is available through the Whaling City Run Club social media pages. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/bar-crawl-mystic-takes-the-whaling-city-run-club-off-the-running-route-and-into-four-downtown-pubs/
LOCATION:Downtown Mystic\, West Main Street\, Mystic\, CT\, 06355\, United States
CATEGORIES:Downtown Mystic
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/05/The-CT-Beacon-Mystic-Bridge.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T203000
DTEND;TZID=America/New_York:20260918T223000
DTSTAMP:20260626T233945Z
CREATED:20260513T011926Z
LAST-MODIFIED:20260626T233945Z
UID:10001498-1789763400-1789770600@thectbeacon.com
SUMMARY:Frosty Drew Observatory and Science Center's Stargazing Nights
DESCRIPTION:Frosty Drew Observatory and Science Center’s Stargazing Nights turn a quiet Friday evening in Ninigret Park into one of the most atmospheric experiences in southern New England. Hosted by Frosty Drew Observatory & Science Center\, the weekly gathering invites visitors to explore the night sky through powerful telescopes while astronomers guide guests across planets\, star clusters\, distant galaxies\, and the glowing band of the Milky Way overhead. Under some of the darkest skies in Rhode Island\, the experience feels less like a formal science program and more like stumbling into a community of people quietly obsessed with the universe. \nAs darkness settles over Ninigret Park\, visitors can expect views that change depending on the season and sky conditions\, often including Saturn’s rings\, Jupiter’s moons\, the cratered surface of the Moon\, and deep space objects rarely visible in brighter suburban areas. The observatory’s Sky Theatre and telescope stations create an immersive environment where curious first-timers mingle with amateur astronomers and longtime stargazers. There’s something strangely calming about standing in near silence while strangers take turns peering into the cosmos\, especially on clear summer nights when the Milky Way stretches visibly across the sky. \nThe observatory typically opens around 8:30 p.m. on Friday nights and remains active through at least 10:30 p.m.\, sometimes later depending on weather and viewing conditions. Because the event is weather dependent\, updates are posted on the day of the event before 3 p.m. Organizers also note that Ninigret Park’s dark sky rules prohibit white light use after dusk in order to protect night vision and sensitive astronomical equipment\, giving the entire area an almost surreal glow of dim red lights and shadowy pathways. Tickets for Frosty Drew Observatory and Science Center’s Stargazing Nights can be purchased by clicking the event link below. \nWhen ticket sales open\, a link to purchase / acquire tickets will be added to the “Cost” field on the event page. Once event capacity is reached\, these fields will be listed as “Sold Out“\, and we will be unable to allow entry to any more guests. \nRules and Suggestions:\n• Guests should avoid using white flashlights\, phone flashlights\, or bright screens after dusk\n• Red light flashlights are encouraged to preserve night vision\n• Bug spray is highly recommended during warmer months due to mosquitoes and insects near the wildlife refuge\n• Weather conditions may affect visibility or event operations\n• Children ages 5 and older require tickets\n• Arriving early is recommended for the best viewing opportunities and parking access \n 
URL:https://thectbeacon.com/event/frosty-drew-observatory-and-science-centers-stargazing-nights/2026-09-18/
LOCATION:Frosty Drew Observatory and Science Center\, 61-62 Park Lane\, Charlestown\, RI\, 02813\, United States
CATEGORIES:Frosty Drew Observatory and Science Center
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/05/Frosty-Drew-Observatory-and-Science-Centers-Stargazing-Nights.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T200000
DTEND;TZID=America/New_York:20260918T230000
DTSTAMP:20260914T235442Z
CREATED:20260914T235442Z
LAST-MODIFIED:20260914T235442Z
UID:10007603-1789761600-1789772400@thectbeacon.com
SUMMARY:Aquanett Brings the Big Hair\, Big Guitars and ’80s Metal Back to the Charlestown Rathskeller
DESCRIPTION:Aquanett at the Charlestown Rathskeller turns the Rathskeller’s outdoor stage into a full-blown ’80s rock show Friday\, September 18\, with three hours of Bon Jovi\, Def Leppard\, Mötley Crüe\, Whitesnake\, Poison\, Aerosmith and the other bands that ruled rock radio and MTV. \nAquanett takes the stage from 8 to 11 p.m. at the Charlestown Rathskeller’s wooded Down Back music venue. \nTickets are $15 in advance plus Eventbrite fees or $20 at the door\, and this is a 21+ outdoor show. \nThe Rathskeller suggests arriving early for dinner and drinks. \nThat might be the calmest part of the evening. \nAquanett Has Been Doing This Since the ’80s Were Still a Recent Memory\nThere are plenty of bands playing ’80s covers. \nAquanett has spent more than a quarter-century trying to recreate what it actually felt like to attend an ’80s hard-rock concert. \nThe Springfield\, Massachusetts-based group formed in late 1999 and played its first shows in early 2000. \nThat timing is interesting. \nThe members weren’t looking back on the ’80s from 40 years away. They launched Aquanett less than a decade after Nirvana\, Pearl Jam and the alternative-rock explosion had pushed much of the music they loved out of the mainstream. \nThey went in the opposite direction. \nBig guitar solos. \nBig choruses. \nLights. \nCostumes. \nSpecial effects. \nAnd\, naturally\, very big hair. \nAquanett celebrated its 20th anniversary in 2020 and has continued touring throughout the Northeast since then. \nThis Isn’t an ’80s Pop Dance Party\nThe decade was big enough to contain Madonna\, Duran Duran\, Cyndi Lauper\, Prince\, Michael Jackson and New Kids on the Block. \nThat’s not Aquanett’s neighborhood. \nTheir show is rooted firmly in the hard rock and metal side of the 1980s\, particularly the bands that turned Los Angeles’ Sunset Strip into rock-and-roll mythology. \nThink Bon Jovi\, Whitesnake\, Mötley Crüe\, Guns N’ Roses\, Def Leppard and Poison. \nAdd Aerosmith and other arena-rock heavyweights and you get a much better idea of what Friday night will sound like. \nThis is music built around distorted guitars\, soaring vocals\, enormous hooks and choruses specifically engineered for several thousand people to sing simultaneously. \nAquanett brings that attitude to a considerably more intimate backyard in Charlestown. \nThe Band Wants to Recreate the Concert\, Not Just the Songs\nAquanett’s own description makes a point of separating the group from a conventional cover band standing in the corner of a bar. \nThe musicians use a complete stage production with lighting\, effects\, costumes and theatrical presentation intended to evoke the excess of an actual 1980s rock concert. \nThat’s an important distinction. \nA convincing version of a Def Leppard song is one thing. \nRecreating the era requires some spectacle. \nThe clothes mattered. \nThe poses mattered. \nThe guitar heroics mattered. \nMTV mattered enormously. \nBy the middle of the decade\, a band’s image and its music had become almost inseparable. \nAquanett leans into all of it. \nMTV Changed What a Rock Star Looked Like\nWhen MTV went on the air in 1981\, it gave rock musicians something previous generations didn’t have: a national television outlet playing music videos around the clock. \nSuddenly\, sounding like a rock star wasn’t enough. \nYou needed to look like one. \nFor the hard-rock bands that followed\, subtlety wasn’t particularly useful. \nHair grew. \nStages grew. \nPyrotechnics grew. \nMusic videos became miniature movies. \nBands such as Mötley Crüe\, Poison and Bon Jovi understood that perfectly\, while Def Leppard became one of the defining rock acts of the MTV era. \nBy the late ’80s\, Guns N’ Roses had injected something darker and more dangerous into the formula. \nAquanett’s show draws from that whole period rather than treating the decade as one interchangeable collection of nostalgic hits. \nMeet the Current Aquanett\nAquanett currently lists Madison Humel\, Michael Abdow\, David Ward\, Matthew Macri\, Rick Thompson and Edmond H. Dupont III as its performing lineup\, with Ian Jones handling sound engineering. \nHumel is the newest chapter in the band’s history. \nA longtime vocalist who grew up around music\, she developed through theater\, singing competitions and choral ensembles before spending more than a decade performing with bands\, established musicians and tribute acts. \nShe studied with local musician Livio Gravini and credits him with teaching her to make authenticity the foundation of a performance. \nThat becomes particularly important when you’re stepping into songs originally sung by some of the most recognizable rock vocalists of the 1980s. \nMichael Abdow Has a Career Far Beyond the Tribute Circuit\nGuitarist Michael Abdow brings some serious progressive-metal credentials to the stage. \nHe’s an international recording and touring musician\, songwriter and producer whose work includes Fates Warning and longtime Fates Warning vocalist Ray Alder. \nAcross his career\, Abdow has released four solo albums\, appeared on numerous other recordings and toured on four continents. \nHe’s also been featured in major guitar publications for his technical and melodic playing. \nAnd he’s been doing this particular gig for a long time. \nAbdow joined Aquanett in 2008. \nFor a band recreating an era in which the lead guitarist was often nearly as important as the singer\, having a player with that background makes a difference. \nDavid Ward Has Been There Since the Beginning\nGuitarist David Ward goes back to Aquanett’s formation. \nWard grew up studying the guitar styles of Van Halen\, Ozzy Osbourne and Iron Maiden\, later taking private lessons\, attending a Connecticut guitar workshop and studying music theory at Holyoke Community College. \nDuring the 1990s\, he played in hard-rock and metal bands including Sweet Tragedy\, Aces High and Straw Dogs. \nThen came Aquanett. \nWard joined the Springfield-area project in late 1999\, just as the group was taking shape\, and played its first shows in early 2000. \nHe’s remained with it for more than two decades. \nAlong the way\, Ward has even played alongside Mötley Crüe vocalist Vince Neil and Extreme drummer Paul Geary. \nFor someone who built his playing around the music of that period\, those are pretty appropriate names to have on the résumé. \nAquanett Has Survived Longer Than the Era It Recreates\nThere’s an amusing bit of arithmetic here. \nThe period most people think of as the classic hair-metal explosion didn’t last very long. \nBy the early 1990s\, musical tastes were changing rapidly. Grunge and alternative rock became dominant\, and many of the bands that had filled arenas only a few years earlier suddenly seemed to belong to another age. \nAquanett itself has now existed for more than 26 years. \nThat’s considerably longer than the period of popular music it recreates. \nAnd the audience hasn’t disappeared. \nIf anything\, several generations can now recognize the songs. \nSome remember buying the records when they were new. \nOthers discovered them through older siblings or parents. \nSome weren’t alive until years after the last can of Aqua Net had been emptied backstage. \nThe choruses still work. \nThe Rathskeller Has Already Brought Aquanett Back This Year\nSeptember 18 isn’t Aquanett’s first trip to Charlestown in 2026. \nThe band played the Rathskeller on June 20\, and its return less than three months later says something about the fit between band and venue. \nAquanett’s own current tour calendar lists the Charlestown show between dates across Massachusetts\, Connecticut\, Rhode Island\, New York and New Hampshire. \nEarlier this month\, the group played its annual Labor Day weekend show at the Windjammer in Westerly\, followed by appearances at the Three County Fair and MGM Springfield. \nAfter Charlestown\, the tour heads to Saratoga Springs and Clinton\, Massachusetts. \nSo this isn’t a local band occasionally assembling for an ’80s night. \nAquanett maintains an active regional touring schedule. \nDown Back Is Built for This Kind of Night\nThe Charlestown Rathskeller is a restaurant\, tavern and live-music venue tucked into the woods at 489A Old Coach Road. \nIts history stretches back to 1933\, when the Rathskeller began life as a speakeasy-era establishment. \nThe modern property combines a restored dining room and tavern with an outdoor patio\, bars and its seasonal Down Back entertainment area. \nDown Back sits across the backyard from the restaurant. \nThere’s an outdoor stage\, backyard bar\, burger shack\, bonfire and room for lawn games including cornhole and bocce. \nIt’s intentionally less polished than an indoor theater. \nThat’s part of the attraction. \nYou can arrive early\, eat\, have a drink and then head outside for the show rather than treating dinner and the concert as two completely separate outings. \nCome Early if You Want Dinner\nThe Rathskeller’s kitchen is open until 10 p.m. Friday\, while the tavern itself remains open until 1 a.m. \nThe restaurant’s regular menu leans toward hearty tavern food: burgers and sandwiches\, grilled meats\, seafood and shareable appetizers. \nThe venue specifically encourages Aquanett ticket holders to arrive early for dinner and drinks before the 8 p.m. show. \nThat’s probably the better plan if you’re actually hungry. \nOnce Aquanett gets going\, abandoning your spot halfway through Pour Some Sugar on Me because you suddenly remembered dinner may seem like a questionable life choice. \nFriday’s Show Is Outside\nOne detail worth knowing before buying a ticket: this is an outdoor performance. \nAquanett’s concert listing identifies the September 18 Rathskeller date as a 21+ outside show. \nThe Down Back setting is one of the reasons the Rathskeller has become such a busy warm-weather music venue\, but outdoor concerts inevitably come with weather considerations. \nAnyone attending should check the venue and band’s event pages before leaving if Friday’s forecast becomes questionable. \nNo separate rain location or rain-date arrangement is advertised in the current ticket information. \n$15 Now or $20 at the Door\nAdvance tickets are $15 plus Eventbrite fees. \nAdmission rises to $20 at the door. \nThe show runs from 8 to 11 p.m. \nEventbrite lists a refund policy allowing refunds until seven days before the event\, so that window is effectively closed for anyone buying during event week. \nThe Rathskeller also warns that tickets may sell quickly. \nThis is not an all-ages event. \nAquanett’s own listing specifies 21+ for the Charlestown performance. \nThere May Be No Better Setting for Three Hours of Musical Excess\nThe joke about ’80s hair metal is that everything was too much. \nToo much hair. \nToo many guitar solos. \nToo much spandex. \nToo many lights. \nToo much hairspray. \nToo much everything. \nThat’s also exactly why the music remains so much fun to revisit. \nNobody wrote Livin’ on a Prayer hoping the audience would quietly appreciate its restraint. \nThese were songs built to be played loudly in a room full of people who already knew the chorus. \nAquanett has spent more than 25 years preserving that part of the experience. \nOn September 18\, they’ll bring it outside to a stage in the woods of Charlestown. \nTease the hair accordingly. \nDetails\nEvent: Aquanett at the Charlestown Rathskeller\nDate: Friday\, September 18\, 2026\nTime: 8–11 p.m.\nLocation: The Charlestown Rathskeller\, Down Back outdoor music venue\nAddress: 489A Old Coach Road\, Charlestown\, RI 02813\nBand: Aquanett\nMusic: 1980s hard rock and metal tribute\nCurrent Band Members: Madison Humel\, Michael Abdow\, David Ward\, Matthew Macri\, Rick Thompson and Edmond H. Dupont III\nAge: 21+\nAdvance Tickets: $15 plus Eventbrite fees\nDoor Price: $20\nSetting: Outdoor show\nFood: The Rathskeller serves lunch and dinner; the venue encourages concertgoers to arrive early for dinner and drinks\nKitchen Hours Friday: Noon–10 p.m.\nRathskeller Friday Hours: Noon–1 a.m.\nParking: On-site parking is available at the Rathskeller\nWeather: Outdoor event; check with the venue for any weather-related changes\nContact: 401-792-1000 \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/aquanett-brings-the-big-hair-big-guitars-and-80s-metal-back-to-the-charlestown-rathskeller/
LOCATION:Rathskeller\, 489A Old Coach Rd\, Charlestown\, RI\, 02813\, United States
CATEGORIES:Rathskeller
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T200000
DTEND;TZID=America/New_York:20260918T220000
DTSTAMP:20260916T020755Z
CREATED:20260916T020755Z
LAST-MODIFIED:20260916T020755Z
UID:10007919-1789761600-1789768800@thectbeacon.com
SUMMARY:The Great Escape at Wolf Den Recreates Journey’s Arena-Rock Sound in an Intimate Room
DESCRIPTION:The Great Escape at Wolf Den brings Journey’s soaring vocals\, melodic guitar lines\, and enormous choruses to Mohegan Sun on Friday\, September 18\, with one of New England’s longest-running Journey tribute bands taking the stage for a free 21+ show. \nThe Great Escape formed in 2008 around a fairly straightforward objective: play Journey’s music with enough precision and energy that the songs retain the impact of the originals. \nNearly two decades later\, the band is still doing it. \nThe current group centers on vocalist Jason Paulino\, whose upper-register voice made Journey an obvious fit\, along with guitarist Rich Vigdor\, keyboardist John Dischert\, bassist and band founder Bob Wheeler\, and drummer Dennis King. \nAt the Wolf Den\, they’ll have one of rock’s deepest catalogs of recognizable songs to work with. \nJourney Made the Opening Notes Enough\nSome bands have hits. \nJourney has songs where a few seconds can identify the entire record. \nThe piano introduction to Don’t Stop Believin’. The keyboard opening of Separate Ways (Worlds Apart). The guitar melody of Lights. The first vocal lines of Faithfully and Open Arms. \nMuch of that music came from Journey’s extraordinary commercial run from the late 1970s through the mid-1980s\, particularly during the years when Steve Perry\, Neal Schon\, Jonathan Cain\, Ross Valory and Steve Smith formed the band’s best-known lineup. \nJourney’s 1981 album Escape became its first No. 1 album in the United States and produced Don’t Stop Believin’\, Who’s Crying Now and Open Arms. \nThe Great Escape’s name leaves little mystery about which period of Journey provides the band’s foundation. \nIt Started With a Bass Player Who Couldn’t Shake the Idea\nThe Great Escape’s origins trace largely to bassist Bob Wheeler. \nWheeler began playing bass at about 16 after some high-school friends wanted to form a band and bass happened to be the instrument nobody else had claimed. \nHe taught himself\, played Boston-area venues including The Channel and The Paradise and eventually stepped away from performing. \nYears later\, Wheeler began playing again. \nDuring that period\, he encountered an advertisement seeking a bassist for a Journey tribute band. The audition never happened\, but the idea stuck with him. \nThen he heard Jason Paulino sing. \nPaulino auditioned for a cover band Wheeler was playing with\, and when the group performed a couple of Journey songs\, Wheeler realized he’d found the voice that could make his old idea work. \nThe two began discussing a Journey project. \nIn 2008\, The Great Escape was born. \nJason Paulino Had the Voice for the Job\nThe hardest part of creating a convincing Journey tribute is also the most obvious. \nYou need somebody who can sing those songs. \nSteve Perry’s voice wasn’t simply high. His combination of range\, control\, phrasing and power became one of the defining sounds of American rock radio. \nPaulino has spent much of his career working in that territory. \nThe Great Escape’s official biography describes his voice as exceptionally close to Perry’s when singing Journey material. Earlier in his career\, Paulino also appeared multiple times as a “Star of the Day” and became a finalist on the New England television talent program Community Auditions. \nMore recently\, he has begun establishing a musical identity outside the tribute-band world. \nPaulino relocated to the Nashville area and has been developing original material as a singer-songwriter while continuing to return for selected Great Escape performances. \nHis original single Don’t Give Up On Me earned a 2026 Josie Music Awards nomination for Song of the Year – Rock Artist\, with the awards scheduled just two days after Friday’s Wolf Den appearance. \nThat makes this particular Great Escape show land at an interesting point in the singer’s career. \nThe Guitar Parts Matter Just as Much\nJourney’s music would be considerably easier to imitate if the challenge stopped with the vocals. \nIt doesn’t. \nNeal Schon’s guitar work is embedded throughout the songs\, often creating recognizable melodies within seconds. \nThat’s where Rich Vigdor comes in. \nThe Great Escape describes its guitarist’s approach as recreating Journey’s riffs and solos note for note. \nFor a tribute band\, that attention to detail matters. \nA song such as Stone in Love doesn’t merely need distortion and a fast solo. Lights needs its particular melodic phrasing. Who’s Crying Now builds toward one of Schon’s most recognizable closing guitar passages. \nThe audience already knows how those moments are supposed to sound. \nKeyboards Are Essential to the Journey Formula\nThen there are the keyboards. \nJourney’s early records grew from the band’s progressive-rock roots\, but Jonathan Cain’s arrival before Escape helped reshape the group into the arena-rock powerhouse most listeners remember. \nPiano and synthesizer became essential parts of the sound. \nThe opening of Don’t Stop Believin’ wouldn’t exist without that piano figure. \nSeparate Ways wouldn’t be Separate Ways without its aggressive synthesizer opening. \nOpen Arms depends on piano to create the space around Perry’s vocal. \nIn The Great Escape\, John Dischert handles keyboard and piano while also contributing vocal harmonies. \nThe rhythm section is anchored by Wheeler on bass and Dennis King on drums. \nTogether\, the five musicians have the pieces required to recreate a catalog that is much more musically layered than its radio-friendly hooks sometimes suggest. \nThe Great Escape Has Been Doing This for Nearly Two Decades\nLongevity separates The Great Escape from the endless cycle of tribute acts that form\, play for a few years and disappear. \nThe band has been performing since 2008. \nIts résumé includes appearances at casinos\, theaters\, clubs and festivals around New England and beyond\, including previous performances at Mohegan Sun. \nThe group was also recognized as New England’s Best Tribute Band at the Limelight Magazine Awards in 2009 and again in 2013\, according to the band’s official biography. \nThat history has allowed the musicians to spend years refining the small details of Journey’s material. \nAnd with a catalog this familiar\, small details are exactly what audiences notice. \nExpect the Big Journey Songs\nMohegan Sun hasn’t published a song-by-song setlist for Friday night\, so there is no reason to pretend we know precisely what the band will play. \nBut The Great Escape’s own material makes its mission clear. \nThis is a Journey tribute. \nThe band’s repertoire has included the songs audiences would expect from that description\, with Escape\, Lights and even Steve Perry’s solo hit Oh Sherrie featured among recordings on its website. \nJourney’s catalog gives the band plenty more to draw from\, including Any Way You Want It\, Wheel in the Sky\, Lovin’\, Touchin’\, Squeezin’\, Stone in Love\, Who’s Crying Now\, Open Arms\, Separate Ways\, Faithfully and\, inevitably\, Don’t Stop Believin’. \nWhich of those make Friday’s final set is up to the band. \nThe singalong potential isn’t. \nThe Wolf Den Makes a Very Big Catalog Feel Small\nJourney built much of its reputation playing arenas. \nThe Wolf Den is essentially the opposite. \nLocated inside Mohegan Sun’s Casino of the Earth\, the venue puts audiences remarkably close to performers and offers its concerts without an admission charge. \nThat intimacy is particularly suited to a tribute act. \nInstead of watching musicians recreate an arena-rock band from the far end of an arena\, audiences can see the playing that goes into recreating the music. \nThere is a tradeoff. \nSpace is limited. \nThe Wolf Den uses first-come\, first-served seating\, and Mohegan Sun specifically recommends arriving early. \nDon’t Line Up Before 5 p.m.\nThere is an important Wolf Den rule for anyone determined to get a seat. \nGuests may begin lining up no earlier than three hours before showtime. \nFor Friday’s 8 p.m. performance\, that means 5 p.m. \nOne person is permitted to hold up to four places in line\, but everyone must be present when seating occurs. A place in line does not allow someone to claim an empty seat for a friend arriving later. \nBecause seating is limited and The Great Escape is playing a catalog filled with familiar radio hits\, arriving well before 8 p.m. is the safer approach for anyone who considers sitting important. \nThe venue is also 21 and older and non-smoking. \nOne Night Before a Very Different Journey for Its Singer\nThere is a fun bit of timing surrounding Friday’s show. \nPaulino has spent nearly two decades singing songs associated with one of rock’s most famous voices. \nNow he’s increasingly putting his own name on the music. \nTwo days after The Great Escape performs at the Wolf Den\, the 2026 Josie Music Awards are scheduled at Nashville’s Grand Ole Opry House\, where Paulino’s Don’t Give Up On Me is among the nominated independent recordings. \nBut first comes Friday night in Uncasville. \nFive musicians. \nA small room. \nNo admission charge. \nAnd a catalog created for rooms many times its size. \nDetails\nEvent: The Great Escape at Wolf Den\nDate: Friday\, September 18\, 2026\nTime: 8 p.m.\nVenue: Wolf Den at Mohegan Sun\nLocation: Casino of the Earth\nAddress: 1 Mohegan Sun Boulevard\, Uncasville\, CT 06382\nBand: The Great Escape\nMusic: Tribute to Journey\nAdmission: Free\nAge: 21+\nSeating: Limited and first come\, first served\nLine: Guests may line up no earlier than 5 p.m.\, three hours before showtime\nHolding Places: One person may hold up to four places in line; guests must be present when seats are assigned\nSmoking: The Wolf Den is a non-smoking entertainment venue\nPhone: 1-888-226-7711\nSchedule: Times and performers are subject to change \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/the-great-escape-at-wolf-den-recreates-journeys-arena-rock-sound-in-an-intimate-room/
LOCATION:Wolf Den\, 1 Mohegan Sun Blvs\, Uncasville\, CT\, 06382\, United States
CATEGORIES:Mohegan Sun
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T200000
DTEND;TZID=America/New_York:20260918T220000
DTSTAMP:20260916T013647Z
CREATED:20260916T013647Z
LAST-MODIFIED:20260916T013647Z
UID:10007918-1789761600-1789768800@thectbeacon.com
SUMMARY:Thana Alexa Quartet Brings a Grammy-Nominated Voice and a Global Jazz Palette to The Side Door
DESCRIPTION:Thana Alexa Quartet brings vocalist\, composer\, and sonic experimenter Thana Alexa to The Side Door Jazz Club in Old Lyme on Friday\, September 18\, for an intimate performance that stretches jazz well beyond the traditional singer-and-rhythm-section format. \nAlexa will be joined by Alejandra Sofia on keyboards and vocals\, JC Maillard on guitar and vocals\, and Jacquelene Acevedo on percussion and vocals. \nThat instrumentation offers a clue about what to expect. \nAlexa herself is credited not only with vocals\, but also loops\, effects\, and percussion. Every other member of the quartet contributes vocals. There is no conventional acoustic-bass-and-drum rhythm section in the announced lineup. \nInstead\, this is a band built around voices\, percussion\, electronics\, keyboards and guitar\, giving Alexa room to move between contemporary jazz\, improvisation\, world music and the sounds of her Croatian-American background. \nThana Alexa Uses Her Voice as More Than a Lead Instrument\nCalling Alexa a jazz singer doesn’t quite describe what she does. \nShe is a vocalist\, composer\, arranger and producer who treats the human voice as both a storytelling instrument and another component of the band. \nShe can sing a lyric conventionally and then move into wordless improvisation\, rhythmic figures\, layered vocal textures or electronically manipulated sounds. \nThat approach has helped establish Alexa as one of the more distinctive vocalists to emerge from contemporary jazz. \nBorn in New York City to a Croatian family\, Alexa spent part of her childhood in Croatia before returning to the United States. She later studied jazz and contemporary music at The New School in New York. \nThe two worlds never entirely separated. \nHer music has increasingly drawn from both her American jazz education and Croatian heritage\, particularly as she began exploring questions of family\, immigration\, femininity and identity in her own compositions. \nThose ideas came together most completely on ONA. \nONA Turned Family Stories Into a Grammy-Nominated Album\nReleased in 2020\, ONA takes its title from the Croatian word for “she.” \nThe album began with stories of the women in Alexa’s family\, including generations shaped by migration and cultural change\, but developed into something considerably broader: a musical exploration of women’s experiences\, strength and identity. \nIt also became Alexa’s breakthrough recording. \nONA received a Grammy nomination for Best Jazz Vocal Album at the 63rd Grammy Awards. \nThe album produced a second Grammy nomination through violinist Regina Carter’s performance on Alexa’s composition Pachamama\, which was nominated for Best Improvised Jazz Solo. \nThat distinction is worth making: Alexa herself is a Grammy nominee for ONA\, while the album generated two Grammy nominations overall. \nThe record also demonstrated just how far Alexa was willing to push the vocabulary of vocal jazz. \nThe Band Coming to Old Lyme Is Built Differently\nThe quartet announced for The Side Door reflects that experimental side of Alexa’s music. \nThana Alexa handles voice\, loops\, effects and percussion. \nAlejandra Sofia plays keyboards and adds vocals. \nJC Maillard plays guitar and contributes vocals. \nJacquelene Acevedo adds percussion and vocals. \nFour musicians. Four voices. \nRather than treating backing vocals as decoration behind the lead singer\, the configuration gives Alexa a palette of vocal and instrumental sounds that can be stacked\, repeated\, manipulated and reshaped during a performance. \nLoops allow a performer to record a phrase in real time and immediately play it back\, building additional musical layers over it. Effects can alter the tone\, space and character of a voice just as guitarists have used pedals to reshape the sound of an electric guitar for decades. \nCombine that with keyboards\, guitar and percussion and the quartet can create a much larger sonic environment than its four-person lineup suggests. \nAlexa Has Another Connection to One of Jazz’s Great Modern Drummers\nAlexa is also a longtime member of Migration\, the ensemble led by drummer and composer Antonio Sánchez\, her husband. \nSánchez is best known outside jazz circles for creating the percussion-driven score for Alejandro González Iñárritu’s 2014 film Birdman\, but his career reaches much further into contemporary jazz. \nAlexa’s work with Migration placed her voice inside music where rhythm\, composition and improvisation are deeply intertwined. \nThat experience is easy to connect with her own approach. \nShe doesn’t simply stand in front of a jazz band and sing over it. \nThe voice becomes part of the machinery. \nSONICA Put Three Women’s Voices at the Center\nAlexa has explored that idea from another direction through SONICA\, the vocal trio she formed with singer Nicole Zuraitis and bassist-vocalist Julia Adamy. \nThe project places vocal harmony\, improvisation and original composition at its center\, reinforcing Alexa’s interest in treating voices as an ensemble rather than separating a lead singer from accompanying musicians. \nThat emphasis also connects to another continuing Alexa project: Founding Mothers of Jazz. \nThe project examines and celebrates women who helped shape jazz while often receiving less attention than their male contemporaries. \nFor Alexa\, that isn’t separate from the music. \nQuestions about whose stories get told\, who gets remembered and whose voices are heard run directly through her work. \nHer Croatian Connection Now Extends to a Jazz Festival\nAlexa’s relationship with Croatia has also become part of her professional life. \nShe serves as artistic director of the Ponta Lopud Jazz Festival\, held on the Croatian island of Lopud. \nThe festival brings international jazz musicians together in an environment designed around performance\, collaboration and artistic exchange. \nIt’s another indication of how Alexa’s career has evolved beyond the conventional boundaries of vocalist or bandleader. \nShe’s a performer\, composer and producer\, but increasingly also a curator and organizer helping determine which artists and musical ideas get brought together. \nFriday’s Side Door appearance brings that much larger musical world into one of Connecticut’s smallest serious jazz rooms. \nThe Side Door Was Designed for Nights Like This\nThe setting matters. \nThe Side Door Jazz Club operates inside the historic Old Lyme Inn at 85 Lyme Street\, directly across from the Florence Griswold Museum. \nIt isn’t a multipurpose room that occasionally presents jazz. \nIt’s a dedicated listening room. \nThat makes a substantial difference for a quartet whose music can depend on subtle vocal interactions\, electronics\, percussion and improvisation. \nThere isn’t much distance between performer and audience at The Side Door\, and the room’s emphasis is on listening rather than providing background music for a bar or restaurant. \nFor a vocalist who can shift from an intimate lyric to experimental vocal effects in the same performance\, that’s exactly the kind of room where the details can be heard. \nDinner Can Be Part of the Night\nThe Old Lyme Inn gives concertgoers another option before the music begins. \nSide Door ticket holders receive 10% off dinner at the Old Lyme Inn on concert nights. The venue recommends scheduling dinner reservations no later than 6 p.m. \nDoors for the concert open at 7:15 p.m.\, with Alexa and the quartet scheduled to begin at 8 p.m. \nSeating is reserved rather than general admission\, so purchasing a ticket also determines where you’ll be sitting. \nThe performance is scheduled to run until approximately 10 p.m. \nFree parking is available. \nA Different Kind of Vocal Jazz\nAnyone expecting a conventional evening of standards sung over piano\, bass and drums may be surprised by this one. \nAlexa certainly comes from jazz. \nBut she also comes from a generation of musicians for whom electronics\, global influences\, unconventional instrumentation and studio techniques aren’t outside additions to the genre. \nThey’re simply more tools. \nThe announced quartet makes that particularly clear. \nFour voices. Guitar. Keyboards. Percussion. Loops. Effects. \nAnd at the center of it all is a singer who seems considerably less interested in fitting comfortably inside the definition of a jazz vocalist than in discovering how much further the human voice can go. \nDetails\nEvent: Thana Alexa Quartet\nDate: Friday\, September 18\, 2026\nTime: 8–10 p.m.\nDoors: 7:15 p.m.\nVenue: The Side Door Jazz Club\nAddress: 85 Lyme Street\, Old Lyme\, CT 06371\nLineup: Thana Alexa\, voice/loops/FX/percussion; Alejandra Sofia\, keys/voice; JC Maillard\, guitar/voice; Jacquelene Acevedo\, percussion/voice\nAdmission: Ticketed event; current pricing and seat availability should be confirmed through the ticketing page\nSeating: Reserved seating\nAge: All ages\nParking: Free parking\nDinner: Side Door ticket holders receive 10% off dinner at the Old Lyme Inn; dinner reservations should be scheduled no later than 6 p.m.\nRefunds: No refunds\nPhone: 860-434-2600 \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/thana-alexa-quartet-brings-a-grammy-nominated-voice-and-a-global-jazz-palette-to-the-side-door/
LOCATION:Side Door Jazz Club\, 85 Lyme St\, Old Lyme\, 06372\, United States
CATEGORIES:SIde Door Jazz Club
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T200000
DTEND;TZID=America/New_York:20260918T220000
DTSTAMP:20260908T223445Z
CREATED:20260908T223445Z
LAST-MODIFIED:20260908T223445Z
UID:10007525-1789761600-1789768800@thectbeacon.com
SUMMARY:Lee Brice: Sunriser Tour at Foxwoods
DESCRIPTION:Lee Brice: Sunriser Tour at Foxwoods brings one of country music’s most successful singer-songwriters to the Premier Theater on Friday\, September 18\, for an 8 p.m. show built around a catalog that has produced nine No. 1 country singles and more than 10 billion career streams. \nBrice has spent the better part of two decades moving between two sides of Nashville. He’s the rough-edged baritone behind hits including I Drive Your Truck\, I Don’t Dance\, Rumor\, One of Them Girls and A Woman Like You. But before much of the country knew his voice\, other stars were already singing his songs. \nGarth Brooks\, Kenny Chesney\, Jason Aldean and Tim McGraw are among the artists who have recorded Brice’s work. That songwriting background remains central to a career that has earned him CMA and ACM awards\, a Grammy nomination and a collection of multi-Platinum records. \nNine Trips to No. 1\nThere isn’t one particular kind of Lee Brice hit. \nDrinking Class is a working-week anthem. Rumor rides a considerably more soulful groove. A Woman Like You and I Don’t Dance move toward romance\, while I Hope You’re Happy Now\, his duet with Carly Pearce\, is about two people discovering that moving on isn’t nearly as clean as it sounds. \nThen there’s I Drive Your Truck. \nThe 2012 recording became one of the defining songs of Brice’s career\, telling the story of someone coping with a loved one’s death by climbing into his truck and driving. \nThe song was inspired by the real story of Army Sgt. 1st Class Jared Monti\, who was killed in Afghanistan in 2006 while attempting to rescue a fellow soldier and was posthumously awarded the Medal of Honor. Monti’s father\, Paul\, kept his son’s Dodge Ram and drove it as a way of remaining connected to him. \nBrice didn’t write I Drive Your Truck — Jessi Alexander\, Connie Harrington and Jimmy Yeary did — but his performance helped turn it into a major country hit. The song won Song of the Year at both the CMA and ACM awards. \nIt’s also a useful example of what Brice does particularly well. His biggest recordings often depend less on vocal gymnastics than on making a story sound believable. \nHe Was a Hit Songwriter Before He Was a Country Star\nBrice understands the relationship between a songwriter and the artist who eventually makes a song his own because he’s been on both sides of it. \nOne of his biggest early breaks came without his name on the front of the record. \nBrice co-wrote Garth Brooks’ More Than a Memory with Billy Montana and Kyle Jacobs. When Brooks released the song in 2007\, it did something no single had previously accomplished in the history of Billboard’s country chart: it debuted at No. 1. \nBy then\, Brice had begun landing songs with other performers as well. \nJason Aldean recorded his material. So did Tim McGraw. Kenny Chesney would eventually join the list. \nBrice was simultaneously trying to establish himself as a recording artist\, but that side of his career took longer to catch. \nHis breakthrough finally arrived with Love Like Crazy. The song spent 56 weeks on Billboard’s country chart\, establishing Brice as more than the songwriter whose work other singers were recording. \nThen the hits began stacking up. \nHis nine country-radio No. 1 singles now include A Woman Like You\, Hard to Love\, I Drive Your Truck\, I Don’t Dance\, Drinking Class\, Rumor\, I Hope You’re Happy Now\, One of Them Girls and Memory I Don’t Mess With. \nFrom Clemson Football to Nashville\nThere was a point when music wasn’t Brice’s only possible future. \nBorn in Sumter\, South Carolina\, he grew up singing in church\, started playing piano at 7 and moved on to guitar. By 10\, he was already writing songs. \nBut he was also an athlete. \nBrice played football at Clemson University before an arm injury helped redirect his attention toward music. Nashville eventually became the destination\, and songwriting became his way into the industry. \nThat history helps explain the mix that still runs through his records. \nThere’s traditional Nashville songcraft underneath music that freely borrows from rock and pop. Brice can make a large room work with a song like Parking Lot Party and then turn around and build a performance around something as restrained as I Don’t Dance. \nThe latter is particularly personal. \nBrice wrote I Don’t Dance for his wife\, Sara\, and performed it at their wedding before eventually recording and releasing it. It became another No. 1 and one of his signature love songs. \n“One of Them Girls” Had a Historic Awards Run\nBy 2020\, Brice was more than a decade removed from his first album\, but some of the biggest successes of his career were still ahead. \nOne of Them Girls became his longest-running No. 1 on the Billboard Country Airplay chart and eventually earned an unusual sweep of songwriting honors. \nThe track was named Song of the Year by the Academy of Country Music and also received song-of-the-year recognition from ASCAP and BMI. \nAround the same period\, Brice joined Carly Pearce for I Hope You’re Happy Now. \nThe duet won Musical Event of the Year at the CMA Awards and both Single of the Year and Music Event of the Year at the ACM Awards. \nThose songs appeared on Brice’s 2020 album Hey World\, which has since been certified Platinum. \nRather than settling into the role of a country nostalgia act built around 2010s hits\, Brice had managed to add another group of career-defining songs a decade after his breakthrough. \nThe Next Chapter Includes “Cry\,” Country Friends and Colbie Caillat\nBrice’s recent recordings continue moving between solo material and collaboration. \nIn 2025\, he released Cry\, followed by Said No Country Boy Ever\, which brought him together with longtime Nashville friends Jamey Johnson\, Randy Houser\, Jerrod Niemann\, Dallas Davidson and Rob Hatch. \nHe’s also teamed with Grammy-winning singer-songwriter Colbie Caillat for the duet Kinda Single. \nThe collaborations make sense for an artist whose career has always been intertwined with Nashville’s songwriting community. Brice isn’t simply handed songs after the writing is finished. He’s a songwriter himself\, with 11 co-writing credits on his 2020 Hey World album alone and decades of experience writing both for himself and other artists. \nThe Sunriser Tour gives him a catalog broad enough to move between those newer releases and songs that have been country-radio fixtures for years. \nThe Premier Theater Keeps the Show Short of Arena Scale\nFoxwoods is putting Brice in the Premier Theater\, its primary room for major touring concerts and comedians. \nThe theater sits inside The Fox Tower and offers something different from seeing the same performer in an arena. It’s large enough for a full touring production but considerably more contained\, with reserved seating and relatively close sightlines throughout much of the room. \nFoxwoods recommends The Fox Tower for the most convenient parking. \nAnyone attending should also pay attention to the theater’s bag rules. Shopping bags and backpacks aren’t permitted\, and all bags are subject to search. Ticketmaster also specifies that guests must use their assigned seats and that smoking is prohibited in and around the theater. \nFood and drinks can be purchased inside the venue\, while the surrounding resort offers considerably more options for anyone making dinner part of the night. \nOne Night\, a Lot of Country Radio History\nA Lee Brice concert presents an interesting problem when it comes time to build a setlist. \nLeave out A Woman Like You and you’re skipping a No. 1. The same is true of Hard to Love. And I Drive Your Truck. And I Don’t Dance. And Drinking Class. \nThen come Rumor\, I Hope You’re Happy Now\, One of Them Girls and Memory I Don’t Mess With. \nThat’s before getting to Love Like Crazy\, Parking Lot Party or the newer music. \nThe result is a Friday night at Foxwoods that can function as both a current tour stop and something approaching a survey of mainstream country music from the past 15 years. \nAnd underneath much of it is the part of Lee Brice’s career that started before the fame: a songwriter who figured out how to make the stories he wrote for other people work just as well when he stepped behind the microphone himself. \nDetails\nEvent: Lee Brice: Sunriser Tour\nDate: Friday\, September 18\, 2026\nTime: 8 p.m.\nPerformer: Lee Brice\nTour: Sunriser Tour\nMusic: Country\nVenue: Premier Theater at Foxwoods Resort Casino\nAddress: 39 Norwich-Westerly Road\, Mashantucket\, CT 06339\nSeating: Reserved seating; guests must sit in their assigned seats\nBest Parking: The Fox Tower\nBag Policy: No shopping bags or backpacks; all bags are subject to search\nSmoking: No smoking in or around the Premier Theater \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/lee-brice-sunriser-tour-at-foxwoods/
LOCATION:Premier Theater at the Foxwoods Resort & Casino\, 39 Norwich-Westerly Rd\, Ledyard\, 06339\, United States
CATEGORIES:Foxwoods
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T193000
DTEND;TZID=America/New_York:20260918T220000
DTSTAMP:20260917T173613Z
CREATED:20260917T173613Z
LAST-MODIFIED:20260917T173613Z
UID:10008450-1789759800-1789768800@thectbeacon.com
SUMMARY:Amy Gallatin and Stillwaters Open Friday Night Folk’s New Season in New London
DESCRIPTION:Amy Gallatin and Stillwaters Open Friday Night Folk’s New Season in New London on Sept. 18\, bringing country\, bluegrass\, folk\, and western swing to All Souls for the first concert of a nine-show season stretching into next spring. \nThe 7:30 p.m. concert pairs Gallatin’s lead vocals with one of the group’s defining sounds: Roger Williams on resophonic guitar. They’ll be joined by Williams’ son\, JD Williams\, on mandolin and vocals\, and veteran bluegrass musician Bob Dick on bass and vocals. \nTogether\, the quartet occupies a musical space somewhere between an old country record and a bluegrass picking session. Traditional country songs get stripped back to acoustic instruments. Bluegrass can soften into a ballad. Folk\, western swing and Americana move in and out of the set without requiring anyone to stop and announce that the genre has changed. \nIt’s music built around voices and strings. \nFor Friday Night Folk\, it’s also the beginning of another season in a New London concert tradition that dates back to 1989. \nFrom Western Ranches to the New England Bluegrass Scene\nGallatin’s road to Connecticut didn’t exactly follow the standard path to becoming a New England folk and bluegrass performer. \nBorn in Muscle Shoals\, Alabama\, she spent years moving around the American West\, including time in Idaho\, Montana\, Oregon and California. Horses and music were both part of the picture. She worked at guest ranches\, helped organize horseback riding programs and performed as an entertainer. \nGallatin later recalled spending about a dozen years working on ranches in the West\, along with stints as a ski bum and bartender. \nMusic was there all along\, but the career began to take a different shape after she encountered Connecticut musicians while spending a winter in New England in 1992. \nThe acoustic music community she discovered here offered something she hadn’t found to the same degree out West: a network of musicians and an established bluegrass scene. \nSo Gallatin packed her guitar into a Ford Econoline van and headed east in 1993. \nConnecticut became home. \nOver the years that followed\, Gallatin recorded 10 albums and toured across the United States as well as Canada\, Mexico\, the United Kingdom and Europe. Stillwaters has made multiple European tours\, and the group has twice represented the United States as featured performers at the European World of Bluegrass convention in the Netherlands. \nHer influences reach well beyond bluegrass. Gallatin points to the cowboy songs she encountered in the West along with country artists including Emmylou Harris\, Merle Haggard\, Loretta Lynn and the Everly Brothers. \nThat helps explain why an Amy Gallatin and Stillwaters show doesn’t fit neatly into one musical drawer. \nThe Sound of a Guitar Built to Be Heard\nThen there’s Roger Williams. \nWilliams plays resophonic guitar\, often called a Dobro\, an instrument that can look vaguely familiar until you hear it. \nInstead of relying solely on a wooden soundboard to amplify the strings like a conventional acoustic guitar\, a resophonic guitar uses a metal resonator. The result is that bright\, ringing\, almost vocal sound closely associated with bluegrass. \nPlayed horizontally with a steel bar\, the instrument can slide between notes rather than simply jumping from one fretted pitch to another. In the right hands\, it can cry behind a country vocal one moment and turn into a fast-moving lead instrument the next. \nWilliams has had plenty of time to figure out what it can do. \nHe began playing Dobro-style resophonic guitar in 1963 while still a teenager. Within roughly a year\, he was performing with the Lilly Brothers and Don Stover at Boston’s Hillbilly Ranch\, an important venue in the development of New England bluegrass. \nHis career since then has connected him with an extensive list of folk and bluegrass musicians\, including Hazel Dickens\, Joe Val\, Mac Wiseman\, Southern Rail\, Mark Schatz\, Wyatt Rice and others. His work has also taken him overseas numerous times. \nEventually\, his musical path crossed Gallatin’s. \nTheir partnership grew around a shared affection for country standards\, but rather than simply reproducing the arrangements of the originals\, they began giving the songs an acoustic bluegrass treatment. \nThat contrast became part of Stillwaters’ identity: Gallatin’s country-rooted lead vocal out front\, with Williams’ resophonic guitar winding around it. \nA Father and Son Share the Stage\nThere’s another relationship inside Friday night’s lineup. \nMandolin player JD Williams grew up with Roger Williams as his father\, which meant music wasn’t exactly something waiting to be discovered outside the house. \nHe learned multiple instruments early\, eventually attending Berklee College of Music and developing a style that draws not only from bluegrass but from jazz and blues. \nJD has since worked as a sideman and session player with musicians and groups around New England and New York\, including Southern Rail\, The Hot Flashes\, The Cadleys and Connecticut songwriter Nathan Day. \nHe has also spent years performing alongside his father. \nThe smaller mandolin occupies a very different sonic space from Roger’s resophonic guitar\, allowing the two Williamses to trade rhythmic and melodic roles while Gallatin handles the lead vocal. \nThe family connection isn’t just a footnote in the band’s biography. Years of playing together can create the sort of musical shorthand that’s difficult to manufacture in rehearsal. One player knows where the other is headed before he quite gets there. \nBob Dick Brings His Own Bluegrass History\nHolding down the bottom end Friday night is Bob Dick\, another musician whose history reaches deep into New England bluegrass. \nDick is a Berklee alumnus and a founding member of the long-running Blackstone Valley Bluegrass Band. Earlier in his career he played with several regional groups before joining Front Range in 1991. \nFront Range went on to tour nationally and in Europe\, with Dick recording six albums with the group. \nHis work eventually extended beyond performing. Dick founded Appleland Recording Studios in Northbridge\, Massachusetts\, and became a producer and recording engineer. His credits include Front Range’s One Beautiful Day\, which received the International Bluegrass Music Association’s Gospel Recording of the Year honor in 1995. \nThat means Friday’s quartet isn’t Gallatin surrounded by anonymous backing musicians. \nThere are decades of New England acoustic-music history standing beside her. \nA New London Folk Tradition Since 1989\nThe room has some history\, too. \nFriday Night Folk began at All Souls Unitarian Universalist Congregation in New London in 1989\, bringing traditional and contemporary folk performers to southeastern Connecticut. \nThe names that have passed through the series over the decades amount to a substantial piece of modern folk history. \nJohn Gorka has played there. So have Tom Chapin\, Richard Shindell\, Patty Larkin\, Cheryl Wheeler\, Gordon Bok\, Bill Staines\, Bill Morrissey\, Vance Gilbert\, Utah Phillips\, Sarah Lee Guthrie and Aztec Two-Step\, among many others. \nBut Friday Night Folk was never conceived simply as a concert promoter. \nIts stated mission connects music with social and environmental justice\, and the series has used benefit concerts to support grassroots organizations working in southeastern Connecticut. \nPast beneficiaries have included FRESH New London\, Save the Sound\, the Southeastern Connecticut Community Land Trust\, refugee resettlement organization Start Fresh and other local causes. \nThat relationship between folk music and activism has a long history of its own. American folk traditions have carried labor songs\, civil rights songs\, antiwar music and environmental messages for generations. Friday Night Folk keeps that connection visible rather than treating “folk” simply as an acoustic musical style. \nThe result is something New London doesn’t have many equivalents to: a recurring concert series where nationally and regionally established performers play in an intimate community setting rather than a nightclub or large theater. \nNine Concerts Carry Friday Night Folk Into Spring\nGallatin and Stillwaters aren’t simply playing another date on the Friday Night Folk calendar. They’re opening its 2026-27 season. \nThe series continues Oct. 9 with Crys Matthews\, followed Nov. 13 by the Connecticut Hope Collective for World Kindness Day in a benefit for FRESH New London. \nThe Rivergods arrive Dec. 11\, followed by Geoff Kaufman on Jan. 8. \nA February benefit concert\, Sounds of Justice: From Seeger and Odetta to Today!\, directly taps the relationship between folk music and social movements. March brings Troubadours of Connecticut with Kala Farnham\, Lara Herscovitch and Charlie Widmer. \nWindborne follows April 9\, with Joe Jencks closing the season May 7. \nSeason tickets are available for $125. \nIndividual tickets for Gallatin and Stillwaters are $20 in advance or $25 at the door. \nFor people who can’t make it into Unity Hall\, Friday Night Folk also plans a livestream through the All Souls New London YouTube channel\, with donations encouraged. \nBut inside the room Friday night\, the new season begins the old-fashioned way: four musicians\, a collection of acoustic instruments and songs that have traveled a long way before arriving on Jay Street. \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: Amy Gallatin and Stillwaters — Friday Night Folk 2026-27 Season Opener\nDate: Friday\, Sept. 18\, 2026\nTime: 7:30-10 p.m.\nLocation: Friday Night Folk at All Souls UU\, Unity Hall\nAddress: 19 Jay St.\, New London\, CT 06320\nPerformers: Amy Gallatin\, vocals; Roger Williams\, resophonic guitar and vocals; JD Williams\, mandolin and vocals; Bob Dick\, bass and vocals\nMusic: Country\, bluegrass\, folk\, Americana and western swing\nTickets: $20 in advance; $25 at the door\nSeason Tickets: $125 for the 2026-27 Friday Night Folk season\nLivestream: A livestream is scheduled to be available through the All Souls New London YouTube channel on the night of the concert. Donations are encouraged.\nAccessibility: All Souls describes its Jay Street building as fully accessible\, with wheelchair spaces and assistive listening devices available.\nParking: All Souls has an on-site parking lot\, including designated accessible parking. Additional parking is available at the adjacent courthouse lot on Cottage Street.\nRefund Policy: Refunds are available up to 14 days before the event.\n2026-27 Season: Amy Gallatin and Stillwaters\, Sept. 18; Crys Matthews\, Oct. 9; Connecticut Hope Collective for World Kindness Day\, Nov. 13; The Rivergods\, Dec. 11; Geoff Kaufman\, Jan. 8; Sounds of Justice: From Seeger and Odetta to Today!\, Feb. 12; Troubadours of Connecticut\, March 12; Windborne\, April 9; Joe Jencks\, May 7. \n\nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/amy-gallatin-and-stillwaters-open-friday-night-folks-new-season-in-new-london/
LOCATION:All Souls UU\, Unity Hall\, 19 Jay Street\, New London\, CT\, 06320\, United States
CATEGORIES:All Souls UU
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DTSTART;TZID=America/New_York:20260918T193000
DTEND;TZID=America/New_York:20260918T210000
DTSTAMP:20260915T024207Z
CREATED:20260915T024207Z
LAST-MODIFIED:20260915T024207Z
UID:10007512-1789759800-1789765200@thectbeacon.com
SUMMARY:Almost\, Maine at the Granite Theatre
DESCRIPTION:Almost\, Maine at the Granite Theatre opens Friday\, September 11\, for a two-week run of John Cariani’s romantic comedy about love found\, lost and occasionally turned upside down beneath the northern lights. \nThe Granite Theatre production runs September 11–20 in downtown Westerly\, with 7:30 p.m. performances on Thursdays\, Fridays and Saturdays and 2 p.m. Sunday matinees. Tickets are $30–$35. \nRather than following one couple through a conventional love story\, Almost\, Maine tells nine interconnected stories about the residents of a tiny fictional community in northern Maine. During the course of one cold Friday night\, relationships begin\, end\, stumble and take some wonderfully strange turns. \nWelcome to Almost\nAlmost isn’t technically a town. \nIn Cariani’s fictional geography\, it’s an unorganized community so far north in Maine that it’s almost in Canada. On a clear winter night\, with the aurora borealis overhead\, its residents experience a series of encounters that revolve around falling in love\, falling out of it or discovering that what they thought they understood about another person wasn’t quite right. \nThe structure is closer to a collection of short stories performed on stage than a traditional beginning-to-end narrative. \nMost of the scenes involve just two characters\, with different residents moving in and out of focus as the evening progresses. The stories stand on their own\, but the shared place\, time and themes gradually turn them into a portrait of one small community. \nCariani also gives the play a touch of magical realism. \nEmotions sometimes become physical things. Characters carry the consequences of love in ways that couldn’t happen in the real world\, yet the feelings behind those moments remain recognizable. That lets Almost\, Maine move quickly between comedy\, absurdity\, heartbreak and tenderness without becoming a conventional romantic comedy. \nA Play That Almost Disappeared\nThe story behind Almost\, Maine is nearly as unlikely as some of the stories inside it. \nJohn Cariani developed the play at the Cape Cod Theatre Project in 2002. It received its world premiere at Portland Stage Company in Maine in 2004\, where it broke box-office records. \nBy then\, Cariani was already familiar to Broadway audiences as an actor. He earned a Tony Award nomination for playing Motel the tailor in the 2004 Broadway revival of Fiddler on the Roof and had appeared on television in Law & Order. \nAlmost\, Maine reached New York next\, opening Off-Broadway at the Daryl Roth Theatre in January 2006. \nThat production lasted only about a month. \nOrdinarily\, that might have been the end of the story. Instead\, after the play was published and became available to other theaters\, something unexpected happened. \nSmall professional theaters began producing it. Then community theaters picked it up. Colleges and high schools followed. \nAnd they kept doing it. \nFrom Short Off-Broadway Run to Thousands of Productions\nToday\, Almost\, Maine has become one of the most frequently produced contemporary American plays. \nThe play’s official site reports that more than 6\,000 theater companies in the United States have staged it\, along with more than 100 international companies. It has also repeatedly ranked among the most-produced plays in North American high schools. \nPart of the appeal is built into Cariani’s unusual structure. \nWith largely self-contained two-person scenes\, directors can distribute substantial material among an ensemble rather than building an entire production around one or two leading roles. Each vignette gives its actors a complete little story to develop. \nAudiences get something different from that structure\, too. One scene may land as broad comedy while the next turns unexpectedly bittersweet. Not every relationship works out\, and the title itself becomes something of a running idea. \nThings in Almost are frequently close. \nAlmost a town. Almost Canada. Almost together. Almost over someone. Almost happy. \nBut not quite. \nJohn Cariani Wrote About the Maine He Knew\nThe fictional setting wasn’t chosen at random. \nCariani grew up in Presque Isle in Aroostook County\, the enormous and sparsely populated region at the northern end of Maine. He has said those years shaped his affection for the landscape\, language and people that eventually found their way into Almost\, Maine. \nThe setting is intentionally remote. The cold matters. The darkness matters. So does the northern sky. \nAgainst that isolation\, the small interactions between people become bigger. A conversation on a bench\, an unexpected visitor at the door or an encounter between two neighbors can become the most important thing happening for miles. \nCariani eventually returned to the world he created in another form. In 2022\, he adapted Almost\, Maine into a novel\, expanding the interconnected stories and characters beyond what audiences see on stage. \nBut the theatrical version remains the work that made Almost into a place thousands of actors and audiences have visited. \nInside Westerly’s Historic Granite Theatre\nThe setting for this production has its own story. \nGranite Theatre occupies a restored Greek Revival building at 1 Granite Street in downtown Westerly. Long before actors performed there\, the building was a church. \nThe congregation that became the Broad Street Christian Church was organized in 1843\, and the building was completed in 1849. Its prominent classical façade and columns remain part of one of downtown Westerly’s distinctive historic structures. \nThe building eventually found a second life as a performance space\, reopening as the Granite Theatre in 2000. \nToday\, Renaissance City Theatre operates the Granite as a nonprofit theater\, presenting plays\, musicals\, family productions\, educational programs and special events throughout the year. \nIt’s also an intimate room. With roughly 140 seats\, the audience is close to the performers rather than watching from the distance of a large regional theater. That should suit a play built around small conversations and two-person encounters particularly well. \nOpening Night Begins a Seven-Performance Run\nAlmost\, Maine opens at 7:30 p.m. Friday\, September 11. \nA second evening performance follows Saturday\, September 12\, before the first Sunday matinee at 2 p.m. September 13. \nThe production returns the following Thursday and continues through Sunday\, September 20\, for seven performances in all: \n\nFriday\, September 11 at 7:30 p.m.\nSaturday\, September 12 at 7:30 p.m.\nSunday\, September 13 at 2 p.m.\nThursday\, September 17 at 7:30 p.m.\nFriday\, September 18 at 7:30 p.m.\nSaturday\, September 19 at 7:30 p.m.\nSunday\, September 20 at 2 p.m.\n\nTickets range from $30 to $35. \nAccessibility at the Granite\nBecause the Granite occupies a historic 19th-century building\, accessibility comes with some limitations. \nThe theater performance space itself is wheelchair accessible\, but the Granite notes that its lobby and restrooms are not fully accessible. \nA small number of accessible parking spaces are available behind the building and need to be reserved. The theater recommends that anyone who needs accessible parking or has mobility concerns call ahead rather than relying on availability when arriving for a performance. \nDetails\nEvent: Almost\, Maine\nPlaywright: John Cariani\nOpening Night: Friday\, September 11\, 2026 at 7:30 p.m.\nRun: September 11–20\, 2026\nEvening Performances: 7:30 p.m.\nSunday Matinees: 2 p.m.\nNumber of Performances: Seven\nGenre: Romantic comedy\nVenue: Granite Theatre\nAddress: 1 Granite Street\, Westerly\, RI 02891\nTickets: $30–$35\nBox Office: 401-596-2341\nAccessibility: Theater space is wheelchair accessible; lobby and restrooms are not fully accessible\nAccessible Parking: Limited spaces are available and should be reserved in advance \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/almost-maine-at-the-granite-theatre-2/
LOCATION:The Granite Theater\, 1 Granite Street\, Westerly\, RI\, 02891\, United States
CATEGORIES:The Granite Street Theater
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T190000
DTEND;TZID=America/New_York:20260918T203000
DTSTAMP:20260916T010757Z
CREATED:20260916T010757Z
LAST-MODIFIED:20260916T010757Z
UID:10007876-1789758000-1789763400@thectbeacon.com
SUMMARY:Moonlit Mystic Graveyard Ghost Tours Takes Visitors Into One of Mystic’s Oldest Burial Grounds After Dark
DESCRIPTION:Moonlit Mystic Graveyard Ghost Tours turns a colonial burial ground into a lantern-lit journey through nearly four centuries of Mystic history on multiple nights this fall\, combining documented stories of war\, disease\, abolition\, slavery and early New England burial customs with the legends and reported paranormal activity that have accumulated around the cemetery. \nThe 1-hour-and-45-minute walking tours take place at Whitehall Burial Ground\, tucked just off Hendel Drive in Mystic. Rather than moving through downtown and stopping outside supposedly haunted buildings\, this Seaside Shadows tour spends the evening inside the historic cemetery itself. \nAnd this is not a one-night event. \nThe tours continue on Wednesday\, Friday and Sunday evenings through November\, with additional Saturday tours during October. September and October tours begin at 7 p.m.\, making this one CT Beacon event listing that can carry readers through much of the fall rather than disappearing after a single weekend. \nWhitehall Goes Back to the 1660s\nPart of what gives this particular ghost tour its atmosphere is that Whitehall Burial Ground really is old. \nThe burial ground dates to the 1660s\, when southeastern Connecticut was still a collection of small colonial settlements surrounded by a landscape that would have been almost unrecognizable to someone driving through Mystic today. \nFor generations\, Whitehall served as one of the area’s common burial places. \nThat changed during the 19th century as Americans began embracing the rural cemetery movement\, which replaced older\, compact burial grounds with larger landscaped cemeteries designed partly as places for reflection and remembrance. \nMystic’s Elm Grove Cemetery was established in 1853 during that transition. \nBy 1854\, Whitehall’s role as one of the community’s principal burial places was coming to an end. \nThe graves left behind\, however\, preserve a remarkably long stretch of local history. \nThis Is a Ghost Tour Built Around Real People\nSeaside Shadows describes the experience as a blend of history and mystery\, and that distinction matters. \nThis isn’t a haunted attraction filled with actors waiting behind tombstones. \nThe stories begin with actual people buried at Whitehall and events that shaped southeastern Connecticut. \nGuests hear about men connected to King Philip’s War\, the brutal 17th-century conflict between English colonists and Native peoples that devastated communities throughout New England. \nThe tour moves forward into the American Revolution and stories of Patriot defenders who met violent ends. \nIt also explores the lives of abolitionists\, enslaved and formerly enslaved people\, women and families whose stories provide a different perspective on Mystic’s early history than the familiar tales of ship captains and maritime commerce. \nThen things get stranger. \nYes\, There Are Vampires\nOne of the more unusual subjects woven into the tour is New England’s very real history of vampire scares. \nThese weren’t vampires in the Dracula sense. \nDuring outbreaks of tuberculosis\, then commonly called consumption\, some New England communities came to believe that a deceased family member might somehow be draining the life from surviving relatives. \nIn several documented cases during the 18th and 19th centuries\, bodies were exhumed and examined for signs that the dead were continuing to prey upon the living. \nSometimes organs were removed or burned. \nThe practices reflected communities trying to explain a devastating disease before modern medicine understood how tuberculosis spread. \nAgainst the backdrop of a centuries-old cemetery after dark\, it also provides the kind of history that doesn’t require much embellishment to become unsettling. \nGravestones Tell Their Own Stories\nVisitors aren’t simply hearing stories while walking past anonymous stones. \nEarly New England gravestones developed their own visual language. \nSkulls\, winged death’s heads\, cherubs and other carvings could communicate ideas about death\, mortality and the afterlife. The style and symbolism changed as religious beliefs and attitudes toward death evolved. \nThe tour uses the cemetery itself to introduce some of those burial traditions and grave markings. \nThat gives the walk another layer. \nYou’re not touring a recreation of colonial New England. \nThe objects you’re examining are the surviving pieces of it. \nThen History Gives Way to the Paranormal\nThis is still a ghost tour. \nSeaside Shadows incorporates accounts of paranormal experiences associated with Whitehall\, including reports of unexplained footsteps\, voices and apparitions. \nThe company’s guides also discuss experiences reported during previous tours. \nThose stories are presented alongside local folklore\, including the traditional figure of a Lady in White\, a recurring type of apparition found in legends throughout New England and far beyond it. \nWhether visitors interpret those accounts as paranormal activity\, folklore or the power of suggestion in a dark cemetery is entirely up to them. \nThe setting certainly does its share of the work. \nThere aren’t many environments naturally better suited to a ghost story than a colonial burial ground after sunset. \nCaptain John Gallup Connects Whitehall to a Violent Period of Colonial History\nAmong the historic figures associated with the tour is Captain John Gallup\, whose family was deeply connected to the early colonial history of the region. \nGallup served during King Philip’s War and was killed in 1675 during the Great Swamp Fight in Rhode Island\, one of the conflict’s bloodiest engagements. \nHis story opens the door to a much larger and more complicated period in New England history involving colonial expansion\, Native resistance\, warfare and the destruction of communities. \nOther stops explore the Woodbridge family\, Revolutionary War history and people whose lives intersected with abolition and emancipation. \nThe tour also includes the stories of Quash and Hannah Williams\, using their lives to explore Black history\, enslavement\, freedom and Native American history in the region. \nThat’s where the experience becomes considerably more interesting than simply compiling local ghost stories. \nThe cemetery becomes a timeline. \nMystic’s Ghost Tours Started With a Local Historian\nThe company behind the tour\, Seaside Shadows Haunted History Tours\, was founded in 2013 by Connecticut author and historian Courtney McInvale Reardon. \nMcInvale wrote Haunted Mystic\, published the following year\, and built Seaside Shadows around the idea of combining historical research with local legends and paranormal accounts. \nThe company now operates several experiences\, including its Downtown Mystic Ghost Tour and haunted pub crawls\, but the graveyard tour is fundamentally different from walking through the village. \nDowntown Mystic still has traffic\, restaurants\, shops\, bars and people moving around. \nWhitehall after dark is another environment entirely. \nOctober Adds More Chances to Go\nThe schedule becomes more aggressive as Halloween approaches. \nDuring September and October\, the regular graveyard tours begin at 7 p.m. \nIn October\, Seaside Shadows adds Saturday performances at 7 p.m. and 9:15 p.m.\, giving visitors another opportunity to experience the cemetery during the height of spooky season. \nThe price also changes. \nRegular-season admission is $30 per person. October admission increases to $35. \nBecause this is a recurring event\, readers should select their preferred date and confirm the available time when purchasing tickets rather than assuming every night follows exactly the same schedule. \nThis Is a Walking Tour in a Real Cemetery\nThat last point is important. \nWhitehall is not a paved theme-park attraction. \nParticipants will be walking through an old burial ground after dark\, where the terrain can include uneven ground and other natural obstacles. \nSeaside Shadows recommends the experience for guests 11 and older and asks visitors to dress appropriately for the weather. \nIts participation waiver specifically identifies potential hazards including uneven or slippery surfaces\, cemetery terrain\, low lighting and inclement weather. \nGood walking shoes make considerably more sense here than dressing for Halloween. \nTours operate outdoors\, and Seaside Shadows generally runs its experiences rain or shine. Tickets are final except when the company cancels a tour. \nNearly Two Hours Between the Headstones\nThe current Seaside Shadows description puts the Moonlit Mystic Graveyard Ghost Tour at approximately 1 hour and 45 minutes. \nThat’s enough time to move beyond a handful of ghost stories. \nThe tour can reach into colonial warfare\, the Revolution\, disease\, abolition\, slavery\, emancipation\, local folklore\, cemetery symbolism and burial practices while still leaving room for the paranormal accounts that put “ghost” in the name. \nThere is even a final spooky surprise that Seaside Shadows deliberately doesn’t explain in advance. \nProbably best to leave that one buried. \nDetails\nEvent: Moonlit Mystic Graveyard Ghost Tours\nSeason: Through November 29\, 2026\nSeptember Schedule: Wednesdays\, Fridays and Sundays\nSeptember Start Time: 7 p.m.\nOctober Schedule: Regular Wednesday\, Friday and Sunday tours\, plus additional Saturday tours\nOctober Saturday Times: 7 p.m. and 9:15 p.m.\nLocation: Whitehall Burial Ground\nMeeting Point: Gates of Whitehall Burial Ground\nStreet: Hendel Drive\, Mystic\, CT 06355\nTour Length: Approximately 1 hour and 45 minutes\nAdmission: $30 during the regular season; $35 in October\nRecommended Age: 11+\nFormat: Guided outdoor walking tour through a historic colonial burial ground\nTerrain: Cemetery terrain with uneven surfaces and low-light conditions\nWeather: Dress appropriately for outdoor conditions; tours generally operate rain or shine\nWhat to Wear: Comfortable walking shoes and clothing appropriate for the weather\nTickets: Advance ticket purchase is recommended; select the specific tour date and time when booking\nOrganizer: Seaside Shadows Haunted History Tours\nPhone: 860-754-8923\nEmail: info@seasideshadows.com \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n  \n 
URL:https://thectbeacon.com/event/moonlit-mystic-graveyard-ghost-tours-takes-visitors-into-one-of-mystics-oldest-burial-grounds-after-dark/2026-09-18/
LOCATION:Gates of Whitehall Burial Ground\, Hendel Drive\, Mystic\, 06355\, United States
CATEGORIES:Gates of Whitehall Burial Ground
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Moonlit-Mystic-Graveyard-Ghost-Tours-Takes-Visitors-Into-One-of-Mystics-Oldest-Burial-Grounds-After-Dark.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T183000
DTEND;TZID=America/New_York:20260918T230000
DTSTAMP:20260914T230657Z
CREATED:20260914T230657Z
LAST-MODIFIED:20260914T230657Z
UID:10007602-1789756200-1789772400@thectbeacon.com
SUMMARY:Party on the Sun Patio Closes the Season With Beatlemania Again at Mohegan Sun
DESCRIPTION:Party on the Sun Patio – Beatlemania Again brings the music of The Beatles to Mohegan Sun on Friday\, September 18\, as the nationally touring tribute show traces the Fab Four from their first American explosion through Sgt. Pepper and the final years at Abbey Road. \nIt’s also the final Party on the Sun Patio of 2026. \nAfter 14 Friday nights of free outdoor music stretching back to June\, Mohegan Sun is closing the series with one of the most ambitious tribute productions on this summer’s schedule. \nDoors open at 6:30 p.m.\, Beatlemania Again takes the stage at 8 p.m.\, and the party continues until 11 p.m. \nAdmission is free. \nYou just have to be 21 or older. \nThis Is More Than a Band Playing Beatles Songs\nBeatlemania Again approaches its shows as a recreation of the Beatles story. \nThe production has been touring the United States and Canada for roughly 20 years\, combining live performances of more than 30 Beatles songs with period instruments\, costumes and three distinct stages representing the band’s rapidly changing career. \nThat means the four musicians don’t walk onto the stage looking like the 1964 Beatles and remain that way all night. \nThe show moves chronologically. \nIt begins with Beatlemania. \nThen everything changes. \nAct One Takes the Audience Back to February 1964\nThe first portion recreates the Beatles of the Ed Sullivan era. \nJohn Lennon\, Paul McCartney\, George Harrison and Ringo Starr arrived in New York on February 7\, 1964\, to find thousands of screaming fans waiting for them. \nTwo days later\, they appeared on The Ed Sullivan Show. \nAn estimated 73 million Americans watched. \nIt remains one of those rare television moments that genuinely divided American popular culture into before and after. \nBeatlemania Again begins there. \nThe musicians appear in the tailored dark suits associated with the band’s early American performances\, playing the music that transformed four young men from Liverpool into an international phenomenon. \nIt’s the world of I Want to Hold Your Hand\, She Loves You\, All My Loving\, A Hard Day’s Night and the other songs that made Beatlemania a word nobody needed explained. \nThey Use the Right Instruments\, Too\nFor a tribute show this committed to recreating a particular era\, a generic electric guitar wouldn’t quite do. \nBeatlemania Again uses instruments and equipment associated with the Beatles themselves. \nThat includes Höfner basses\, Rickenbacker and Gretsch guitars\, Vox amplifiers and a Black Oyster Pearl Ludwig drum kit. \nThose aren’t insignificant details. \nPaul McCartney’s violin-shaped Höfner bass became almost inseparable from his visual identity. John Lennon and George Harrison helped make Rickenbacker guitars part of the British Invasion look and sound. Vox amplifiers lined Beatles stages during the touring years\, while Ringo Starr’s Ludwig kit\, with its famous drop-T Beatles logo\, became one of rock music’s instantly recognizable drum sets. \nThe point isn’t simply to resemble four Beatles. \nIt’s to reconstruct the visual and musical vocabulary of the band. \nThen the Suits Disappear\nTrying to recreate the Beatles presents an unusual problem. \nWhich Beatles? \nThe clean-cut young men who conquered America in 1964 barely resemble the elaborately dressed musicians photographed only a few years later. \nBeatlemania Again embraces the transformation. \nIts second act moves into the psychedelic period surrounding 1967’s Sgt. Pepper’s Lonely Hearts Club Band. \nOut come the military-inspired colors and psychedelic costumes. \nAnd the music changes with them. \nBy this point\, the Beatles had stopped touring and were using the recording studio itself as an instrument. The straightforward rock-and-roll arrangements of their early career gave way to increasingly ambitious production\, unusual instrumentation and experimentation. \nBeatlemania Again recreates that period onstage\, giving audiences a version of music the Beatles themselves largely never performed for a concert audience. \nThe Final Act Heads for Abbey Road\nThe third section moves into the band’s late period\, covering music from roughly 1968 through 1970. \nBy then\, the four musicians had changed dramatically\, both individually and collectively. \nGeorge Harrison was emerging as a major songwriter. \nJohn Lennon was moving further into experimental and deeply personal music. \nPaul McCartney continued pushing the band toward increasingly ambitious arrangements. \nRingo Starr was developing his own distinctive songwriting voice while remaining one of rock’s most recognizable drummers. \nAlbums including The Beatles\, better known as the White Album\, Abbey Road and Let It Be came out of this period. \nBeatlemania Again carries the story through that final chapter\, including the era of the Beatles’ famous rooftop performance at Apple Corps in London in January 1969. \nThere is a lot of Beatles history to fit into one night. \nThat’s why the show’s chronological approach works. \nInstead of presenting a random playlist of hits\, it lets the audience hear just how much changed in a remarkably short period. \nMeet Beatlemania Again’s Four Beatles\nThe current Beatlemania Again cast brings substantial experience to the production. \nMarty McGowan portrays John Lennon. \nThe New York performer has spent more than 20 years professionally portraying Lennon and has appeared at venues including the Rainbow Room at NBC\, the Friars Club and the Plaza Hotel. \nBob Fitch portrays Paul McCartney. \nFitch’s relationship with McCartney’s music goes back decades. Inspired by McCartney’s Red Rose Speedway\, he taught himself guitar and bass and began professionally performing as McCartney in 1979\, after returning from service in the U.S. Army. \nThat gives him nearly half a century of experience with the role. \nSteve Thompson portrays George Harrison. \nA professional guitarist\, vocalist and music educator\, Thompson studied classical guitar at The College of New Jersey and brings a background spanning rock and blues to Harrison’s parts. \nAnd behind the Black Oyster Pearl Ludwig kit is Rich Morello as Ringo Starr. \nMorello is also Beatlemania Again’s manager and has performed nationally and internationally for more than 25 years. His career has included sharing stages with performers including Billy J. Kramer\, The Lovin’ Spoonful\, Chubby Checker\, Blood\, Sweat & Tears\, The Turtles and Max Weinberg. \nTogether\, they aren’t simply covering a catalog. \nThey’re playing four specific roles. \nBeatlemania Again Has Been Doing This for Two Decades\nThe production says it has performed at thousands of venues during its roughly 20-year run. \nThose performances have taken it throughout the United States and into Canada\, from theaters and casinos to outdoor concert venues. \nThe show has also shared bills or stages with artists connected to the same broad era\, including The Lovin’ Spoonful\, Chubby Checker\, The Turtles and Max Weinberg. \nAnd Mohegan Sun isn’t new territory. \nBeatlemania Again’s own 2026 tour schedule describes the September 18 appearance as a return to Mohegan Sun. \nThis time they’re getting an important spot on the calendar. \nThey’re closing summer. \nFourteen Fridays Led to This One\nMohegan Sun launched the 2026 Party on the Sun Patio season on June 19. \nThe concept is simple: free outdoor music every Friday night during Hot Summer Fun. \nBut the lineup has covered a remarkable amount of musical ground. \nThe season opened with 70’s Rock Parade and continued with tributes to Elton John\, Bruce Springsteen\, Queen\, Kenny Chesney\, Fleetwood Mac\, Journey and the Zac Brown Band\, along with nights devoted to Motown\, yacht rock\, the ’80s and ’90s. \nBeatlemania Again is show number 14. \nAnd September 18 is the scheduled final Friday of the series. \nThat gives the evening a little extra end-of-summer feeling. \nThe calendar may say autumn doesn’t begin for a few more days. \nMohegan Sun’s summer concert season ends when the last Beatles song does. \nThe Sun Patio Got an Upgrade for 2026\nThe Sun Patio isn’t simply an empty outdoor space where Mohegan Sun happens to put a stage. \nThe resort upgraded the venue for 2026 with a new sound system and larger stage\, along with grassy turf\, Adirondack seating areas\, fire pits and the adjacent Sun Patio Bar. \nIt’s located off the Casino of the Earth\, between the Riverview and Indian Summer garages. \nFor Party on the Sun Patio nights\, guests can move between the concert\, bar\, food trucks and seating areas. \nThe dance floor is there for people who have no intention of sitting once the band begins. \nFood Trucks Are Part of the Final Friday\nMohegan Sun has confirmed three food trucks for the Beatlemania Again night: \nYummy Wagon \nFried Dough Nation \nReel Catch \nReel Catch is Mohegan Sun’s own seafood truck and one of the newer additions to the patio. \nIts menu focuses on New England seafood favorites\, including Maine lobster rolls\, lobster pops\, lobster grilled cheese\, lobster bisque\, New England clam chowder and beer-battered fish and chips. \nFood truck availability and menus remain subject to change. \nDrink specials will also be available through the Sun Patio Bar. \nGuests cannot bring outside food\, beverages or coolers into the event. \nYou Can Bring a Chair or Rent One\nGeneral admission is free and seating is first come\, first served. \nGuests are permitted to bring their own chairs. \nFor anyone who doesn’t want to carry one through the resort\, Mohegan Sun rents plastic Adirondack chairs for $10 at the Tiki Hut. \nThere is one restriction. \nRental chairs can’t be brought onto the dance floor or into the fire-pit areas. \nConsidering the evening’s soundtrack\, the dance-floor rule may become relevant. \nOr Reserve a Fire Pit\nThe premium option is a reserved fire pit. \nGeneral Fire Pits cost $30 per person and include one alcoholic beverage per person plus cocktail service. \nThey require a minimum of six and maximum of eight guests. \nVIP Fire Pits cost $45 per person and add prime views of the stage. Those also accommodate six to eight people\, and Mohegan Sun limits the inventory to 10 VIP pits. \nFire-pit reservations must be checked in by 8 p.m. to guarantee the reservation. \nThat happens to be exactly when Beatlemania Again starts. \nSo this isn’t the night to arrive fashionably late. \nWhat Happens if It Rains?\nThere is no rain date for Party on the Sun Patio. \nIf weather forces the outdoor event to be canceled\, Mohegan Sun says cancellation announcements will be made by 2 p.m. on the day of the show. \nBut the music doesn’t necessarily disappear. \nIn the event of an inclement-weather cancellation\, Beatlemania Again is scheduled to perform in the Wolf Den instead. \nThat’s an important distinction for anyone checking the forecast Friday afternoon. \nA patio cancellation doesn’t automatically mean a Beatles cancellation. \nThis One Is Strictly 21+\nUnlike some of Mohegan Sun’s ticketed Sun Patio concerts\, Party on the Sun Patio is restricted to guests 21 and older. \nA valid ID is required. \nThere isn’t a separate under-21 admission area for the September 18 show. \nAdmission itself is free\, and no concert ticket is required for general entry. \nThat makes Beatlemania Again one of those increasingly rare propositions: a full touring tribute production with a $0 admission price. \nFood\, beverages\, chair rentals and reserved fire pits are extra. \nThe Best Parking Is Close to the Patio\nMohegan Sun recommends the Indian Summer Garage and Riverview Parking Garage for Sun Patio events. \nThat’s worth remembering at a resort with more than 13\,000 parking spaces. \nParking in the wrong garage won’t prevent you from getting there. \nIt may simply add a surprisingly ambitious walk before you’ve even started dancing. \nThe Sun Patio sits off the Casino of the Earth between those two recommended garages. \nOne Last Friday Night Under the Stars\nThere may be no rock band better suited to demonstrate how much can happen in a short amount of time than the Beatles. \nTheir first appearance on The Ed Sullivan Show came in February 1964. \nTheir final public performance together came less than five years later. \nIn between\, they went from matching suits and I Want to Hold Your Hand to Revolver\, Sgt. Pepper\, the White Album and Abbey Road. \nBeatlemania Again tries to compress that transformation into a single stage show. \nOn September 18\, they’ll do it outside beneath the night sky in Uncasville. \nAnd when they finish\, so does another summer of Party on the Sun Patio. \nDetails\nEvent: Party on the Sun Patio – Beatlemania Again\nDate: Friday\, September 18\, 2026\nLocation: Sun Patio at Mohegan Sun\nAddress: 1 Mohegan Sun Boulevard\, Uncasville\, CT 06382\nDoors: 6:30 p.m.\nBand: 8 p.m.\nEvent Hours: 6:30–11 p.m.\nAdmission: Free\nAge: 21+ with valid ID\nPerformer: Beatlemania Again – The Beatles Tribute\nShow: More than 30 Beatles songs presented in a chronological stage production spanning the Ed Sullivan\, Sgt. Pepper and late Beatles eras\n2026 Significance: Final Party on the Sun Patio of the season\nFeatured Food Trucks: Yummy Wagon\, Fried Dough Nation and Reel Catch\nSeating: First come\, first served; guests may bring their own chairs\nChair Rental: $10 plastic Adirondack chairs available at the Tiki Hut\nGeneral Fire Pit: $30 per person; 6–8 guests; includes one alcoholic beverage per person and cocktail service\nVIP Fire Pit: $45 per person; 6–8 guests; includes one alcoholic beverage per person\, cocktail service and prime stage views\nOutside Food/Drink: Not permitted\nCoolers: Not permitted\nRecommended Parking: Indian Summer Garage or Riverview Parking Garage\nWeather: No rain date. If inclement weather forces cancellation of the patio event\, an announcement will be made by 2 p.m.; the band is scheduled to perform in the Wolf Den instead.\nFire Pit Check-In: By 8 p.m. for guaranteed entry\nFire Pit Cancellation: At least 24 hours in advance for a refund \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/party-on-the-sun-patio-closes-the-season-with-beatlemania-again-at-mohegan-sun/
LOCATION:Sun Patio at the Mohegan Sun\, 1 Mohegan Sun Blvd\, Uncasville\, 06382\, United States
CATEGORIES:Mohegan Sun
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T183000
DTEND;TZID=America/New_York:20260918T230000
DTSTAMP:20260608T002910Z
CREATED:20260606T015151Z
LAST-MODIFIED:20260608T002910Z
UID:10005287-1789756200-1789772400@thectbeacon.com
SUMMARY:Party on the Mohegan Sun Patio
DESCRIPTION:Party on the Mohegan Sun Patio is back for another season of complimentary live music featuring tribute bands\, outdoor entertainment\, food and beverages\, and all the excitement of summer every Friday night from June 19 through September 18. Doors will open at 6:30 p.m. for 8 p.m. showtimes. It’s the perfect opportunity to relax on warm evenings under the stars and listen to music from many of your favorite rock\, pop\, country and classic hits artists. \nEach week throughout the summer\, there will be a different tribute band taking the stage performing hits from artists such as Elton John\, Fleetwood Mac\, Journey\, Billy Joel\, Billy Idol\, Earth Wind & Fire\, Kenny Loggins\, Michael Jackson\, Neil Diamond\, Pat Benatar\, The Eagles\, Motown\, Van Halen and many others. Visitors can grab a drink\, pick up food from one of the many on-site food vendors\, and enjoy relaxed outdoor fun with live entertainment. \nFire pit reservations are available to purchase for preferred seating and cocktail service.\nWhether you are a music fan\, a couple looking to spend some quality time together on a Friday night\, or a group of friends wanting to start your weekend off right\, Party on the Mohegan Sun Patio has something for you. With a wide variety of free shows representing multiple decades and genres of music\, you will find something new and exciting every week this summer. \n2026 Band Schedule\nJune 19\n70’s Rock Parade – 70s Tribute \nJune 26\nCaptain Fantastic – Elton John Tribute \nJuly 3\nMike DelGuidice \nJuly 10\nLadies of the 80s Night Out – 80s Tribute \nJuly 17\nB Street Band – Bruce Springsteen Tribute \nJuly 24\nQueen Flash – Queen Tribute \nJuly 31\nThurston Howell Band – Yacht Rock Tribute \nAugust 7\nRedneck Castaway Band – Kenny Chesney Tribute \nAugust 14\nBe Kind & Rewind – 90s Tribute \nAugust 21\nFleetwood Macked: The Ultimate Tribute to Fleetwood Mac \nAugust 28\nSoul Sound Revue – Motown Tribute \nSeptember 4\nThe Journey Tribute Show \nSeptember 11\nZac N’ Fried – Zac Brown Band Tribute \nSeptember 18\nBeatlemania Again – The Beatles Tribute \n  \nAdditional Details\n\nEvery Friday from June 19 through September 18\, 2026\nDoors open at 6:30 p.m.\nBands begin at 8 p.m.\nLocation: Sun Patio at Mohegan Sun\nAdmission is free\nFood and drink options available on-site\nFire pit reservations are available\nVIP Fire Pits include one alcoholic beverage per guest\, cocktail service\, and stage views\nGeneral Fire Pits include one alcoholic beverage per guest and cocktail service\nGuests must be 21 or older and have valid ID\nOutside food and beverages are not permitted\nIn the event of inclement weather\, cancellations will be announced by 2 p.m. and performances will move to the Wolf Den when applicable\nDates\, performers\, and times are subject to change without notice
URL:https://thectbeacon.com/event/party-on-the-mohegan-sun-patio/2026-09-18/
LOCATION:Sun Patio at the Mohegan Sun\, 1 Mohegan Sun Blvd\, Uncasville\, 06382\, United States
CATEGORIES:Mohegan Sun
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T180000
DTEND;TZID=America/New_York:20260918T210000
DTSTAMP:20260917T171153Z
CREATED:20260917T171153Z
LAST-MODIFIED:20260917T171153Z
UID:10008449-1789754400-1789765200@thectbeacon.com
SUMMARY:A Taste of the Mediterranean Comes to Kitch Mystic for a Hands-On Cooking Class
DESCRIPTION:A Taste of the Mediterranean Comes to Kitch Mystic for a Hands-On Cooking Class on Friday evening\, with Chef Amanda leading a small group through roasted cauliflower with whipped feta\, rosemary chicken\, farro\, seasonal vegetables\, and an orange olive oil cake before everyone sits down together for dinner. \nThe three-hour Seasonal Mediterranean class takes place Sept. 18 from 6 to 9 p.m. inside Kitch at Olde Mistick Village. Rather than watching someone else cook from across the room\, participants will divide into small groups and take responsibility for different parts of the night’s five-course menu. \nChef Amanda moves between the groups\, offering individual instruction and occasionally bringing everyone together when a technique or step is worth demonstrating to the entire class. \nBy the end of the night\, the cutting boards and pans give way to plates and wine glasses as everyone gathers around Kitch’s Farm Table to eat the meal they’ve just prepared. \nIn that sense\, the class may accidentally capture one of the oldest ideas behind Mediterranean cooking: making dinner is only half the point. \nA Menu Built Around the Mediterranean Table\nThere isn’t really one “Mediterranean cuisine.” \nThe Mediterranean touches Southern Europe\, North Africa and the Middle East\, encompassing dozens of regional and national cooking traditions. But ingredients including olive oil\, grains\, vegetables\, fruits\, herbs and nuts appear again and again\, alongside more moderate amounts of fish\, dairy and meat. \nThe Mediterranean diet is culturally significant enough that UNESCO has placed it on its Representative List of the Intangible Cultural Heritage of Humanity. The designation isn’t for a particular recipe or prescribed diet plan. Instead\, UNESCO describes a collection of knowledge and traditions involving growing\, harvesting\, fishing\, preserving\, preparing and\, crucially\, sharing food. \nEating together is central to it. \nThat makes Kitch’s format particularly appropriate. The evening begins with people cooking in groups and ends with those same people sharing what they’ve made around one table. \nFriday’s menu starts with roasted cauliflower topped with whipped feta\, pomegranate\, toasted almonds and fresh parsley. It’s a dish that hits several familiar Mediterranean notes at once: vegetables at the center of the plate\, salty cheese\, fruit\, nuts and herbs rather than a heavy sauce doing all the work. \nThe main course moves toward rustic comfort food with a whole chicken roasted with garlic and rosemary. A lemon-herb pan jus brings acidity back to the plate\, while toasted farro pilaf and roasted root vegetables with toasted pine nuts fill out the meal. \nFarro itself has ancient roots around the Mediterranean. The term is commonly used for hulled wheat varieties that have been eaten for centuries\, particularly in Italy\, where the grain still turns up in soups\, salads and side dishes. Its chewy texture and nutty flavor make it a natural partner for roasted vegetables and herbs. \nDessert keeps olive oil on the table. \nInstead of relying solely on butter\, the class will prepare an orange olive oil cake finished with honey mascarpone and candied citrus. Olive oil cakes are particularly associated with Mediterranean baking traditions\, where the region’s defining cooking fat can move just as easily into sweets as it does into a skillet. \nIt’s a menu that doesn’t attempt to recreate the cuisine of one particular Mediterranean country. Instead\, it borrows the ingredients and habits that connect many of them. \nMore Than a Diet\nThe phrase “Mediterranean diet” can sound like something invented for the health section of a magazine\, but its roots are considerably older than the modern nutrition movement. \nThe Mediterranean basin created a food culture shaped partly by geography. Olives thrive in its climate. Wheat and other grains became staples. Vineyards spread across the region. Coastal communities relied heavily on fishing\, while vegetables\, legumes\, fruits\, nuts and herbs became fixtures of everyday cooking. \nUNESCO goes further than describing what’s on the plate. Its recognition of the Mediterranean diet encompasses the knowledge passed between generations\, food production and preservation\, cooking techniques\, seasonal rhythms and the act of gathering for meals. \nIn fact\, the word “diet” undersells the idea. Its root comes from the Greek diaita\, referring more broadly to a way of life. \nThat’s why the communal part matters. In Mediterranean traditions\, the table isn’t simply where calories are consumed after the cooking is finished. It’s where families and communities gather\, stories get told and recipes survive because somebody eventually asks\, “How did you make this?” \nKitch’s Friday night class compresses a little of that cycle into three hours: learn it\, make it\, sit down and share it. \nThen take the recipes home. \nKitch Was Built Around Teaching People to Cook\nCooking classes aren’t an add-on to Kitch’s retail business. Teaching has been woven into the store from the beginning. \nOwners Daniel and Lynne Price describe Kitch as the culmination of roughly two decades of their lives. The husband-and-wife team built the Olde Mistick Village shop around their shared interest in food\, but each brought a different strength to it. \nDaniel’s side is cooking and education. He teaches classes and has made informal instruction part of the store experience\, whether that means explaining cookware or stopping for an impromptu demonstration on how to hold a chef’s knife or use a honing steel. \nLynne handles much of the merchandising and product curation\, helping shape a store that deliberately leans away from the ordinary kitchen aisle. The couple travels to trade shows and farmers markets looking for unusual products\, with an emphasis on locally produced and American-made cookware\, cutlery\, specialty foods and small-batch products. \nEven Kitch’s hot sauce selection gets interactive: the store maintains a tasting bar stocked with more than 40 local and small-batch sauces for customers willing to test their heat tolerance. \nThe result is part kitchen store\, part classroom and part gathering place. \nKitch’s calendar reflects that mix. Cooking and baking classes run alongside cocktail and mixology events\, with themes changing constantly. One night might revolve around Mediterranean cooking; another around Italian food\, steakhouse dishes\, soups or seasonal New England ingredients. \nAnd because Friday’s class is capped at just 10 participants\, it remains small enough for Chef Amanda to move from station to station rather than trying to teach a roomful of spectators. \nEverybody Has a Job\nThe structure of the class is worth knowing before arriving. \nParticipants aren’t expected to prepare the entire five-course dinner individually. Instead\, Chef Amanda divides the class into groups\, and each group works on part of the menu. \nThat makes a complicated dinner manageable while allowing participants to spend real time on particular techniques. \nWhen something comes up that everyone should see\, the class stops and comes together for a larger demonstration. Otherwise\, Chef Amanda works directly with the smaller groups as they chop\, roast\, season and assemble their dishes. \nExperience isn’t a prerequisite. Kitch’s classes are designed to accommodate different skill levels\, so nobody needs restaurant-kitchen credentials to take part. \nOnce the last dish is ready\, the cooking portion ends and dinner begins. \nParticipants gather at the Farm Table for the meal\, accompanied by a complimentary wine tasting. Guests are also welcome to bring their own beverages. \nAnd perhaps the most useful souvenir isn’t something from the shelves surrounding them. Everyone receives the evening’s recipes to take home. \nSo if that orange olive oil cake turns out to be the thing you’re still thinking about the next morning\, you can make another one. \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: Seasonal Mediterranean Cooking Class\nDate: Friday\, Sept. 18\, 2026\nTime: 6–9 p.m.\nLocation: Kitch Mystic at Olde Mistick Village\nAddress: 27 Coogan Blvd.\, Building 19A\, Mystic\, CT 06355\nInstructor: Chef Amanda\nAdmission: $115 per person\, plus tax\nAge: 21 and older\nClass Size: Minimum of eight and maximum of 10 participants\nFormat: Hands-on group cooking followed by dinner around Kitch’s Farm Table\nWine: Complimentary wine tasting included; guests may also BYOB\nRecipes: Participants receive recipes from the class to take home\nMenu: Roasted cauliflower with whipped feta\, pomegranate\, toasted almonds and parsley; garlic and rosemary roasted whole chicken with lemon-herb pan jus; toasted farro pilaf; roasted root vegetables with toasted pine nuts; orange olive oil cake with honey mascarpone and candied citrus\nReservations: Advance payment is required\nCancellation Policy: Cancellations must be made at least 24 hours in advance to receive a refund or credit. No-shows and no-calls forfeit the class fee. If Kitch cancels because minimum enrollment isn’t reached\, participants may receive a refund or transfer their reservation to another class.\nPhone: 860-980-3384 \n\n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/a-taste-of-the-mediterranean-comes-to-kitch-mystic-for-a-hands-on-cooking-class/
LOCATION:KITCH Mystic\, 27 Coogan Blvd Building 19A\, Mystic\, CT\, 06355\, United States
CATEGORIES:KITCH Mystic
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/A-Taste-of-the-Mediterranean-Comes-to-Kitch-Mystic-for-a-Hands-On-Cooking-Class.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T180000
DTEND;TZID=America/New_York:20260918T210000
DTSTAMP:20260915T025406Z
CREATED:20260911T222131Z
LAST-MODIFIED:20260915T025406Z
UID:10007546-1789754400-1789765200@thectbeacon.com
SUMMARY:54th Brewfest at Ocean Beach Park
DESCRIPTION:54th Brewfest at the Beach returns to the Ocean Beach Park boardwalk Friday\, September 18\, with three hours of beer and beverage sampling\, food and live music from southeastern Connecticut favorite Wicked Peach\, all while raising money for the New London Rotary Foundation. \nThe 21-and-over fundraiser runs from 6 to 9 p.m. overlooking Long Island Sound\, with advance admission priced at $30 plus fees. Each ticket includes 15 sampling tickets\, beer-friendly food and entertainment. \nAnd the entertainment this year is a band that should need very little introduction around New London. \nWicked Peach Takes the Beach\nWicked Peach has been playing rock\, pop-rock and radio favorites around southeastern Connecticut and Rhode Island since 1996. \nThree decades is an unusually long run for a regional cover band\, particularly one that continues to maintain a busy performance calendar. \nThe current lineup features Ernie Lewis on lead vocals and guitar\, Dan Watson on lead guitar and vocals\, Corey Carter on guitar\, Stan Smith on bass and Jonathan Souza on drums. \nRather than concentrating on a single decade or artist\, Wicked Peach builds its shows around recognizable rock and pop-rock songs\, the kind of material designed to keep a crowd moving rather than standing around quietly analyzing a beer sample. \nThat makes the band a particularly natural fit for Brewfest. \nThis isn’t intended to be a hushed tasting event. \nIt’s a Friday night party on the Ocean Beach boardwalk. \nFifteen Samples Come With Admission\nThe Brewfest format gives guests a chance to work their way through different beers and other beverages rather than committing to a full serving of each. \nAdmission includes 15 sampling tickets. \nOrganizers describe the selection as encompassing hundreds of beers and other beverages\, although the complete 2026 participating brewery list had not yet been published when this event was researched. \nThat’s worth keeping in mind. \nThe tasting lineup is still developing\, so anyone primarily interested in a particular brewery or beer should check the event page as September 18 approaches rather than assuming a previous year’s participant will return. \nThere will also be beer-friendly food included with admission. \nOne of New London’s Longest-Running Fundraisers\nThe number on this year’s poster is remarkable. \nFifty-four. \nBrewfest at the Beach isn’t a recent craft-beer festival created during the brewery boom of the last couple of decades. It is a longstanding New London Rotary fundraising tradition that predates the modern American craft-beer movement. \nThe New London Rotary Foundation uses proceeds from events like Brewfest to support charitable and community work locally\, regionally and beyond. \nAmong the programs and organizations supported by New London Rotary are the New London Community Meal Center\, Little Free Libraries\, youth programs and Student of the Year recognition for New London schools. \nThe club’s broader community work has included Camp Rotary\, senior programs\, Thanksgiving food assistance\, playground projects and grants to area nonprofits. \nInternationally\, New London Rotary has also supported humanitarian and educational projects involving clean water\, sanitation\, health care\, schools and disaster relief. \nSo those 15 tasting tickets are doing a little more than determining what you want in your next pint. \nRotary Has Left Its Mark Around New London\nThe Rotary Club of New London’s relationship with the city extends beyond fundraising. \nThe organization has participated in projects including the Rotary Centennial Playground at Toby May Park\, the Centennial Pavilion at Ocean Beach Park\, restoration work involving the city’s trolley station visitor center and the nautical-flag welcome sign in New London. \nThat makes Ocean Beach a fitting location for one of the organization’s signature fundraisers. \nThe event raises money for community projects in a place where Rotary has already invested in the community. \nOcean Beach After Summer\nThere’s also something appealing about getting another night out of Ocean Beach after the traditional beach season has ended. \nThe park’s summer rhythm changes dramatically after Labor Day. \nThe crowds thin. \nMost families are back into school schedules. \nThe September sun starts setting noticeably earlier. \nBut the boardwalk is still there\, and Long Island Sound hasn’t gone anywhere. \nBrewfest takes advantage of that shoulder season by turning the boardwalk into an outdoor tasting venue. \nRather than fluorescent lights and a convention-hall floor\, the backdrop is the beach and Sound. \nOrganizers specifically describe the event as taking place under the stars on the Ocean Beach boardwalk. \nProvided\, of course\, that the weather cooperates. \nRain Doesn’t Cancel Brewfest\nThis one is rain or shine. \nIf rain threatens the outdoor event\, Brewfest moves into the Ocean Beach Pavilion at the west end of the boardwalk. \nThat’s an important distinction from outdoor festivals where questionable weather can mean spending Friday repeatedly checking social media for a cancellation announcement. \nThe New London Rotary Foundation already has the backup plan. \nBoardwalk if the weather behaves. \nPavilion if it doesn’t. \nThe Ticket Price Includes More Than the Tastings\nAdvance tickets are listed at $30 before online service fees. \nThe current ticketing system brings the online advance purchase total to $33.76 including fees. \nDay-of-event admission is $35 before fees\, with the ticketing site currently showing a $39.07 total when purchased online. \nBoth include the same basic package: 15 sampling tickets\, food and entertainment. \nTickets are limited\, including the number available at the door. \nFor anyone already planning to attend\, buying in advance saves a few dollars and eliminates the gamble over whether walk-up tickets remain. \nThis Is Strictly 21+\nUnlike most Ocean Beach events\, Brewfest isn’t a family night. \nEveryone entering must be at least 21 years old\, and organizers require a valid state-issued ID at the gate. \nThe rule applies to entry itself\, not simply to alcohol sampling. \nThat’s important for anyone thinking a non-drinking spouse\, designated driver or younger adult could simply accompany the group without participating in the tastings. \nThe published event policy says attendees must be 21 to enter. \nAnd with 15 tasting tickets available\, planning the ride home before the first sample is a considerably better strategy than working it out after the fifteenth. \nWicked Peach Turns the Tasting Into a Party\nThe live music is what should push this year’s Brewfest beyond a simple walk from tasting table to tasting table. \nWicked Peach is built for this kind of crowd. \nThe New London-based band has spent decades playing casinos\, beach bars\, festivals\, clubs and community events throughout the region. Its repertoire favors familiar songs and high-energy rock rather than obscure material that requires an attentive listening room. \nThe band describes itself simply as New England’s ultimate rock cover band\, playing rock\, pop-rock and rock hits. \nFor Brewfest\, that’s probably the right formula. \nSample something you’ve never tried. \nFind some food. \nHead toward the music. \nGo back for another sample. \nRepeat as necessary. \nA Friday Night Fundraiser That Doesn’t Feel Like One\nPlenty of charitable fundraisers ask supporters to dress up\, sit through dinner and listen to speeches. \nBrewfest at the Beach has survived for more than half a century using a different approach. \nPut people on the Ocean Beach boardwalk. \nGive them a wide selection of things to taste. \nFeed them. \nBring in a local rock band. \nThen direct the money raised back into community service. \nThe charitable purpose is serious. \nThe evening doesn’t have to be. \nDetails\nEvent: 54th Brewfest at the Beach\nDate: Friday\, September 18\, 2026\nTime: 6–9 p.m.\nVenue: Ocean Beach Park\nAddress: 98 Neptune Avenue\, New London\, CT 06320\nLocation in Park: Ocean Beach boardwalk\nPresented By: New London Rotary Foundation\nAge: 21+ only\nID: Valid state-issued identification required for entry\nAdvance Admission: $30 plus ticketing fees; currently $33.76 online\nDay-of Admission: $35 plus applicable fees; currently $39.07 through the online ticketing system\nIncluded: 15 beverage sampling tickets\, beer-friendly food and live entertainment\nLive Music: Wicked Peach\nWicked Peach Lineup: Ernie Lewis\, lead vocals/guitar; Dan Watson\, lead guitar/vocals; Corey Carter\, guitar; Stan Smith\, bass; Jonathan Souza\, drums\nWeather: Rain or shine\nRain Location: Ocean Beach Pavilion at the west end of the boardwalk\nTickets: Limited advance and day-of tickets are available\nRefunds: Ticket sales are final unless the event is canceled\nBeneficiary: New London Rotary Foundation and its charitable programs\nOcean Beach Phone: 860-447-3031 \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/54th-brewfest-at-the-beach/
LOCATION:Ocean Beach Park\, 98 Neptune Avenue\, New London\, CT\, 06320\, United States
CATEGORIES:Ocean Beach Park
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/54th-Brewfest-at-the-Beach.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T180000
DTEND;TZID=America/New_York:20260918T200000
DTSTAMP:20260915T024852Z
CREATED:20260914T030157Z
LAST-MODIFIED:20260915T024852Z
UID:10007601-1789754400-1789761600@thectbeacon.com
SUMMARY:Green-Tie Celebration Goes to the Movies for DPNC
DESCRIPTION:Green-Tie Celebration rolls out the red carpet at Coogan Farm on Friday\, September 18\, as the Denison Pequotsepos Nature Center turns its annual fundraiser into a night at the movies\, complete with costumes\, cocktails\, dinner bites\, an auction\, and an environmental hero whose work has changed the landscape of the farm itself. \nThis year’s theme is “The Nature Center Goes to the Movies\,” and guests are encouraged to arrive dressed as a favorite movie star or character. \n{Donate to the DPNC} \nThere will even be an award for the evening’s best costume. \nBut behind the movie-premiere fun is the serious purpose that has always driven Green-Tie. \nThis is the Nature Center’s primary annual fundraiser\, supporting its environmental education programs\, wildlife rehabilitation\, conservation work\, land stewardship\, and day-to-day operations. \nAnd in the middle of this year’s celebration\, the spotlight will turn to Lydia Pan\, recipient of the 2026 Maggie Jones Environmental Hero Award. \nGreen-Tie Has Never Been a Black-Tie Kind of Gala\nThe name tells you something about the personality of this fundraiser. \nGreen-Tie has traditionally rejected the idea that supporting conservation requires an evening of tuxedos and ballroom chandeliers. \nPast dress suggestions have ranged from wellies and wool to gowns and fascinators. \nThe celebration takes place outdoors at Coogan Farm\, under a large tent\, with the surrounding fields and preserved landscape serving as the setting. \nFor 2026\, DPNC is taking that playful tradition all the way to Hollywood. \nThe movie theme invites guests to dress as a favorite actor\, actress or movie character. The Nature Center is promising a “red carpet” celebration\, and the best-dressed guest gets an award. \nJames Bond? \nDorothy Gale? \nIndiana Jones? \nAudrey Hepburn? \nThe Dude? \nDPNC isn’t prescribing the movie or the decade. \nJust remember that you’re still going to a farm. \nLydia Pan Gets the Starring Role\nEvery good movie needs a lead. \nThis year’s belongs to Lydia Pan. \nPan will receive the Maggie Jones Environmental Hero Award for her extensive volunteer work at Coogan Farm\, particularly her efforts to remove invasive plants\, restore native habitat and teach other volunteers how to continue the work. \nThat last part is important. \nPan isn’t simply pulling weeds. \nShe has been leading volunteers in identifying invasive species\, understanding why they threaten native ecosystems and learning practical methods for controlling them. \nHer work at Coogan Farm has included tackling species familiar to anyone who has fought an overgrown Connecticut property: multiflora rose\, Japanese barberry\, Oriental bittersweet\, Japanese honeysuckle\, autumn olive and mugwort\, among others. \nShe has also led public educational programs at the farm devoted specifically to invasive-plant management. \nThe Connecticut Invasive Plant Working Group recorded Pan leading a public Coogan Farm program that covered Connecticut’s invasive-plant regulations\, identification and management techniques and alternatives using native plants. \nShe has continued leading habitat restoration work and public programs at the property. \nRemoving an Invasive Plant Is Only Half the Job\nPulling something unwanted out of the ground can feel satisfying. \nEcological restoration is more complicated. \nInvasive plants can dominate an area so thoroughly that removing them simply creates open ground where the same species\, or another invasive\, can return. \nThat’s why restoration often involves a second step: helping native plants reestablish themselves. \nNative vegetation provides food and habitat for insects\, birds and other wildlife that evolved alongside it. \nPan’s work at Coogan Farm has focused on both sides of that equation\, reducing invasive plants while encouraging native alternatives. \nIt’s slow work. \nThere is no movie montage where an entire ecosystem gets restored in three minutes while inspirational music plays. \nThe real version takes seasons. \nAnd volunteers. \nLots of volunteers. \n{Donate to the DPNC} \nPan Has Been Teaching Those Volunteers How to Do It\nDPNC describes Pan’s contribution not only as eradicating invasive species and beautifying Coogan Farm but as directing and encouraging volunteers through hands-on learning. \nThat multiplies the effect of one knowledgeable person. \nA volunteer who learns to recognize Oriental bittersweet at Coogan Farm can recognize it at home. \nSomeone who learns why Japanese barberry can be damaging doesn’t stop knowing that when the volunteer session ends. \nPan has also worked with Wild Ones’ Mountain Laurel Chapter\, an organization devoted to native plants and natural landscaping. \nIn 2023\, the organization described her as president of the chapter and noted that she had already spent several years leading a Coogan Farm volunteer team working to eliminate or reduce invasive plants and replace them with native alternatives supporting pollinators and wildlife. \nThat makes the award especially appropriate. \nThe work combines conservation with education\, two things at the center of DPNC’s mission. \nThe Maggie Jones Award Is Still a Young Tradition\nThe Maggie Jones Environmental Hero Award was established in 2023 to recognize people and organizations demonstrating exceptional commitment to environmental protection\, education and community involvement. \nIts namesake is former DPNC Executive Director Maggie Jones\, whose leadership became inseparable from the modern history of the Nature Center. \nJones served as executive director for decades and helped guide major conservation projects\, including the effort to preserve Coogan Farm. \nWhen DPNC created the award in 2023\, there was an obvious choice for its first recipient. \nMaggie Jones. \nThe Mystic Garden Club received the honor in 2024. \nIn 2025\, it went to longtime conservation advocate and Groton Open Space Association founding member Sidney Van Zandt\, recognizing more than six decades of land-conservation work. \nPan now joins that group in 2026. \nThe Gala Is Taking Place on Land the Award’s Namesake Helped Save\nThere is a satisfying bit of symmetry here. \nGreen-Tie isn’t honoring environmental work in a rented ballroom. \nIt’s happening on land that exists as protected open space in significant part because of the conservation effort led by the organization hosting the party. \nDPNC acquired Coogan Farm in 2013 following a grassroots campaign to protect one of the last undeveloped pieces of farmland between downtown Mystic\, Mystic Seaport Museum and Mystic Aquarium. \nThe preserved property totals 45 acres. \nMore than 60 volunteers and 760 donors participated in the campaign\, along with the Trust for Public Land. \nThe acquisition extended a larger greenway while protecting habitat\, open space and portions of two watersheds. \nThe landscape also preserves centuries of Mystic history. \nFor a conservation fundraiser\, it’s difficult to imagine a more appropriate venue. \nCoogan Farm Goes Back Centuries\nLong before anyone called it Coogan Farm\, the land overlooking the Mystic River had a complicated history. \nIndigenous Pequot people used the area and surrounding estuaries before European colonization. \nFollowing the Pequot War\, land in the area was granted to English settlers\, including Captain John Gallup. \nAgriculture\, pasture and orchards became part of the landscape over subsequent centuries. \nThe Coogan name arrived much later. \nWalter C. Morgan purchased the property in 1902. His daughter\, Clara Avery Morgan\, inherited it and married Clarence A. Coogan in 1918\, eventually giving the property the name by which it is known today. \nThe preserved landscape still contains stone walls\, foundations\, meadows\, hedgerows and an heirloom orchard. \nThat combination of cultural and natural history is why DPNC describes it as both a Nature and Heritage Center. \n{Donate to the DPNC} \nThe Giving Garden Turned Preserved Land Into Working Land\nSaving Coogan Farm didn’t mean freezing it in time. \nOne of DPNC’s most visible projects there is the Craig Floyd Giving Garden. \nCreated after the property was acquired\, the garden was designed around two interconnected ideas: teaching sustainable agriculture and growing nutritious food for people who need it. \nIt began in 2014 through a partnership among DPNC\, the Robert G. Youngs Family Foundation and United Way. \nThe first growing season produced a little more than a ton of food. \nBy 2016\, the garden was producing more than six tons of vegetables in a single season. \nToday\, DPNC operates the garden as a permanent part of its mission. \nProduce is distributed to people experiencing food insecurity in New London County through the Gemma E. Moran United Way/Labor Food Center and its network. \nThe garden also functions as an outdoor classroom. \nThis Isn’t Your Grandfather’s Vegetable Garden\nThe Giving Garden emphasizes regenerative agriculture\, attempting to grow food while improving rather than depleting the soil. \nIts features extend beyond rows of vegetables. \nThere are fruit crops\, herbs\, spices\, mushrooms\, flowers\, composting areas and honeybee hives. \nWalking paths allow people to move through the growing areas\, and a natural amphitheater provides space for instruction. \nVolunteers do much of the planting\, tending and harvesting. \nThat volunteer culture is part of the reason Pan’s work fits so naturally into the larger story of Coogan Farm. \nThe place is preserved land\, but it isn’t passive land. \nPeople are constantly working on it. \nGrowing food. \nRestoring habitat. \nRemoving invasives. \nTeaching classes. \nMaintaining trails. \nLearning from one another. \nGreen-Tie Helps Pay for Much More Than Coogan Farm\nThe fundraiser supports the larger Denison Pequotsepos Nature Center\, which has been providing environmental education in Mystic since 1946. \nDPNC now manages and stewards a roughly 400-acre greenway with more than 10 miles of trails. \nAt its main Pequotsepos Road campus\, the Nature Center combines a natural-history museum with native wildlife exhibits\, educational spaces and trails through southeastern Connecticut habitats. \nIts resident animals include non-releasable birds of prey used as wildlife ambassadors. \nDPNC also operates a wildlife rescue and rehabilitation program. \nIts educators work with children and adults through school programs\, camps\, preschool\, workshops\, hikes and other environmental programs. \nGreen-Tie helps support all of it. \nThat’s why DPNC describes the celebration as its most important fundraiser of the year rather than a fundraiser for one particular project. \nDinner Comes From Dog Watch Cafe\nThis isn’t a movie night where dinner means popcorn. \nThe 2026 celebration includes heavy hors d’oeuvres from Dog Watch Cafe\, the Stonington restaurant known for its waterfront location overlooking Dodson Boatyard. \nDrinks will also be part of the evening. \nDPNC is advertising an auction as part of the fundraiser as well\, giving guests another way to support the organization beyond the ticket price. \nAnd for people who cannot attend\, there’s a remote option. \nDPNC specifically invites supporters who can’t make it to Coogan Farm to “raise your paddle remotely” by donating online. \n{Donate to the DPNC} \nTickets Start at $130\nThere are four ticket levels for the 2026 Green-Tie Celebration. \nA Single Red Carpet Ticket is $130. \nA Patron Red Carpet Ticket is $200. \nAn Actors Guild package is $900 for six tickets. \nA Directors Circle package is $1\,500 for 10 tickets. \nThe increasing levels allow supporters to make a larger contribution to DPNC while attending the same annual celebration. \nAdvance ticket purchase is important for an event of this kind\, particularly because food and event planning depend on knowing attendance ahead of time. \nPark at Mystic Seaport\, Not Coogan Farm\nThis is one logistical detail worth knowing before leaving home. \nMost Green-Tie guests do not park at Coogan Farm. \nInstead\, attendees should park in the North Lot at Mystic Seaport Museum. \nContinuous shuttle service will run between the parking lot and Coogan Farm from 6 to 9 p.m. \nGuests with handicapped parking permits can use the limited accessible parking available at Coogan Farm. \nThe arrangement has been used for previous Green-Tie celebrations and solves a fairly obvious problem: a preserved farm isn’t supposed to have a massive event parking lot. \nAnd Yes\, the Show Goes On in the Rain\nGreen-Tie is a rain-or-shine event. \nThe celebration takes place under a tent at Coogan Farm\, so a questionable forecast doesn’t automatically mean cancellation. \nThat is worth considering when planning a movie-inspired costume. \nA floor-length gown may deliver a magnificent red-carpet entrance. \nIt may be somewhat less magnificent after crossing wet farm ground. \nComfortable footwear isn’t a bad supporting actor. \nThe Movie Theme Is Fun. The Place Is the Point.\nThe red carpet gives Green-Tie its personality this year. \nThe costumes will get attention. \nSomeone will win best dressed. \nThere will be drinks\, food\, an auction and plenty of reasons to treat September 18 as a night out. \nBut look beyond the tent and the theme makes a different kind of sense. \nYou’re standing on 45 acres that people organized to prevent from being developed. \nNearby\, volunteers grow food for people who need it. \nAcross the property\, other volunteers are restoring native habitat. \nA woman who has spent years leading that work will receive an environmental award named for the woman who helped save the farm in the first place. \nAnd the money raised that night will help an organization that has been teaching southeastern Connecticut about its wildlife\, habitats and natural history for 80 years. \nThat’s a pretty good plot. \nDetails\nEvent: Green-Tie Celebration: The Nature Center Goes to the Movies\nDate: Friday\, September 18\, 2026\nTime: 6–8 p.m.\nLocation: Coogan Farm Nature & Heritage Center\nAddress: 162 Greenmanville Avenue\, Mystic\, CT 06355\nOrganizer: Denison Pequotsepos Nature Center\nPurpose: DPNC’s primary annual fundraiser\, supporting operations and environmental education programs\nTheme: The Nature Center Goes to the Movies\nAttire: Guests are encouraged to dress as a favorite movie star or movie character\nBest Dressed: A costume award will be presented\nFood: Heavy hors d’oeuvres provided by Dog Watch Cafe\nAlso Included: Drinks\, auction and evening celebration\n2026 Honoree: Lydia Pan\nAward: Maggie Jones Environmental Hero Award\nSingle Red Carpet Ticket: $130\nPatron Red Carpet Ticket: $200\nActors Guild: $900 for six tickets\nDirectors Circle: $1\,500 for 10 tickets\nWeather: Rain or shine; celebration takes place under a tent\nParking: Park in the North Lot at Mystic Seaport Museum\nShuttle: Continuous shuttle service between Mystic Seaport Museum and Coogan Farm from 6–9 p.m.\nAccessible Parking: Limited parking at Coogan Farm is reserved for vehicles with handicapped parking permits\nCan’t Attend: Supporters can donate online and participate in the fundraising remotely\n{Donate to the DPNC} \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/green-tie-celebration-goes-to-the-movies-for-denison-pequotsepos-nature-centers-biggest-fundraiser-of-the-year/
LOCATION:Coogan Farm Nature & Heritage Center\, 162 Greenmanville Avenue\, Mystic\, 06355\, United States
CATEGORIES:Coogan Farm Nature & Heritage Center
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Green-Tie-Celebration-Goes-to-the-Movies-for-Denison-Pequotsepos-Nature-Centers-Biggest-Fundraiser-of-the-Year.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T180000
DTEND;TZID=America/New_York:20260918T200000
DTSTAMP:20260915T023704Z
CREATED:20260914T015847Z
LAST-MODIFIED:20260915T023704Z
UID:10007600-1789754400-1789761600@thectbeacon.com
SUMMARY:Puzzle Palooza Turns a 500-Piece Jigsaw Into a Race at Groton’s Thrive55+
DESCRIPTION:Puzzle Palooza turns a normally quiet night at the puzzle table into a race on Friday\, September 18\, as teams of up to four people compete to finish a 500-piece jigsaw puzzle first at Groton’s Thrive55+ Active Living Center. \nGroton Parks & Recreation and Thrive55+ are hosting the family-friendly competition from 6 to 8 p.m. at 102 Newtown Road. \nTeams can include one to four players; participants must be at least 8 years old\, and registration costs $25 per team\, not per person. \nAnd don’t spend too much time planning what you’ll do with the prize money. \nThe winning team’s official prize is “Bragging Rights” until the next event. \nFour People\, 500 Pieces and a Clock\nMost jigsaw puzzles are supposed to be relaxing. \nPuzzle Palooza removes that part. \nEach team faces the same basic challenge: complete a 500-piece puzzle faster than everyone else in the room. \nTeams can have as many as four players\, but going solo is allowed\, too. \nThat creates an interesting choice. \nFour people give a team eight hands and four sets of eyes. \nThey also give you four people simultaneously reaching into the same pile\, searching for the same edge piece and confidently insisting that the blue section belongs in completely different parts of the puzzle. \nFor competitive puzzlers\, teamwork matters almost as much as speed. \nThere Really Is Such a Thing as Competitive Jigsaw Puzzling\nIf the idea of racing someone to finish a jigsaw sounds like somebody invented a sport at the kitchen table\, that’s not far from the truth. \nBut competitive puzzling has developed into an organized activity with serious competitors and formal tournaments. \nAt major competitions\, puzzlers race against a clock individually\, in pairs or as teams. Everyone in a division receives the same previously unseen puzzle\, and the first competitor or team to assemble it correctly wins. \nThat means there are no advantages from already knowing the image. \nOnce the box opens\, everyone starts solving. \nPuzzle Palooza brings that concept down to a friendly community scale. \nNo national championship is at stake. \nYour reputation among friends and family might be. \nThe Border-First Strategy Isn’t Mandatory\nAnyone who has assembled enough jigsaw puzzles probably has a system. \nDump out the pieces. \nFlip everything face-up. \nFind the four corners. \nSeparate the edges. \nBuild the border. \nThen attack the most recognizable colors and objects. \nThat’s a perfectly reasonable way to solve a puzzle. \nIt isn’t necessarily how the fastest competitive puzzlers do it. \nSpeed puzzling rewards minimizing wasted movement and identifying useful patterns quickly. Experienced competitors may sort pieces by distinctive colors\, textures or shapes and work several recognizable sections simultaneously rather than insisting on completing the entire frame first. \nA team introduces another variable: division of labor. \nOne person can hunt edges. \nAnother can attack an obvious object. \nSomeone else can sort pieces by color. \nThe fourth can spend 20 minutes looking for the piece that has been sitting directly in front of them. \nEvery team needs a specialist. \nOne Registration Covers the Whole Team\nThe $25 registration fee applies to the entire team. \nOnly one person needs to register. \nThat makes the cost: \n$25 for one player \n$12.50 each for two players \nAbout $8.33 each for three players \n$6.25 each for four players \nThe organizers describe spaces as limited\, so teams need to register in advance rather than simply arriving Friday night and hoping a puzzle is available. \nRegistration is being handled through Groton Parks & Recreation’s MyRec system. \nKids Can Compete With Adults\nPuzzle Palooza is open to ages 8 and older. \nThere are no separate adult and children’s competitions advertised for the September event\, which creates the possibility of parents and children playing together or going head-to-head. \nThat’s part of what makes the format unusually accessible. \nNobody needs to run faster. \nNobody needs to be taller. \nNobody needs expensive equipment. \nAnd a child who’s particularly good at recognizing patterns may be exactly the teammate an adult needs. \nThe organizers specifically describe Puzzle Palooza as an event for family and friends\, rather than programming exclusively for older adults despite its location at Thrive55+. \nYes\, Thrive55+ Is Hosting an 8+ Event\nThe location can initially seem confusing. \nThrive55+ Active Living Center is Groton’s municipal center for older adults and is powered by the Groton Senior Center. \nBut the facility also serves as a community gathering place and regularly hosts programming that reaches beyond its core 55-and-older audience. \nPuzzle Palooza is explicitly an ages 8+ community event. \nThe competition is being presented jointly by Groton Parks & Recreation and Thrive55+\, making it an opportunity for multiple generations to use the same community space. \nGrandparents can bring grandchildren. \nParents can bring kids. \nFriends can form a team. \nOr one extremely confident puzzler can enter alone and attempt to embarrass all of them. \nThis Isn’t Groton’s First Puzzle Palooza\nGroton has been building Puzzle Palooza into a recurring event rather than treating September’s competition as a one-off experiment. \nThe Town’s recreation materials included Puzzle Palooza among its community events in 2025\, and another competition was held at Thrive55+ in November 2025. \nA previous edition used the same basic formula: teams of one to four\, a $25 team registration and light refreshments before the competition. \nThat helps explain this year’s most unusual prize. \nThe winners get bragging rights “until the next event.” \nThere actually is a next event. \nEventually somebody else gets a chance to take the title. \nRefreshments Come Before the Serious Business\nLight refreshments will be served before the competition begins. \nThat’s a useful distinction. \nOnce the clock starts\, stopping to contemplate a snack while another team completes the upper-left corner probably isn’t an ideal strategy. \nThe pre-competition period also gives teams time to arrive\, settle in and presumably engage in a little harmless psychological warfare. \nThen it’s puzzle time. \nThe current event listing doesn’t specify the exact refreshments\, so anyone with dietary restrictions shouldn’t assume particular food or beverages will be available. \nThere Are Actual Benefits to Doing Jigsaw Puzzles\nEven without a trophy at the end\, puzzles demand an interesting combination of skills. \nYou’re constantly comparing shapes\, colors\, patterns and spatial relationships. \nA piece that looked useless 10 minutes ago suddenly becomes obvious after another section is completed. \nLarge puzzles also force the brain to move between two different scales: the tiny information contained on an individual piece and the larger image you’re trying to construct. \nDoing that with teammates adds communication and cooperation. \nSomeone has to decide whether the dark-blue pieces belong to the sky\, the water or that suspiciously blue building on the box. \nAnd unlike plenty of activities that divide generations\, a jigsaw puzzle needs virtually no explanation. \nMost people already understand what they’re supposed to do. \nDon’t Underestimate the 500-Piece Puzzle\nFive hundred pieces sits in an interesting middle ground. \nIt’s manageable enough to make a two-hour competition realistic\, particularly for a team. \nIt’s also large enough to punish bad organization. \nA 500-piece puzzle doesn’t mean making 500 independent decisions. \nEvery correctly placed piece reduces the possibilities for the pieces around it. The puzzle gets easier as recognizable sections emerge and the number of unused pieces shrinks. \nThe hard part is getting there quickly. \nAt the beginning\, you’ve got hundreds of pieces that all seem convinced they’re part of the same cloud. \nThat’s where good teams can separate themselves. \nYou Might Want to Choose Your Teammates Carefully\nA four-person team sounds automatically better than a two-person team. \nNot necessarily. \nThe ideal team needs people who can work simultaneously without repeatedly undoing one another’s organization. \nA little strategy before the timer begins won’t hurt. \nDecide who’s sorting. \nDecide who’s looking for edges. \nDivide obvious sections of the image if that’s useful. \nAnd establish one important rule: \nIf somebody says\, “I swear this piece goes here\,” and it clearly doesn’t\, they’re allowed two attempts before the piece goes back into circulation. \nFriendships have limits. \nThe Only Trophy Is Being Able to Remind Everyone You Won\nThere is something refreshing about Puzzle Palooza’s prize structure. \nNo cash. \nNo giant trophy. \nNo championship belt. \nJust bragging rights. \nThat puts the emphasis where a community puzzle competition probably belongs: having a good time and being just competitive enough to care who wins. \nOf course\, “bragging rights” can be an extremely valuable prize depending on the family. \nIf you’re going to spend $25 and two hours earning the right to remind your siblings that they lost a jigsaw puzzle to you\, you might as well get your money’s worth. \nThe title lasts until the next Puzzle Palooza. \nUse it responsibly. \nDetails\nEvent: Puzzle Palooza: Jigsaw Puzzle Competition\nDate: Friday\, September 18\, 2026\nTime: 6–8 p.m.\nLocation: Thrive55+ Active Living Center\nAddress: 102 Newtown Road\, Groton\, CT 06340\nOrganizers: Groton Parks & Recreation and Thrive55+ Active Living Center\nChallenge: 500-piece jigsaw puzzle competition\nTeam Size: 1–4 players\nAge: 8+\nCost: $25 per team\nRegistration: Required; only one member of each team needs to register\nRefreshments: Light refreshments provided before the competition\nPrize: Bragging rights until the next event\nContact: Groton Parks & Recreation\, 860-536-5680\nRegistration Site: Groton Parks & Recreation MyRec\nAvailability: Space is limited; advance registration is recommended. \nTo register your team\, click the Event Registration link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/puzzle-palooza-turns-a-500-piece-jigsaw-into-a-race-at-grotons-thrive55/
LOCATION:Thrive 55+\, 102 Newtown Rd\, Groton\, CT\, 06340\, United States
CATEGORIES:Thrive 55+
ATTACH;FMTTYPE=image/jpeg:https://thectbeacon.com/wp-content/uploads/2026/09/Puzzle-Palooza-Turns-a-500-Piece-Jigsaw-Into-a-Race-at-Grotons-Thrive55-plus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T180000
DTEND;TZID=America/New_York:20260918T190000
DTSTAMP:20260915T235842Z
CREATED:20260915T235417Z
LAST-MODIFIED:20260915T235842Z
UID:10007874-1789754400-1789758000@thectbeacon.com
SUMMARY:Concert on the Green: Adam Lomeo & Marcus McLaurine Closes La Grua’s Outdoor Season With Jazz in Stonington Borough
DESCRIPTION:Concert on the Green: Adam Lomeo & Marcus McLaurine bring guitarist Adam Lomeo and veteran jazz bassist Marcus McLaurine together for their first performance as a duo Friday\, September 18\, on the Stonington Commons Green. \nThe free concert begins at 6 p.m. outside La Grua Center and closes La Grua’s five-concert outdoor season with an hour of jazz standards\, covers and original music. \nIt is an unusually intimate setup for two musicians with careers that stretch far beyond Stonington. \nLomeo has performed at New York jazz clubs including the Blue Note and toured internationally. McLaurine spent three decades playing with legendary trumpeter Clark Terry and has shared bandstands with musicians including Dizzy Gillespie\, Kenny Burrell\, James Moody and members of the Count Basie tradition. \nThere is another connection between them that makes Friday’s pairing particularly interesting. \nLomeo studied with McLaurine. \nFrom Teacher and Student to Duo Partners\nLomeo studied jazz at William Paterson University\, where guitarist Gene Bertoncini was among his teachers. \nMcLaurine has also spent decades teaching bass at William Paterson. \nOn McLaurine’s own website\, Lomeo describes studying with him and learning jazz standards through an ear-training approach that eventually had teacher and student playing the music together and transposing songs through all 12 keys. \nNow they’re taking that relationship onto the stage as a duo. \nLa Grua says Friday will mark their first performance together in that format. \nWithout drums\, piano or a horn section filling the spaces between them\, guitar and upright bass can create one of jazz’s most conversational combinations. \nThe bass doesn’t have to simply provide the bottom of the arrangement. It can answer the guitar\, carry melodies and turn a familiar standard into something much more spontaneous. \nThat should be particularly interesting with these two musicians. \nAdam Lomeo Has One Foot in Jazz and Another in a Much Wider Musical World\nLomeo is a professional jazz and classical guitarist whose playing reaches considerably beyond either description. \nHis repertoire and performance work encompass jazz\, classical music\, bossa nova and pop\, and he plays nylon-string and seven-string guitar in addition to steel-string acoustic and hollow-body jazz guitar. \nHe has performed professionally around the country and in New York jazz clubs\, including the Blue Note\, and has toured in China. \nLomeo also founded Music Dept\, an entertainment company that grew from his earlier Rum Runners Jazz operation. \nThat varied career makes the “covers” portion of Friday’s program particularly open-ended. \nLa Grua isn’t advertising a setlist. \nWhat it is promising is a mixture of jazz standards\, covers and original compositions\, giving the duo considerable freedom to move outside a strictly traditional jazz program. \nMarcus McLaurine Has Played With Some Serious Company\nMcLaurine’s résumé reaches deep into modern jazz history. \nBorn in Omaha\, Nebraska\, he initially played electric bass before an encounter with the sound of upright bassist Roland Haynes sent him searching for an acoustic instrument of his own. \nHis first upright bass cost $150 at a pawn shop. \nThe musical education that followed involved studying the work of Charlie Parker\, John Coltrane\, Miles Davis and Cannonball Adderley while developing his own voice on the instrument. \nAfter serving in the U.S. Air Force and performing with the 590th Air Force Band\, McLaurine moved into the New York jazz world. \nThen came the phone call that changed his career. \nThirty Years With Clark Terry\nIn 1981\, trumpeter Clark Terry needed a bass player. \nMcLaurine was recommended for the job. \nHe initially thought the telephone call from Terry was a prank. \nIt wasn’t. \nMcLaurine joined him for engagements at the Blue Note and in Canada\, beginning a musical relationship that would last approximately three decades. \nTerry was no ordinary bandleader. \nThe trumpeter and flugelhorn player had worked with both Count Basie and Duke Ellington\, performed with generations of major jazz musicians and became one of the music’s most influential educators. \nPlaying night after night with someone like Terry gave McLaurine an extraordinary vantage point on the jazz tradition. \nHis career eventually included performances with Dizzy Gillespie\, Kenny Burrell\, James Moody\, Lou Donaldson\, Abbey Lincoln\, Joe Williams\, Jon Hendricks and the Count Basie Orchestra under Thad Jones. \nHe also performed with Terry at venues including the Village Vanguard\, where Oscar Peterson once joined the group. \nMcLaurine has spent years passing that experience to younger musicians through his work as an educator. \nOne of them was Adam Lomeo. \nJazz Doesn’t Need a Big Stage\nThere is a nice contrast between that history and Friday evening’s setting. \nNo major concert hall. \nNo complicated production. \nJust guitar and bass on a lawn in Stonington Borough. \nThe Stonington Commons Green sits beside La Grua Center at 32 Water Street\, giving the Concerts on the Green series the feeling of a neighborhood gathering rather than a formal jazz performance. \nThat has been the point of the series. \nLa Grua presented five outdoor concerts between May and September this year\, moving through a deliberately varied lineup that included Ed Fast and Conga Bop Supertet\, Amanda Pascali\, the Sean Nelson Jazz Orchestra and Bergin & Sarah before Friday’s finale. \nThe entire series has been offered free to the community with major support from the Stonington Village Improvement Association. \nBring a Chair and Make an Evening of It\nThe practical side of attending is simple\, but there are a few things worth knowing before heading into the Borough. \nSeating opens at 5 p.m.\, one hour before the concert. \nLa Grua does not provide chairs\, so bring a lawn chair or blanket. \nPicnics are welcome. \nOutside alcoholic beverages are not. \nDogs are also prohibited on the Stonington Commons Green. \nRestrooms are available inside La Grua Center during the concert. \nThe performance is expected to run for approximately one hour without an intermission\, making this a compact Friday-evening concert rather than an all-night event. \nParking Is the Part Worth Planning\nAnyone familiar with Stonington Borough probably knows the bigger logistical issue. \nParking. \nThe North Lot at Stonington Commons will be available for concertgoers until it fills. Parking immediately around the green is reserved for Stonington Commons residents\, so those spaces should not be used for the concert. \nLa Grua specifically encourages Borough residents to walk. \nFor everyone else\, arriving well before the 6 p.m. start should make the evening considerably easier. \nWhat Happens if It Rains?\nUnlike some outdoor concert series that simply cancel when the weather turns bad\, La Grua has an indoor backup plan for Friday. \nIf inclement weather threatens the outdoor performance\, organizers plan to make a decision by noon Friday about moving the concert indoors. \nThe event page will be updated with that decision. \nThat means the season finale should have a considerably better chance of happening regardless of what September weather decides to do. \nOne Last Evening on the Green\nThere is something appropriate about ending an outdoor concert season this way. \nNot with the largest band of the summer\, but one of the smallest. \nTwo musicians. \nA guitar. \nA bass. \nAnd enough shared musical language between a former teacher and student to see where the songs take them. \nFor a series designed around gathering the community on a lawn for an hour of music\, it is a fitting way to close out summer in Stonington Borough. \nDetails\nEvent: Concert on the Green: Adam Lomeo & Marcus McLaurine\nDate: Friday\, September 18\, 2026\nTime: 6–7 p.m.\nSeating Opens: 5 p.m.\nLocation: La Grua Center Commons Green\nAddress: 32 Water Street\, Stonington\, CT 06378\nPerformers: Adam Lomeo\, guitar; Marcus McLaurine\, bass\nProgram: Jazz standards\, covers and original music\nAdmission: Free and open to the public\nSeating: Bring a lawn chair or blanket; seating is not provided\nFood: Guests may bring their own food\nAlcohol: Outside liquor is not permitted\nDogs: Dogs are not permitted on the green\nRestrooms: Available inside La Grua Center\nParking: North Lot at Stonington Commons until full; spaces surrounding the green are reserved for residents\nRunning Time: Approximately one hour with no intermission\nWeather: If inclement weather threatens\, La Grua will decide by noon whether to move the concert indoors\nSeries Support: Stonington Village Improvement Association\nPhone: 860-535-2300 \nMore information is available at the Event Website link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/concert-on-the-green-adam-lomeo-marcus-mclaurine-closes-la-gruas-outdoor-season-with-jazz-in-stonington-borough/
LOCATION:La Grua Center\, 32 Water Street\, Stonington\, CT\, 06378\, United States
CATEGORIES:La Grua Center
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T173000
DTEND;TZID=America/New_York:20260918T210000
DTSTAMP:20260915T023534Z
CREATED:20260914T013818Z
LAST-MODIFIED:20260915T023534Z
UID:10007599-1789752600-1789765200@thectbeacon.com
SUMMARY:Raise a Pint to the Revolution Recreates the Night Westerly Chose the American Cause
DESCRIPTION:Raise a Pint to the Revolution will take Westerly back exactly 250 years on Friday\, September 18\, recreating a pivotal 1776 town meeting before shifting the celebration to Grey Sail Brewing for period music\, beer\, ale\, rum\, and a decidedly less serious round of Colonists-versus-Redcoats games. \nThis isn’t a generic Revolutionary War reenactment scheduled to coincide with America’s 250th anniversary. \nThe date is the point. \nOn September 18\, 1776\, Westerly men gathered and signed a declaration pledging allegiance to the newly independent American states. Contemporary town history records that 50 men enlisted in the Revolutionary forces after signing what was known as the Declaration or Test Act. \nOn September 18\, 2026\, Westerly will hold the meeting again. \nThe Evening Begins With the Meeting\, Not the Beer\nOrganizers are dividing the event into two parts: The Meeting and The Celebration. \nThe first is a period reenactment of the actual town event that took place 250 years earlier. \nActors portraying figures from Revolutionary-era Westerly will recreate the gathering and the decision facing local residents in 1776. \nVisitors won’t necessarily remain spectators. \nThe event invites modern-day “colonists” to sign their own allegiance to America before heading back for a pint. \nThe reenactment gives Raise a Pint to the Revolution something many semiquincentennial events can’t claim. \nWesterly isn’t simply commemorating something that happened somewhere in America during the Revolution. \nIt’s reenacting something that happened in Westerly\, on the same calendar date\, a quarter of a millennium later. \nWesterly Had Already Been Choosing Sides\nThe September 1776 gathering didn’t come out of nowhere. \nWesterly’s break with British policy had been developing for years. \nThe town’s own historical record notes that on February 2\, 1774\, local freemen met and adopted resolutions condemning oppressive measures imposed by Great Britain\, particularly the tax on tea. \nWesterly’s 1919 history even characterized the episode as the town’s own “tea party.” \nBy then\, resistance to British authority was spreading throughout Rhode Island. \nAnd Westerly had a particularly important connection to the emerging national movement through one of the most prominent political figures in colonial Rhode Island. \nSamuel Ward Took Westerly to the Continental Congress\nSamuel Ward was born in Newport but became closely identified with Westerly after settling there. \nHe served as governor of the Colony of Rhode Island and Providence Plantations and became an outspoken opponent of British taxation. \nIn 1774\, Rhode Island sent Ward and Stephen Hopkins to Philadelphia as delegates to the First Continental Congress. \nWard continued serving in the Continental Congress as the colonies moved toward independence. \nHe died in Philadelphia on March 25\, 1776\, only a few months before the Declaration of Independence was adopted. \nBut his family remained deeply connected to the war. \nHis son\, Samuel Ward Jr.\, served in the Continental Army\, becoming a captain in 1775 and major in 1776. He later served as an aide-de-camp to General George Washington and eventually became a lieutenant colonel. \nFor Westerly residents gathering in September 1776\, the Revolution wasn’t distant news arriving from Philadelphia. \nPeople from their own community were already part of it. \nSeptember 18\, 1776 Was a Dangerous Time to Pick a Side\nIt’s easy to look backward from 2026 and imagine American independence as inevitable. \nIt wasn’t. \nWhen Westerly’s men gathered on September 18\, the Declaration of Independence was barely two months old. \nAnd militarily\, things weren’t going particularly well. \nBritish forces had inflicted a major defeat on Washington’s army in the Battle of Long Island in late August. American forces withdrew from New York City in September\, and the British occupied the city. \nJust two days before Westerly’s meeting\, American and British troops had fought at Harlem Heights. \nWashington was still reporting on that engagement to the Continental Congress on September 18. \nSo the men gathering in Westerly weren’t signing onto a revolution whose outcome they knew. \nThey were choosing allegiance while the new nation was fighting for survival. \nThat makes the date considerably more interesting than simply saying Westerly supported independence. \nThey were committing themselves while the result was very much undecided. \nFifty Men Signed and Enlisted\nWesterly’s historical record describes what followed succinctly. \nOn September 18\, 1776\, 50 men enlisted in the Revolutionary forces after signing the Declaration or Test Act. \nThat was a significant commitment for a small colonial town. \nBy 1777\, Westerly’s population stood at only 1\,812 people. \nBy 1781\, the town had enrolled four companies of militia in addition to its quota serving in Continental battalions. \nA history prepared for Westerly’s 250th anniversary in 1919 estimated that the combined military commitment ultimately absorbed about one-fifth of the town’s population. \nThe Revolution was not an abstract political debate here. \nIt took people out of homes\, farms and businesses and put them into military service. \nRaise a Pint to the Revolution is built around the moment that commitment became formal. \nThen Comes the Party\nOnce Westerly has reenacted its revolutionary pledge\, the evening becomes considerably less solemn. \nThe celebration takes place at Grey Sail Brewing\, where organizers promise live period music\, beer\, ale and rum along with what they describe as “fuel for the Revolution.” \nThere will also be Colonist and Red Coat games. \nThe result should land somewhere between living history and a colonial tavern night. \nThat seems appropriate. \nTaverns were important gathering places in 18th-century America\, serving not merely as drinking establishments but as social centers where travelers exchanged news\, residents debated politics and communities conducted business. \nBeer\, ale\, cider\, punch and rum were thoroughly embedded in colonial social life. \nSo while nobody should mistake a modern craft brewery for an 18th-century tavern\, finishing a Revolutionary reenactment over a drink isn’t as historically incongruous as it might sound. \nRum Has a Particularly Good Claim to the Glass\nBeer gets top billing in the event’s title\, but rum may have the stronger Revolutionary-era New England credentials. \nThe triangular Atlantic trade made rum an important part of the colonial economy. \nNew England distilleries turned imported Caribbean molasses into enormous quantities of rum\, which became one of the region’s characteristic spirits. \nRhode Island was particularly involved in the colonial rum trade. \nThat history makes Grey Sail an unusually appropriate modern host. \nThe Westerly brewery shares its Canal Street property with South County Distillers\, giving the celebration access to both brewing and distilling traditions. \nThe drinks have changed considerably since 1776. \nThe idea of gathering together over them hasn’t. \nGrey Sail Has Its Own Westerly History\nGrey Sail Brewing is much younger than the event it is commemorating\, but its home has a history of its own. \nThe brewery opened in Westerly in 2011\, brewing its first batch of Flagship Ale on November 11 of that year. \nIts production facility occupies a brick industrial building at 63 Canal Street that was constructed near the end of the 1920s for the Westerly Macaroni Factory. \nThe building later served other commercial uses before Grey Sail transformed it into a brewery. \nNext door\, the Grey Sail Taproom and courtyard have developed into a gathering place for live music\, markets and community events. \nFor September 18\, the brewery becomes Westerly’s temporary Revolutionary tavern. \nThe Babcock-Smith House Connects the Celebration to 1776\nOne of the event sponsors is the Babcock-Smith House Museum\, and its connection to Revolutionary Westerly runs particularly deep. \nThe museum centers on the historic home of Dr. Joshua Babcock\, one of colonial Westerly’s most significant residents. \nThe Georgian house dates to around 1734\, putting it squarely within the world being recreated during Raise a Pint to the Revolution. \nBabcock was a physician\, public official and prominent citizen whose life stretched across Westerly’s transition from British colony to American town. \nHe was also Westerly’s first postmaster. \nThe town’s first post office was established in 1776\, the same year as the meeting being commemorated. \nIts first-year receipts totaled the wonderfully precise sum of one pound\, three shillings and eight pence. \nBefore that\, Westerly’s nearest post office had been in New London. \nToday the Babcock-Smith House preserves both that colonial history and another enormous chapter of Westerly’s story through its exhibits devoted to the local granite industry. \nThree Westerly Organizations Are Behind the Night\nRaise a Pint to the Revolution is sponsored by the Westerly 250th Commission\, Westerly Historical Society and Babcock-Smith House Museum. \nThat combination helps explain why the event goes beyond costumes and colonial-themed drinking. \nThe historical organizations have an actual local event to reconstruct. \nThe Westerly 250th effort\, meanwhile\, places it within the much larger America 250 commemoration marking the 250th anniversary of the United States. \nRhode Island is observing the anniversary through RI 250\, with events taking place throughout the state. \nBut September 18 gives Westerly something unusually specific to commemorate. \nExactly 250 years earlier\, townspeople were deciding what allegiance meant in a country that was only weeks old. \nYour $10 Ticket Buys More Than a Pint\nThe ticket covers participation in the commemorative event rather than functioning as a prepaid bar tab. Alcohol purchases should be expected to follow Grey Sail’s normal service rules\, including age and identification requirements. \nThe evening is scheduled from 5:30 to 9 p.m.\, with the recreated meeting beginning at 6:30 p.m. \nThat leaves time to arrive\, settle in and get oriented before Westerly turns the clock back to 1776. \nThe Best Part Is Knowing How the Story Ends\nThe people at the original meeting didn’t have that luxury. \nThey couldn’t know that Washington would survive 1776. \nThey couldn’t know about Saratoga. \nThey couldn’t know France would enter the war. \nThey couldn’t know Cornwallis would surrender at Yorktown. \nThey couldn’t know there would someday be a United States celebrating its 250th birthday. \nAnd they certainly couldn’t know that 250 years to the day after their meeting\, another group of Westerly residents would gather on Canal Street\, raise glasses and reenact their decision. \nWe know what happened next. \nFor one evening\, Westerly gets to return to the moment when they didn’t. \nDetails\nEvent: Raise a Pint to the Revolution\nDate: Friday\, September 18\, 2026\nTime: 5:30–9 p.m.\nReenacted Meeting: 6:30 p.m.\nLocation: Grey Sail Brewing\nAddress: 63 Canal Street\, Westerly\, RI 02891\nOccasion: 250th anniversary of Westerly’s September 18\, 1776 Revolutionary-era meeting and pledge\nThe Meeting: Period reenactment of the historic Westerly town event with actors portraying Revolutionary-era figures\nAudience Participation: Guests will have an opportunity to sign an allegiance to America\nThe Celebration: Live period music\, beer\, ale\, rum and Colonist-versus-Redcoat games\nTickets: $10 base ticket price; online processing fees may apply\nFood & Drink: Available as part of the evening’s celebration; alcoholic beverages are subject to normal age and identification requirements\nSponsors: Westerly 250th Commission\, Westerly Historical Society and Babcock-Smith House Museum\nHistorical Date: September 18\, 1776\, exactly 250 years before the event\nHistorical Significance: Westerly history records that 50 men enlisted in the Revolutionary forces after signing the Declaration or Test Act on that date \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \n  \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/raise-a-pint-to-the-revolution-recreates-the-night-westerly-chose-the-american-cause/
LOCATION:Grey Sail Brewing of Rhode Island\, 63 Canal St\, Westerly\, RI\, 02891\, United States
CATEGORIES:Grey Sail Brewing of Rhode Island
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T170000
DTEND;TZID=America/New_York:20260918T210000
DTSTAMP:20260918T032818Z
CREATED:20260918T032818Z
LAST-MODIFIED:20260918T032818Z
UID:10008458-1789750800-1789765200@thectbeacon.com
SUMMARY:Mitchell Farm Music Festival Brings Three Days of ’70s-Rooted Music to a Horse Sanctuary
DESCRIPTION:Mitchell Farm Music Festival Brings Three Days of ’70s-Rooted Music to a Horse Retirement Sanctuary Sept. 18–20\, pairing Jon Pousette-Dart\, Laurel Canyon\, Broken Arrow and Mystic Dead with a setting unlike the typical weekend concert venue: a working sanctuary where aged and infirm horses have come to spend the rest of their lives. \nNow in its 19th year\, the annual fundraiser takes place at Mitchell Farm Equine Retirement in Salem\, about 20 miles from Mystic. The weekend stretches from a Friday evening concert through two afternoon performances Saturday and Sunday\, with proceeds helping support the horses\, ponies and donkeys living at the nonprofit farm. \nIt is part music festival\, part picnic and part introduction to a place built around a simple idea: retirement should mean retirement for horses\, too. \nThree Days of Music\nThe festival opens Friday at 7 p.m. with the Jon Pousette-Dart Acoustic Duo. \nPousette-Dart emerged nationally in the 1970s as leader of the Pousette-Dart Band\, blending folk\, country and soft rock during a period when artists such as James Taylor\, the Eagles and Little Feat were expanding the boundaries of American singer-songwriter music. The band released a series of albums for Capitol Records and became a fixture of the era’s college and concert circuit. \nSaturday’s music begins at 2:30 p.m. with Laurel Canyon and Broken Arrow\, a pairing firmly rooted in the music of the late 1960s and 1970s. \nLaurel Canyon celebrates the music associated with the famed Los Angeles neighborhood that became a creative center for singer-songwriters and folk-rock musicians during that period. \nBroken Arrow turns the focus toward the music of Neil Young\, drawing from the electric and acoustic sides of a catalog that stretches from intimate folk songs to the raw guitar sound associated with Crazy Horse. \nSunday belongs to Mystic Dead\, beginning at 2:30 p.m. The southeastern Connecticut band has built its shows around the music of the Grateful Dead\, making the final afternoon a natural fit for a festival that openly embraces the sounds of the 1970s. \nWhere Retired Horses Get to Be Horses Again\nThe setting gives the weekend considerably more meaning than a typical outdoor concert. \nMitchell Farm Equine Retirement was founded by Dee Doolittle in August 2004 and received federal nonprofit status the following year. It became fully accredited by the Global Federation of Animal Sanctuaries in 2012 and says it has provided permanent sanctuary to more than 127 horses during its 22 years of operation. \nIts mission is to provide a safe and comfortable retirement for aged and infirm horses while educating the public about equine welfare. The farm describes retirement there as an opportunity for horses to have the time and space to simply be horses again. \nThat distinction matters. \nThese aren’t horses being maintained so they can continue working\, performing or carrying riders. Mitchell Farm exists as their final home\, providing the food\, shelter and specialized care that older animals may need after their working lives have ended. \nAnd demand for that kind of retirement is substantial. Mitchell Farm’s admissions information currently estimates a waiting period of two to four years for horses needing placement. \nWhere the Festival Money Goes\nThe Music Festival is one of the events that helps make that retirement possible. \nMitchell Farm says proceeds from its fundraising events go directly toward feed\, veterinary care and farrier expenses for horses in its care. \nThat means the connection between buying a festival ticket and supporting the animals is unusually direct: a weekend spent listening to music on the farm helps pay for the everyday necessities of caring for an aging herd. \nFestivalgoers will be able to see the place their money supports while they’re there. \nBring a Chair\, a Picnic and Settle In\nThe atmosphere is deliberately informal. \nGuests are encouraged to bring a blanket or lawn chair\, and they’re welcome to pack a picnic and BYOB. Food will also be available on site. According to the farm’s current festival information\, the concerts take place under a tent and are scheduled rain or shine. Dogs are not permitted. \nThe farm’s social media announcement lists The Grill by Kay as Friday’s food vendor\, with Rustic StrEats on site Saturday and Sunday. \nFriday parking opens at 5 p.m.\, with gates opening at 6 p.m. before the 7 p.m. concert. Saturday and Sunday parking opens at noon\, followed by gates at 1:30 p.m. and music at 2:30 p.m. \nTickets are available at the gate. \nFor a Beacon reader in the Mystic area\, this one requires a little more driving than most of our weekend picks. But roughly half an hour up Route 85 leads to something that’s difficult to duplicate closer to the coast: three days of music from the ’70s and the artists it inspired\, performed at a farm devoted to giving old horses a comfortable place to spend their final years. \nMore information is available at the Event Website link below. \nTo purchase tickets\, click the Event Ticketing link below. \nDetails\nEvent: 19th Annual Mitchell Farm Music Festival\nDates: Friday\, Sept. 18–Sunday\, Sept. 20\, 2026\nLocation: Mitchell Farm Equine Retirement\nAddress: 300 East Haddam Road (Route 82)\, Salem\, CT 06420\nWeather: Rain or shine; tented event\nSeating: Bring a blanket or lawn chair\nFood: Picnics welcome; food vendors available\nBeverages: BYOB permitted\nDogs: Not permitted\nBeneficiary: Mitchell Farm Equine Retirement; fundraising proceeds help pay for feed\, veterinary care and farrier costs for horses in its care. \nFriday\, Sept. 18: Jon Pousette-Dart Acoustic Duo at 7 p.m.; parking opens 5 p.m.; gate opens 6 p.m.; gate admission $42 or $40 cash. \nSaturday\, Sept. 19: Laurel Canyon and Broken Arrow at 2:30 p.m.; parking opens noon; gate opens 1:30 p.m.; gate admission $72 or $70 cash. \nSunday\, Sept. 20: Mystic Dead at 2:30 p.m.; parking opens noon; gate opens 1:30 p.m.; gate admission $32 or $30 cash. \n\n\nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/mitchell-farm-music-festival-brings-three-days-of-70s-rooted-music-to-a-horse-sanctuary/2026-09-18/
LOCATION:Mitchell Farm\, 300 E Haddam Rd\, Salem\, 06420\, United States
CATEGORIES:Mitchell Farm
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T170000
DTEND;TZID=America/New_York:20260918T200000
DTSTAMP:20260915T025059Z
CREATED:20260914T005844Z
LAST-MODIFIED:20260915T025059Z
UID:10007598-1789750800-1789761600@thectbeacon.com
SUMMARY:Studio Love Grand Opening Introduces a New Club
DESCRIPTION:Studio Love Grand Opening welcomes the community into a new women-owned Pilates\, yoga and social wellness club in Groton on Friday\, September 18\, with drinks\, bites\, live music and dancing from 5 to 8 p.m. and an official ribbon cutting at 6 p.m. \nBut founders Annie Chapman and Maggie Skinner are opening something they hope will be more than another place to squeeze in a workout. \nThe mother-daughter team has designed Studio Love around Pilates\, yoga\, meditation and mindful movement\, but also around something that can be surprisingly difficult to find in fitness spaces: a place where people actually want to stay. \nTheir philosophy is summed up in five words: \nLove is the root\, not the reward. \nA Mother and Daughter Build Their Own Studio\nChapman and Skinner aren’t newcomers to the local wellness community. \nBoth have spent years teaching yoga and Pilates\, and Studio Love brings their experience together at 70 Bridge Street in Groton. \nChapman is an E-RYT 500 yoga teacher whose training includes 300 hours through the Baptiste Institute and an additional 300 hours of Recovery Yoga training. \nSkinner combines yoga and Pilates training\, including 300 hours of Baptiste teacher training and comprehensive 800-hour Pilates teacher training. Her background also includes ballet and a particular interest in anatomy. \nNow mother and daughter are putting those experiences under one roof. \nStudio Love describes the new business as a “love letter to the community that raised us.” \nThe September 18 grand opening is the community’s first big invitation inside. \nThe Idea Starts With Changing How People Think About Exercise\nPlenty of fitness businesses promise results. \nStudio Love is asking people to reconsider what a result actually means. \nIts philosophy explicitly rejects exercise as punishment for what someone ate or as a transaction undertaken to earn a different-looking body. \nInstead\, Chapman and Skinner describe movement as a form of self-care and a way of making your body a more comfortable place to live. \nStrength still matters. \nSo do mobility\, balance\, endurance and proper technique. \nBut the goal isn’t to make people feel that the person walking through the door needs to be fixed before beginning. \nThat distinction influences how Studio Love describes nearly everything it offers. \nThe studio says its classes are intended for different ages\, body shapes\, backgrounds and experience levels\, including complete beginners and people returning to exercise after time away. \nPilates Goes Beyond the Mat\nPilates will be one of the major pieces of Studio Love. \nThat includes Reformer Pilates\, using the familiar sliding carriage\, springs\, straps and resistance system that allow exercises to be scaled in dramatically different ways. \nA reformer can add resistance to make a movement more challenging. \nIt can also provide assistance. \nThat’s one reason Pilates equipment can be useful across such a wide range of experience levels. \nStudio Love also incorporates Tower Pilates\, expanding the exercise possibilities through spring-loaded equipment and attachment points. \nFor people who prefer the simplest version\, mat Pilates remains part of the program as well. \nThe emphasis throughout is on controlled movement\, alignment\, mobility and functional strength rather than simply moving as quickly as possible. \nThere’s Plenty of Yoga\, Too\nYoga at Studio Love ranges from energetic to deliberately slow. \nAt the more athletic end are heated power and vinyasa-style practices. \nOther classes slow things considerably through approaches including slow flow\, restorative and yin yoga. \nThat gives members the ability to choose a practice according to what their body needs that day rather than treating every visit as another maximum-intensity workout. \nSome people may come to sweat. \nOthers may come because they’ve spent eight hours sitting at a desk and would simply like their back to forgive them. \nBoth belong. \nMeditation and Breathwork Are Part of the Club\nStudio Love’s definition of wellness extends beyond exercise. \nMeditation\, breathwork and other mindful practices are incorporated alongside Pilates and yoga. \nWorkshops and specialty programming can take that further\, with the studio planning experiences such as Yoga Nidra\, sound-focused practices\, guest instruction and educational workshops. \nStudio Love has also connected with Heartfulness\, an international nonprofit meditation organization\, to help interested members access complimentary Heartfulness Meditation experiences with trainers. \nIt’s another indication that the word “wellness” isn’t being used simply as a fashionable substitute for “fitness.” \nThe studio is trying to create a broader practice. \nWhy Call It a Social Wellness Club?\nThis may be the most interesting part of Studio Love. \nChapman and Skinner don’t want everyone grabbing their keys and disappearing the moment class ends. \nThe space is intentionally designed to let people linger. \nHave some tea. \nRefill a water bottle. \nAnswer an email. \nTalk to the person you’ve been practicing next to for the past month. \nSit for a few minutes before returning to the rest of the day. \nComplimentary tea and filtered water are part of the experience\, along with small touches such as infused water and cool lavender cloths following hot classes. \nThe idea is to create some of the social connection that can disappear when exercise becomes another appointment to complete as efficiently as possible. \nThat’s where the “social wellness club” description comes from. \nThe class is only part of the reason to walk through the door. \nBeginners Get Their Own Starting Point\nBoutique fitness can be intimidating. \nEveryone else appears to know where to stand. \nThey understand the equipment. \nThey know the terminology. \nAnd you’re quietly trying to figure out which way the mat goes. \nStudio Love has created a Start Here Series specifically to address that. \nThese classes emphasize foundations\, technique and slower instruction\, with room to ask questions and learn how things work. \nFrom there\, classes are organized partly by the experience someone wants. \nThe Power Series is faster and more athletic. \nThe Flow Series uses continuous\, intelligently sequenced movement at a more moderate pace. \nThe Restore Series slows things down with an emphasis on recovery\, mobility and relaxation. \nThe Feature Series is reserved for workshops\, pop-ups and specialty programming. \nThat structure gives someone a more useful question than simply\, “Do I want yoga or Pilates?” \nThe question becomes\, “What do I need today?” \nThere’s Even a Blind Date\nNew members can try Studio Love through something called the Blind Date Membership. \nIt’s a 14-day introductory program providing 55 credits and two guest passes. \nThe idea is to give someone enough freedom to experiment before deciding what they actually like. \nTry the reformer. \nTake a mat class. \nBring a friend. \nTry something else. \nStudio Love’s regular memberships operate on the same credit philosophy. \nRather than buying a membership that locks someone into one particular kind of class\, members receive monthly credits that can be spent across different Studio Love experiences. \nA Reformer class currently uses 15 credits. \nA mat class uses 10 credits. \nA workshop uses 15 credits. \nDrop-in classes are also available for people who don’t want a membership. \nThe Studio Is Designed to Grow With Its Members\nStudio Love says its schedule will include morning\, midday and evening options. \nMore importantly\, Chapman and Skinner aren’t treating the opening schedule as permanent. \nThey plan to add and adjust class times and formats according to what members actually use and request. \nThat’s a small but meaningful difference between opening a business with a predetermined formula and opening one intended to become part of a community. \nIf the 10 a.m. class fills and another time doesn’t\, they can respond. \nIf members want more restorative work\, the schedule can evolve. \nIf workshops prove popular\, there can be more of them. \nThe grand opening is the beginning rather than the finished product. \nThis Is Also Becoming a Yoga School\nStudio Love already has its next major project scheduled. \nBeginning in January 2027\, the studio will become home to Sangha Yoga School\, offering a Yoga Alliance-registered 200-hour yoga teacher training program. \nThe six-month program runs through June and combines monthly in-person training weekends at Studio Love with Wednesday evening online sessions. \nAnd it’s considerably broader than learning how to lead people through poses. \nThe curriculum includes yoga philosophy and origins\, anatomy\, alignment\, Ayurveda\, meditation\, Sanskrit\, chanting\, restorative yoga\, yin\, teaching methodology and assisting. \nDaily spiritual practice and community are built into the program as well. \nChapman is the school’s founder and lead instructor. \nSkinner serves as a lead instructor with an emphasis on anatomy. \nThe program is open not only to aspiring yoga teachers but also to people who want to deepen their own practice without necessarily planning to teach. \nSangha Explains a Lot About Studio Love\nThe word sangha traditionally refers to a community devoted to spiritual practice. \nThat makes it an appropriate name for the school\, but it also helps explain the larger Studio Love concept. \nChapman describes returning to yoga following the death of her mother and needing both a safe place to land and a community. \nThat experience informs what she is trying to create now. \nExercise can be individual. \nCommunity can’t. \nA reformer\, yoga mat or meditation cushion may be the tool that gets someone into the building\, but Studio Love’s larger ambition is to make people feel that they belong once they arrive. \nThe Grand Opening Is the Easy Way to See It\nNobody needs to understand Pilates before walking into the September 18 celebration. \nYou don’t need to own a yoga mat. \nYou don’t need to know the difference between vinyasa and yin. \nAnd you’re not being asked to demonstrate anything involving flexibility in front of strangers. \nThe grand opening is a party. \nFrom 5 to 8 p.m.\, Studio Love will welcome visitors with drinks\, bites\, live music and dancing. \nAt 6 p.m.\, the official ribbon cutting will mark the opening with the Greater Mystic Chamber of Commerce and City of Groton. \nIt’s an opportunity to see the space\, meet the people behind it and find out what they’re offering without committing to a class. \nAnd for Chapman and Skinner\, it’s a chance to introduce the community to something they’ve clearly thought about beyond the equipment and class schedule. \nA New Kind of Fitness Space for Groton\nThere are plenty of places where you can exercise. \nStudio Love is betting that people are looking for something more specific. \nGood instruction without intimidation. \nChallenging movement without punishment. \nPilates without requiring someone to already understand a reformer. \nYoga without requiring someone to already be flexible. \nA quiet practice when that’s what you need. \nA sweaty one when that’s what you want. \nAnd perhaps a cup of tea and another human being to talk to when class is over. \nThat’s a considerably larger ambition than opening another workout studio. \nOn September 18\, Groton gets its first look. \nDetails\nEvent: Studio Love Grand Opening\nDate: Friday\, September 18\, 2026\nTime: 5–8 p.m.\nRibbon Cutting: 6 p.m.\nLocation: Studio Love\nAddress: 70 Bridge Street\, Groton\, CT 06340\nFounders: Annie Chapman and Maggie Skinner\nBusiness: Women-owned Pilates\, yoga and social wellness club\nGrand Opening Activities: Drinks\, bites\, live music and dancing\nRegular Offerings: Reformer and apparatus Pilates\, mat Pilates\, yoga\, meditation\, breathwork\, workshops and specialty programming\nBeginner Options: Start Here Series provides slower\, foundational instruction for newcomers and those returning to movement\nIntroductory Offer: Blind Date Membership provides new clients with 55 credits for 14 days and two guest passes\nClass Credits: Reformer classes use 15 credits; mat classes use 10; workshops use 15\nVeterans: Studio Love offers a 10% veteran discount with valid identification\nMat Rentals: $2 for mat-based classes; no equipment is required for apparatus Pilates classes\nContact: 860-530-4800\nEmail: namaste@studiolovecollective.com\nComing in 2027: Sangha Yoga School’s Yoga Alliance-registered 200-hour teacher training begins in January \nMore information is available at the Event Website link below. \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown.
URL:https://thectbeacon.com/event/studio-love-grand-opening-introduces-a-new-pilates-yoga-and-social-wellness-club-to-groton/
LOCATION:Studio Love Groton\, 70 Bridge Street\, Groton\, 06340\, United States
CATEGORIES:Studio Love Groton
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T163000
DTEND;TZID=America/New_York:20260918T193000
DTSTAMP:20260905T014202Z
CREATED:20260905T014202Z
LAST-MODIFIED:20260905T014202Z
UID:10007470-1789749000-1789759800@thectbeacon.com
SUMMARY:Nick Bosse Returns to Mystic Seaport Museum
DESCRIPTION:Nick Bosse returns to Mystic Seaport Museum on Friday\, September 18\, after weather forced the postponement of his August performance at Schaefer’s Spouter Tavern. \nThe southeastern Connecticut singer-songwriter will now close out the Museum After Hours: Summer Music Series\, performing beside the Mystic River in the outdoor setting that has hosted live music throughout the summer. The series runs from 4:30 to 7:30 p.m.\, with free public entry to Mystic Seaport Museum beginning at 5 p.m. through the North Entrance. \nFor Bosse\, the rescheduled date provides another chance to bring his blend of country\, southern rock and bluegrass to a hometown-area audience in one of Mystic’s more unusual live music settings. \nThe Rain Check Is Now September 18\nBosse had originally been scheduled to perform at Spouter Tavern on August 21\, but rain had other plans. \nRather than canceling the appearance altogether\, the show was moved to Friday\, September 18. \nThe new date also extends the Museum’s summer music calendar later into September. Mystic Seaport Museum’s current schedule lists Bosse as the performer for September 18 and describes his solo shows as showcases for his gritty baritone and emotionally driven songwriting. \nThe setting remains the same: the lawn outside Schaefer’s Spouter Tavern inside Mystic Seaport Museum’s historic village. \nGuests can bring blankets or lawn chairs\, although the Museum warns that seating is limited and can fill quickly. \nOutside alcohol is not permitted. \nA Southeastern Connecticut Country Artist With a Growing Audience\nBosse is a Nashville recording artist and singer-songwriter from southeastern Connecticut who has spent years building an audience both locally and beyond the region. \nHis sound draws from country\, southern rock and bluegrass\, with traditional country storytelling sitting at the center. \nBosse has cited influences ranging from Merle Haggard to Tyler Childers\, an old-meets-new combination that helps explain his approach. The music can reach back toward traditional country without treating the genre as something frozen in the past. \nHis path into the regional music scene began with local cover gigs in 2013. Not long afterward\, he formed The Northern Roots\, the backing band that has accompanied him through much of his career. \nBosse has since performed at venues including Foxwoods and Mohegan Sun and throughout the New England country circuit. \n“What Happened to Country” Became His Breakthrough Song\nThe song most closely associated with Bosse is “What Happened to Country.” \nReleased in 2021\, the track asks a question that has become increasingly common among listeners who feel mainstream country has drifted away from the genre’s traditional sound. \nThe record connected. \nBy 2026\, “What Happened to Country” had surpassed 2 million streams\, a substantial milestone for an independent New England country artist. \nThe subject also reflects a larger theme running through Bosse’s work: an interest in country music as storytelling rather than simply a collection of familiar production techniques. \nThat traditional streak doesn’t mean his sound is strictly retro. Southern rock and bluegrass influences give the music room to move outside conventional country boundaries. \nA Solo Performance at Spouter Tavern\nThe September 18 appearance is billed as Nick Bosse\, rather than a full Nick Bosse & The Northern Roots concert. \nThat makes the Spouter Tavern setting particularly well suited to the show. \nBosse’s full-band performances can bring considerably more country-rock weight\, but the solo format strips the songs down and puts more emphasis on his baritone voice\, guitar and songwriting. \nIt’s also a different way to hear an artist who regularly appears with The Northern Roots at larger regional shows and festivals. \nAt Mystic Seaport\, the backdrop isn’t a traditional concert stage. \nIt’s the Museum’s recreated 19th-century seaport village and the Mystic River. \nSpouter Tavern Has Its Own Maritime History\nSchaefer’s Spouter Tavern looks as though it has been sitting in the village for generations\, but its history is a little more complicated. \nThe tavern was created at Mystic Seaport Museum in 1956 as a recreation of a 19th-century public house. \nHistoric architectural elements used in the building came from the Central House Inne in Stoddard\, New Hampshire\, dating to about 1833. Doors\, windows\, flooring\, wainscoting\, benches\, bar elements and a fireplace helped give the reconstructed tavern its period character. \nToday it operates as both a museum dining location and one of the most atmospheric places on the grounds to spend a summer evening. \nOutdoor seating opens toward the river and the Museum’s historic waterfront\, including the area near the Charles W. Morgan\, the 1841 whaleship that has become the signature vessel of Mystic Seaport Museum. \nThe Friday music series takes advantage of that setting by moving the entertainment outside. \nMuseum After Hours Opens the Gates for Free\nThe Summer Music Series offers something that makes these Friday performances different from a normal visit to Mystic Seaport Museum. \nPublic entry becomes free beginning at 5 p.m. \nGuests enter through the Museum’s North Entrance and can head toward Spouter Tavern for the music. \nThat means a regular daytime Museum admission ticket isn’t required to attend the evening portion of the series after free entry begins. \nThe music series itself runs from 4:30 to 7:30 p.m. \nVisitors are encouraged to bring a blanket or lawn chair and find a place on the lawn. Because seating is limited\, arriving earlier can provide more options. \nFood and drinks are available at Spouter Tavern during the series\, while outside alcohol is prohibited. \nOne More Friday on the Mystic River\nThere’s something appropriate about Bosse’s rain date becoming the final scheduled performance of the series. \nMuseum After Hours has occupied Friday evenings through much of the warmer season\, turning the area around Spouter Tavern into an informal waterfront music venue after the regular Museum day begins winding down. \nSeptember 18 pushes that summer tradition almost to the official beginning of fall. \nAnd after losing the original August date to the weather\, Bosse gets another shot at the waterfront. \nThis time\, assuming the weather cooperates\, he’ll also get to close the season. \nEvent Details\nEvent: Nick Bosse at Museum After Hours: Summer Music Series\nDate: Friday\, September 18\, 2026\nSeries Hours: 4:30–7:30 p.m.\nFree Museum Entry: Beginning at 5 p.m. through the North Entrance\nVenue: Schaefer’s Spouter Tavern at Mystic Seaport Museum\nAddress: 75 Greenmanville Avenue\, Mystic\, CT 06355\nPerformer: Nick Bosse\nMusic: Country\, southern rock and bluegrass influences\nAdmission: Free public entry beginning at 5 p.m.\nSeating: Bring a blanket or lawn chair; seating is limited\nOutside Alcohol: Not permitted\nOriginally Scheduled: August 21; postponed because of weather \n  \nFeatured image is an artistic representation inspired by the event and may not depict the actual people\, location\, or activities shown. \n 
URL:https://thectbeacon.com/event/nick-bosse-returns-to-mystic-seaport-museum/
LOCATION:Mystic Seaport\, 75 Greenmanville Ave\, Mystic\, CT\, \,06355-1946\,\, United States
CATEGORIES:Mystic Seaport
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T160000
DTEND;TZID=America/New_York:20260918T190000
DTSTAMP:20260621T233508Z
CREATED:20260621T233508Z
LAST-MODIFIED:20260621T233508Z
UID:10006140-1789747200-1789758000@thectbeacon.com
SUMMARY:Bozrah Farmers Market
DESCRIPTION:Bozrah Farmers Market returns each Friday with a season-long lineup of themed events that combine local shopping\, food\, entertainment\, and community fun. While visitors can always expect fresh produce\, local vendors\, and a welcoming atmosphere\, each market date brings a unique theme designed to give guests something new to experience throughout the summer and fall. \nFrom pickle tastings and berry celebrations to classic cars\, tacos\, chocolate\, and even a Renaissance-themed evening\, the weekly themes add an extra layer of fun to one of the region’s most popular community markets. Whether you’re stopping by to shop local\, grab dinner from a food truck\, or enjoy one of the special activities\, every Friday offers a different reason to visit. \nFamilies\, food lovers\, and shoppers alike will find plenty to enjoy as the market transforms throughout the season with themed activities\, special vendors\, and community celebrations. \nEvent Details \nWhen: Fridays \nLocation: Bozrah Farmers Market \n2026 Theme Schedule \nJuly 3\nPickle Festival \nJuly 10\nTractor Night \nJuly 17\nMakers Market \nJuly 24\nClassic Car Night \nJuly 31\nBerry Festival \nAugust 7\nDog Days \nAugust 14\nKids Entrepreneur Day \nAugust 21\nClassic Car Night \nAugust 28\nFood Truck Night \nSeptember 4\nChocolate Night \nSeptember 11\nTaco Festival \nSeptember 18\nAmerica 250 Celebration \nSeptember 25\nVintage Vibes \nOctober 2\nMakers of the Realm (Renaissance Theme) \nOctober 9\nTent-or-Treat \nAdditional Information \n\nWeekly Friday market\nLocal vendors and artisans\nFresh produce and farm products\nFamily-friendly atmosphere\nRotating seasonal themes and activities\n\n  \n 
URL:https://thectbeacon.com/event/bozrah-farmers-market/2026-09-18/
LOCATION:Bozrah Farmers Market\, 45 Bozrah Street\, Bozrah\, 06344\, United States
CATEGORIES:Bozrah Farmers Market
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T110000
DTEND;TZID=America/New_York:20260918T170000
DTSTAMP:20260701T201347Z
CREATED:20260701T201347Z
LAST-MODIFIED:20260701T201347Z
UID:10006479-1789729200-1789750800@thectbeacon.com
SUMMARY:Luxe CT: Velvet Mills to Modern Runways at Mystic Museum of Art
DESCRIPTION:Luxe CT: Velvet Mills to Modern Runways at Mystic Museum of Art explores the history of textiles in southeastern Connecticut\, tracing how fabrics\, fashion\, and craftsmanship have shaped the region from the precolonial era through the present day. On view from June 26 through October 11\, 2026\, the exhibition brings together historic artifacts and contemporary works to examine how textiles reflect labor\, immigration\, cultural identity\, and changing ideas of luxury. \nInspired by southeastern Connecticut’s once-thriving velvet industry\, the exhibition features a collaboration between Mystic Museum of Art\, Historic Stonington\, Mashantucket Pequot Museum & Research Center\, Mystic Seaport Museum\, and the Connecticut Region of the Studio Art Quilt Associates. Visitors will encounter an extensive collection of beadwork\, embroidery\, quilts\, velvet\, fashion\, and textile art drawn from partner institutions and the museum’s own collection. \nThe exhibition also highlights contemporary fashion designers with Connecticut connections\, including Xarea Lockhart\, Toriana Sauro\, Christian Siriano\, and Peter Som. Their work connects the region’s textile heritage with modern fashion\, demonstrating how clothing and material culture continue to influence art\, identity\, and design. Throughout the exhibition\, the museum will present lectures\, artist conversations\, and hands-on workshops that further explore these themes. \nExhibition Details\n\nExhibition: Luxe CT: Velvet Mills to Modern Runways\nVenue: Mystic Museum of Art\nDates: June 26-October 11\, 2026\nLocation: Mystic\, CT\n\nExhibition Highlights\nVisitors will experience: \n\ns\nWorks from Mystic Museum of Art’s permanent collection\nLoans from regional museums and organizations\n\nFeatured Partners\nThe exhibition includes contributions from: \n\nHistoric Stonington\nMashantucket Pequot Museum & Research Center\nMystic Seaport Museum\nStudio Art Quilt Associates\, Connecticut Region\n\nFeatured Designers\nThe exhibition showcases work by designers with Connecticut ties\, including: \n\nXarea Lockhart\nToriana Sauro\nChristian Siriano\nPeter Som\n\nAdmission\n\nGeneral Admission: $12\nNew London County residents: $10\nSeniors (65+): $10\nStudents with valid ID: $10\nFree:\n\nMystic Museum of Art members\nYouth ages 17 and under\nMilitary personnel and veterans\n\n\n\nExhibition Programs\nPublic programs are held on select Tuesdays from 5:30-6:30 p.m. \nTuesday\, July 7\nMystic Mudlarking: The River and the Rossie Velvet Mill \n\nGuest speaker: Mary Hendrickson\n\nTuesday\, July 21\nImmigration and Industry \n\nGuest speaker: Chelsea Mitchell\, Library Director & Collections Manager\, Historic Stonington\n\nTuesday\, September 1\nConversation with Alana Ryder and Emerging Designers \nFeaturing: \n\nAlana Ryder\nXarea Lockhart\nToriana Sauro\n\nWorkshops\nAll workshops take place in KTJ Studios. \nSaturday\, September 19\nFrom Textile to Art: Felt Collage Workshop \nSaturday\, September 26\nIntroduction to Sewing Workshop \n\nFeatured designer: Toriana Sauro\n\nSaturday\, October 10\nRelief Printing on Silk Scarf Workshop \nWhy Visit\nLuxe CT examines how textiles have connected communities across centuries while reflecting the region’s history of manufacturing\, immigration\, craftsmanship\, and artistic innovation. By pairing historical artifacts with contemporary fashion and fiber art\, the exhibition offers visitors a deeper understanding of southeastern Connecticut’s cultural heritage and its continuing influence on today’s artists and designers. \n  \n 
URL:https://thectbeacon.com/event/luxe-ct-velvet-mills-to-modern-runways-at-mystic-museum-of-art/2026-09-18/
LOCATION:Mystic Museum of Art\, 9 Water Street\, Mystic\, 06355\, United States
CATEGORIES:Mystic Museum of Art
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DTSTART;TZID=America/New_York:20260918T110000
DTEND;TZID=America/New_York:20260918T170000
DTSTAMP:20260705T020852Z
CREATED:20260510T162306Z
LAST-MODIFIED:20260705T020852Z
UID:10000485-1789729200-1789750800@thectbeacon.com
SUMMARY:Brickwrecks: Sunken Ships in LEGO Bricks
DESCRIPTION:Brickwrecks: Sunken Ships in LEGO Bricks drops visitors into centuries of maritime mystery and disaster at Mystic Seaport Museum.. The internationally touring exhibition combines massive LEGO® ship recreations with real maritime history\, creating an experience that feels part museum exhibit\, part interactive adventure. As the first American stop for the exhibition\, Mystic Seaport becomes the latest host for a showcase that has previously appeared at major maritime museums in Europe and Australia. \nThe exhibit features eleven detailed LEGO® models recreating famous shipwrecks and maritime disasters spanning thousands of years\, including the Titanic\, the Vasa\, Franklin’s Arctic expedition ships Terror and Erebus\, and the ancient Uluburun trading vessel. Created in partnership with LEGO® Certified Professional Ryan “The Brickman” McNaught\, the displays combine historical storytelling with surprisingly intricate engineering and visual detail. Some models even include cross-section cutaways revealing what happened beneath the waterline. \nInteractive experiences throughout the exhibit invite visitors to test survival scenarios\, operate a remote underwater vehicle\, experiment with ship stability\, and build LEGO® creations of their own. Alongside the models are replica artifacts\, archaeological tools\, and multimedia displays exploring how modern researchers investigate shipwrecks and what those discoveries reveal about trade\, exploration\, disaster\, and human history. The result is an exhibit that works equally well for families\, history buffs\, LEGO® fans\, and anyone who still secretly wants to touch every museum display. \n 
URL:https://thectbeacon.com/event/brickwrecks-sunken-ships-in-lego-bricks-3/2026-09-18/
LOCATION:Mystic Seaport\, 75 Greenmanville Ave\, Mystic\, CT\, \,06355-1946\,\, United States
CATEGORIES:Mystic Seaport
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